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thegreatmanda's Reviews (459)
emotional
hopeful
lighthearted
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I enjoyed this book a lot; I don't know that anything stood out especially, but it had a sweet romance, characters with complex pasts and feelings, and an interesting mystery. I would have liked to see more showing and less telling when it came to Tristan and Edwin's emotions. A lot of that happened as internal monologue exposition as each character ruminated alone, which gave me a certain detachment from their experiences.
I appreciated the emotional journeys they both went through, and the places they were able to grow into felt like a lot of progress by the end of the book without being unrealistic or making everything magically (heh) fixed.
Favorite Quote:
I appreciated the emotional journeys they both went through, and the places they were able to grow into felt like a lot of progress by the end of the book without being unrealistic or making everything magically (heh) fixed.
Favorite Quote:
When you're treated badly for too long you begin to fear you aren't worth being treated any other way, that no one will see you as something to cherish. It wasn't true or right, but I'd still found it a hard notion to shake.
“I wouldn’t worry too much about what you should have done. Just do what’s right for you now.”
adventurous
funny
lighthearted
mysterious
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
No
Maud Blyth bores me to death and I feel bad about it. It was tough to get interested in the early part of this book because my interest in her was mostly as a conduit to Robin and Edwin, who I spent this book missing, the Last Contract quest, and what Robin and Edwin would think about the current situation or whichever character she’s talking to. Her entire personality in A Marvelous Light consisted of "rebel against brother", and here it seems to be "strong moral center". There's nothing wrong with that, but there also isn't another piece of the story that desperately needs that goodness, in the way that Edwin's downtrodden heart soaked up Robin's kind certainty like a sponge. She has the back story of the bad parents, but we've already heard about that via Robin as well. Maud's character doesn't add a lot to the backdrop of the story and other players, and it produces a very low-contrast color situation, which gives a book a rocky start when that's your main character.
I do like Violet well enough; her personality and back story are a common trope, but still entertaining. As she and Maud got to know each other, their relationship was... fine, I guess. Considering her knowledge of Robin and Edwin's relationship, I felt a lot like Maud should have known lesbians were a possible thing before Violet told her, and I also felt like she fell in love with the first available prospect after being told lesbians are a thing.
Hawthorn is his usual self, ready to take all of his true feelings and secrets to the grave even as he tosses sexual adventures and snide comments around like parade candy. I’m excited to get inside his head and watch him turn into a fully formed human being in the final volume of the trilogy, which this book feels like some sort of endurance trial in order to get to. In fact, as I finally made it farther into this book, the main characters of A Power Unbound met as side characters here for the first time, and as the sparks flew in each of their interactions, the two of them stole the entire show and ran off with it. I finished this book with more fondness than I ever expected to have for Hawthorn, after the way he treated Edwin in A Marvelous Light, and very hungry for more of him and Ross taking jabs at one another.
Favorite Quotes:
I do like Violet well enough; her personality and back story are a common trope, but still entertaining. As she and Maud got to know each other, their relationship was... fine, I guess. Considering her knowledge of Robin and Edwin's relationship, I felt a lot like Maud should have known lesbians were a possible thing before Violet told her, and I also felt like she fell in love with the first available prospect after being told lesbians are a thing.
Hawthorn is his usual self, ready to take all of his true feelings and secrets to the grave even as he tosses sexual adventures and snide comments around like parade candy. I’m excited to get inside his head and watch him turn into a fully formed human being in the final volume of the trilogy, which this book feels like some sort of endurance trial in order to get to. In fact, as I finally made it farther into this book, the main characters of A Power Unbound met as side characters here for the first time, and as the sparks flew in each of their interactions, the two of them stole the entire show and ran off with it. I finished this book with more fondness than I ever expected to have for Hawthorn, after the way he treated Edwin in A Marvelous Light, and very hungry for more of him and Ross taking jabs at one another.
Favorite Quotes:
"The man who cleans windows deserves a bit of pleasure in his life just as much as the man who owns them."
Ross named a price. Maud winced. Hawthorn named a much lower one. Ross called Hawthorn an inbred skinflint arsehole, pointed out that he was including the suitcase, and lowered his own price by an infinitesimal margin. Hawthorn, wearing the same expression he'd directed at the chessboard, called Ross a bloodsucking Mediterranean gutter-rat.
Violet had been neglecting her strumpetly duties when it came to Lord Albert. She had no idea how really promiscuous women kept strings of lovers all at one time. Surely one would need vast organizational skills, or a secretary.
A pause, in which the table warily weighed the question of whether Lord Hawthorn was familiar with the concept of humour.
"You have a real knack for beating people around the head with the truth like it's an umbrella, did you know that?"
"It is rather a lot to tell," she said. "But I suppose I should start with the parrot."
challenging
emotional
hopeful
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
This had somewhat less sex and a lot more exploration of grief, friendship, self-worth, learning to live with chronic illness and/or disability, becoming an adult and figuring out what that means for your dreams, making your own choices, and a variety of other emotion-provoking content than I had expected.
New year’s was awful and frustrating.Obviously Arden should never have kissed Ellery without her consent and when he knew she would have said fuck off if he’d asked for it. I was also really icked out when he’d declined to do cocaine with her several times and she wouldn’t let it go, which is its own different kind of threatening, boundary-crossing behavior. So just, violations and bad decisions all around, really.
Lancaster Steyne continued to be the worst and bask in his own awfulness, and frankly, Nathaniel continued to be blithely controlling and abusive, more through ignorance than malice, but he doesn't figure any of that out until he's left several train wrecks' worth of damage in his wake. Idiot .
I still spent a lot of time frustrated with Caspian and wanting to shake some sense into him, but I ended up caring about him a lot more than I expected, seeing him through Arden's eyes.I wish we could have gotten a bit more of their beginning together because it felt like a bit of an abrupt ending.
Favorite Quotes:
New year’s was awful and frustrating.
Lancaster Steyne continued to be the worst and bask in his own awfulness, and frankly, Nathaniel continued to be blithely controlling and abusive
I still spent a lot of time frustrated with Caspian and wanting to shake some sense into him, but I ended up caring about him a lot more than I expected, seeing him through Arden's eyes.
Favorite Quotes:
Thankfully, I'd emerged from the womb serving manic pixie dream queer.
"It will never be anything like you thought it would. But that's okay. And it's also okay if you decide it's not what you want."
And wasn't that a whiskey sour of an emotional cocktail? Being smug and hopeful and bitter and sad all at the same time. Which so wasn't me. I was a strawberry daiquiri boy, through and through.
"Don't worry about it. I thought it might be funny, but it just turned out stupid. Story of my life, really."
"But sometimes I get so fucking claustrophobic, like I'm in prison, except what I'm stuck inside is me."
"And," I went on, "I will always love you—"
Nik, in the fashion of most tragically heterosexual men, wasn't very good at emotions. Even when he needed them. He blushed. "So gay."
"So gay," I agreed, laughing. "Although I heard there's been some new legislation, so now the straights are allowed to have feelings too."
"And I know you say you've changed, and probably you have, but when it comes down to the colours of your dreams, and whatever makes your heart fly, and the things that really matter, you always get to choose."
"Choose what?"
"What you take with you and what you leave behind." I let out a shaky breath. "Because that's all change is."
His teeth scraped my earlobe. "I don't need to spank you to own you, Arden."
"Love isn't earned, Caspian. It's given."
challenging
dark
emotional
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Ok, so. I was pretty hard on Caspian in the first book, and he still needs all the therapy, but early on in this book - yikes, that history with Nathaniel. I read that as, Caspian was essentially emotionally abused by a man who was busy convincing Caspian that he was the one doing all the damage. That is… a lot. Even if it were just that, these two have a long uphill road to get to a healthy relationship.
And then I got to the end of this book, the other shoe dropped, and I was absolutely floored. No wonder this man behaves like an asshat. Nathaniel’s judgment and attitudes were just the worst possible latest additions to the trash heap of abuse and self-blame. At this point everything hurts, and I'm just in, please let this end well territory.
Favorite Quote:
And then I got to the end of this book, the other shoe dropped, and I was absolutely floored. No wonder this man behaves like an asshat. Nathaniel’s judgment and attitudes were just the worst possible latest additions to the trash heap of abuse and self-blame. At this point everything hurts, and I'm just in, please let this end well territory.
Favorite Quote:
It was actually shaping up to be a fairly nice evening. Not exactly warm because, y'know, England, but the sky was swirly blue and a pale silver orb was hanging in it. I'd seen pictures of such a thing on the internet and I think it was the sun.
adventurous
emotional
hopeful
mysterious
reflective
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Having only looked at the covers of the Doomsday novels without reading the synopses, I was disappointed to find out that this wasn’t a second Gareth/Joss centered tale. However, then I realized who it does focus on, and that Gareth and Joss are still featured players, and started to see all the surprising places where this story meshes with theirs. My initial hesitation could not have been more wrong. This is a delightful and satisfying companion to the first book, and I will definitely be reading more from KJ Charles in the future.
Favorite Quotes:
Favorite Quotes:
I don't know why you have to sit so close when we work, and watch me the way you do, if you're not going to reach for me.
But there was still a kernel of him that was a desperate, lost, hungry thing, and no matter how hard he tried to starve it out, it was always there, poking its head out at a sniff of affection, howling for more, making him hopeful and vulnerable and stupid.
"I don't want goodbyes is the sort of thing Luke says, but it's not what he means."
This was the kind of thing that left Rufus, a straightforward man, hopelessly adrift. "Because he means instead—?"
"He means, I'm scared you don't care, so I'm not giving you a chance to prove it," Emily said. "He's that way, Luke. Aunt Sybil says he's hard to love but it's not true. What's hard is making him see it when you do, because he's already decided you don't."
"My Doomsday. The end of my world."
adventurous
emotional
funny
mysterious
reflective
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Charmed, delighted, entranced, and driven to order the conclusion to this duology before I was halfway through this book. This pulled me into the world of Romney Marsh and its families and characters so fully and I knew I wouldn't be ready to leave them after only one story.
Joss and Gareth are so sexy and sweet together from the very beginning, and I love that this story actually starts with the usual romance novel trope of The Big Hurt, when their lives and pasts and expectations of the world push them to hurt each other. I'm usually cringing as I read any romance, waiting for the Big Secret or Betrayal or Argument to hit after spending 85% of the book feeling invested in the growing relationship. It was a relief to watch these two come out of the gate swinging and then learn to understand and communicate with one another over time, and that relief only grew as I got to know them.
Joss and Gareth are so sexy and sweet together from the very beginning, and I love that this story actually starts with the usual romance novel trope of The Big Hurt, when their lives and pasts and expectations of the world push them to hurt each other. I'm usually cringing as I read any romance, waiting for the Big Secret or Betrayal or Argument to hit after spending 85% of the book feeling invested in the growing relationship. It was a relief to watch these two come out of the gate swinging and then learn to understand and communicate with one another over time, and that relief only grew as I got to know them.
They are just so incredibly sweet together. The way Joss reads Gareth’s isolation and surprise at being wanted, even from their first meeting, got deep into my heart. Joss can be a hard man in a fight, and has so many blind spots when it comes to the people close to him, that for him to see Gareth so clearly was touching enough already—and then so much more so when I realized he was the first person in Gareth's lifetime who ever had.
Joss takes it for granted that his clan takes care of their own and of Marsh folk; that’s the idea of family that he’s grown up used to and sees as correct. Gareth has grown up unwanted and abandoned by the people who should have naturally been his safety net no matter what, so of course, even when Joss promises that Gareth is a part of Dymchurch and one of the Doomsdays’ own by virtue of that alone, Gareth doesn’t know how to accept it without wondering what it will cost him. His own father never offered him an ounce of care, so why should he look for it in others? I love when characters coming from such different backgrounds, equally heartbreaking in their own ways, grow together to find a middle ground.
On top of all that, we also get a genuinely exciting story with mystery and skullduggery afoot. I can't wait to see what the second volume has in store for Joss and Gareth and Romney Marsh.
Favorite Quotes:
The touch of his hands, the wonder in his eyes, the astonishing sense of familiarity, as though he and Gareth had somehow slipped past one another all their lives and their meeting was long overdue.
"God, I'm sorry, Joss. You have quite enough on your plate without me piling all this on you."
"I've plenty. Only that plate's a trencher I share with my family and my people and most of the Marsh." He put a careful hand to Gareth's face. "Whereas with you, that's just for me."
Gareth's lips rounded. "I...I would like to be just for you."
That got into Joss's lungs like Marsh mist, making it oddly hard to breathe.
"I love your hair."
"I like yours. Would you wear it longer, ever?"
Gareth had kept it in an unexuberant Brutus for some years. Uncle Henry had not encouraged poetical indulgences in his clerks' appearances. "I hadn't thought of doing so. Would you like it longer?"
"It's your head. But I do like something to get hold of."
He was growing it out, Gareth decided, starting now.
His only human encounter was with Pagan d'Aumesty, one of the Earl of Oxney's more peculiar relatives, who was wandering along High Knock Channel poking vaguely at the sides of the stream with a stick.
Gareth halted. "Good morning, sir."
"Eh? Oh. You're, uh..."
"Gareth Inglis. I came to tea with the Earl in March."
"No. No, that's not it."
"I beg your pardon?"
"I'll have it in a minute. Let me see, you are—"
"Gareth Inglis," Gareth said with extreme clarity.
"Ah, I have it! You are Gareth Inglis," Pagan informed him. "Are you looking for your father? He's just around here, I believe."
"I...I'm afraid he's dead, sir."
"Just around here." Pagan gestured in the vague direction of the Isle. "I saw him—now, was it today?"
"No, because he's dead?" Somehow that had become a question. "He's dead," Gareth repeated more firmly. "He's been dead for months."
"Are you sure?"
Gareth dug his fingernails into his palm against the wholly inappropriate laugh that wanted to bubble up. "Quite sure, yes."
"Hmph. That seems very odd of him."
"I do apologise," Gareth said hopelessly.
"We had been discussing my researches. I wanted to tell him about the progress of the project. I wondered why he had not visited." There was a distinct suggestion that Sir Hugo's death was insufficient excuse. "Really, it is most inconvenient. I wished him to assist in illustrating my theory."
"What theory is that, sir?" Gareth asked, out of politeness that he was very rapidly to regret, and then stood subject to ten minutes of monologue on Romano-British Mithraic mysteries before he was forced to remember an urgent appointment.
He pushed his face into Joss's hair. "I feel right here. I feel right with you."
"What's happened to you?"
"You," Joss said simply, and kissed him.
He couldn't describe the heart-stopping magic of it. The man he'd just met, the one he hadn't known he'd been looking for, right there in front of him.
"It's stupid how I love you. Baronet, for mercy's sake. I've got no business loving you, and I can't seem to do a blessed thing else."
"I won't lie," Joss went on inaccurately.
"I said I wouldn't leave you," Joss said. "I won't. Not till you make me, and you'll have to try middling hard on that."
adventurous
emotional
hopeful
lighthearted
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Very sweet, and for a book with multiple sexual encounters, oddly wholesome all the same. As lovable as Penn and Raff are, I would have liked to see their pasts and personalities developed out a little more, and some of their family members fleshed out as characters a bit more as well. Raff and Penn's relationship struggled due to their poor communication skills, and I wanted to know more about where all that reticence and their self-worth issues came from (at least in Raff's case on the self-worth, as Penn's was clear on that note). Again, though, I adored these boys and their sweetness together, and as this is Denny's debut novel, I'm very much looking forward to her future work as she perfects her craft.
medium-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Good GRIEF, what a frustrating experience.
I believe this trilogy was written as a direct response to a certain... ahem... Gray phenomenon which I haven't read or watched any of, so maybe he takes after the rich guy in those books, but Caspian desperately needs:
I believe this trilogy was written as a direct response to a certain... ahem... Gray phenomenon which I haven't read or watched any of, so maybe he takes after the rich guy in those books, but Caspian desperately needs:
- Therapy. He can easily afford it. He literally threatens to drag his sister to therapy by her hair at one point. There's no excuse for his shit.
- To educate himself about BDSM and its central tenets of SSC (Safe, Sane, Consensual) and RACK (Risk-Aware Consensual Kink) and let go of his ridiculous shame about his very, very normal preferences.
- To get over himself. Does he think he’s the only person who’s ever been through whatever this dark stuff is that he’s been through? Can he grow some listening skills and stop assuming Arden is just saying what he wants to hear?
I'm probably going to finish this trilogy out of a sense of completionism, and curiosity about whether this man can get his head out of his backside, and I'm already mad about it. Maybe I can convince myself to spend that time rereading Hall's For Real instead. Arden can do better than this guy.
Favorite Quotes:
I shoved through the front door of Hart & Associates—which didn't go as well as I might have hoped because it was revolving, and I had a hard enough time getting through those things when I was completely compos mentis—and then went plunging across the foyer.
"That's all ambition is. A fire that burns in empty places."
My living arrangements in Oxford had been highly prestigious in student terms, and guests had often come by to point and gasp at our genuinely nice sofa, but they'd still amounted to three rooms and a kitchenette I was sharing with another guy.
emotional
funny
mysterious
reflective
relaxing
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
In a word: charming. Reading this book transported me so effectively into its world, and I never wanted it to end.
These characters have my heart; I want to protect Edwin from everyone who ever hurt him, and I want to protect Robin from whoever cursed him. I love the way Robin sees and appreciates Edwin’s methodical intelligence, and the way he reads and handles the crowd at Edwin’s family home. I love that he can fit in with anyone without taking on their meanness or gossipy behaviors. Edwin has built up a suit of armor against a lifetime of hurts, and watching him struggle to let Robin close to him is heartbreaking and rewarding in turns. Their yearning, then catching fire together like the striking of a match, then more yearning, was so, so good. So good.
This is the first book of a trilogy, but I also knew from the start that each book centers a different couple, and I wanted this to last forever so I wouldn't have to let them go. Hopefully I'll love the other books just as much, but they have very big shoes to fill!
Favorite Quotes:
These characters have my heart; I want to protect Edwin from everyone who ever hurt him, and I want to protect Robin from whoever cursed him. I love the way Robin sees and appreciates Edwin’s methodical intelligence, and the way he reads and handles the crowd at Edwin’s family home. I love that he can fit in with anyone without taking on their meanness or gossipy behaviors. Edwin has built up a suit of armor against a lifetime of hurts, and watching him struggle to let Robin close to him is heartbreaking and rewarding in turns. Their yearning, then catching fire together like the striking of a match, then more yearning, was so, so good. So good.
This is the first book of a trilogy, but I also knew from the start that each book centers a different couple, and I wanted this to last forever so I wouldn't have to let them go. Hopefully I'll love the other books just as much, but they have very big shoes to fill!
Favorite Quotes:
Robin felt a warmth that had nothing to do with the fire, which was crackling away within a deep tiled recess. Edwin's wry, professorial humour was something that Robin didn't think many people were allowed to see.
Robin felt foolish enough that he contemplated upsetting the teapot as a diversion.
You look like a Turner painting and I want to learn your textures with my fingertips. You are the most fascinating thing in this beautiful house. I'd like to introduce my fists to whoever taught you to stop talking about the things that interest you.
A chauffeur was not needed. Robin referred vaguely to friends of his who owned motorcars and had taught him the knack of it in Hyde Park—"Though the speed limit's only ten miles to the hour, in the Park. And it's twice that in the country! This should be a lark."
Edwin, who wished Robin had betrayed this boyish and limb-threatening enthusiasm before they'd pulled out onto the road proper, pulled his hat more firmly down onto his head and fiddled with his cradling string, trying to remember if he'd ever read anything about how to unbreak a broken skull.
Robin held Edwin in the cradle of his fingers like a spell that would snap into nothing unless handled with care.
It was the way he felt watching Edwin read; it was the feeling he had every time his eyes sought Edwin in a room and landed on any angle of the man's face, any movement of those delicate fingers: There you are. I've been waiting for you.
Robin said, very quiet, "Tell me to stay, stay for you, and I will."
Always, with Edwin, that surprise. The wariness. The vivid expectation of abandonment; the bone-deep resignation to the fact that he would lose the things he wanted, or else never deserved them in the first place.
Robin wanted to make a leather-bound book of his belief and hand it to Edwin, make him read it over and over until Edwin could look in a mirror and see something of what Robin saw.
In the jubilant flare of the candlelight he was the loveliest thing Robin had ever seen.
emotional
funny
hopeful
lighthearted
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
This is an "extended universe" stand-alone from the world of Boyfriend Material, and it has everything I love about that series: the absurd, hyper-real sense of humor; the characters who have a tough time seeing past their own flaws, but learn to see both good and bad in each other; the wild ensemble cast of family and friends with their own distinct voices and personalities. It's a rare author who can give you such a crazy premise and off-the-wall humor alongside deep, touching family and personal struggles, but Alexis Hall pulls it off every time.
Adding March 23rd, 2024: Now that I've listened to the audio book, I had to come add a note about how wonderful Will Watt is!
Favorite Quotes:
Adding March 23rd, 2024: Now that I've listened to the audio book, I had to come add a note about how wonderful Will Watt is!
Favorite Quotes:
We've been talking for less than five minutes and I already want to stick his pencil up his nose.
I step forward like a deer stepping in front of another deer in the mistaken belief it's immune to being hit by cars.
Jonathan recoils slightly. "That is..." Being nice doesn't come easy to Jonathan Forest, but being nice about Gollum doesn't come easy to anybody. "an interesting-looking pet," he finishes.
Jonathan's face is absolutely thunderous. It's like he wants to fire everyone in the room but can't because they're his family and that's not how it works.
I find him in pets looking at cat treats. And when he spots me, he gets this expression on his face like I caught him with porn.
"I know you're being sarcastic, but I do. I do see you."
He folds his arms, leaning slightly away from me. "And what is it you think you see?"
"I see someone driven and ambitious who's been told those are bad things when they're not. I see someone who cares but doesn't know how to show it. I see someone who thinks he's got to be alone, so he pretends it's a choice." I stand up before he can object or reply or anything. "Also, you're surprisingly good with cats."
"You've come into my life like a beam of very annoying sunshine. You talk so much that I miss it when you're not. You try to fix things I didn't even realise were broken. You have a dreadful sense of humour to which I've somehow become habituated. You care about people so effortlessly it makes me able to put up with them. And then you kissed me and now I..." He lets his head slip further down into his hands. "...I don't know how I'm supposed to go the rest of my life without being kissed by you again."
"I don't want it if I can't have it with you."
"Yeah."
"Good."
We both continue to be shit at telephones.
"So, I suppose..." he tries.
We both continue to be extremely shit at telephones.
"How tiny?"
I put my fingers about half a centimetre apart.
"I'm not sure that's medically useful."
I inch them slightly further apart.
"Still not."
Giving up the fingers method as a bad job, I explain using my mouth words.