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199 reviews by:
samdalefox
adventurous
challenging
funny
lighthearted
reflective
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
This is my first Bulgakov novel, 'The Master and Margarita' is on my to-read list though! This short story ticked all the right boxes for me:
- Scifi - about a sterotypical 'mad scientist' before it was a genre trope #trendsetter
- Satirical - largely about the soviet bureaucracy and censorship of the time (1930s), but also about the dangers of narrow mindedness of a few (our protagonist Persikov) regarding the ethics underpinning scientific experimentation
- Funny little twists and remarks. My copy has a wonderful preface, introduction, and notes section at the back that tells you other little funny quips and play on words in the original Russian and references to contemporary figures and culture of the time.
Overall, delightful quick read, and hopefully an introduction to other Bulgakov works for me. The reason I haven't scored it higher is that a few times the narrative jumped a little unexpectedly for me. At first I thought this was maybe due to the chaos of the story at that point in time, or perhaps a translation thing, however when reading the introduction section afterwards, I suspect this is because the fullest text in Russian currently available to translate is not thought to be the original, it is likely to still have censorships edits.
reflective
relaxing
medium-paced
I understand why this was so popular during its original release during third wave feminism. I don't think it's stood the test of time; the feminism is dated and binary and the book's structure is meandering. However, I did enjoy listening to it as an audiobook, it was lovely to hear Pinkola Estés telling the fairy tales in her soothing voice (Little match girl, Baba yaga, and La Llorona are three of them).
Favourite quotes:
Favourite quotes:
"So many of us start out in a desert. We feel disenfranchised, we feel alienated, we feel not connected, sometimes even to our families of origin. A desert is a place where small things grow, the life in the desert is often small and brilliant but it's not lush like a forest. It's very small. And many of us have lived lives like that where there's a little cactus with a brilliant red flower on it and then you go 500 miles and there's nothing. Many of us have learned to live like that because we were born into families that to us were like deserts. For whatever reason we were born into families that were not able to sustainable us and make us flourish with a wealth and abundance of ideas and creativity and relationship."
“Go out in the woods, go out. If you don't go out in the woods nothing will ever happen and your life will never begin.”
Wcook's review (which I agree with):
"I will say I did find her writing on effective creative environments to be moving, particularly in regards to the merits and dangers of isolation as well as her examination of the importance of healthy creative communities.
I understand why this book is so important to so many people. I am glad I have read it, even if it is not necessarily my cup of tea."
challenging
hopeful
informative
inspiring
reflective
medium-paced
I found the self-indulgent style of the first chapter offputting, despite the topic of soil science being incredibly interesting, but the book's style got immensely better so I encourage you to persevere. This is not a book for the faint-hearted, it is an intense, meticulously well researched and argued piece about the agriculture and food industry. The first three chapters clearly define the problems with the current system, the remaining chapters explore solutions. I will always champion a book that acknowledges the complex interconnected systems of climate change, capitalism, and climate justice, gives references, and gives examples of achievable praxis and change. This is what we desparately need right now. We need to understand that solutions exists and we need to show strong support for pursuing these solutions and system change. It took me a long time to finish this book because 1) the topic matter is heavy, 2) there is a lot of information conveyed in every paragraph, and 3) I needed to process the full implications of points 1 and 2.
There are simply too many scientific concepts, principles, and theories to summarise here. Some I already knew, the vast majority I didn't. I will certainly be revisiting these in the future. All terms were clearly explained in common language, and all claims were substantiated by (from what I could tell from the sample I looked at) by credible sources. Monbiot writes from a UK perspective and highlights many pitfalls and opportunities close to home, but also takes a truly holistic view of the globalised industry of agriculture and the effects is has in all parts of the world. I cannot speak highly enough of this book.
Favourite quotes:
There are simply too many scientific concepts, principles, and theories to summarise here. Some I already knew, the vast majority I didn't. I will certainly be revisiting these in the future. All terms were clearly explained in common language, and all claims were substantiated by (from what I could tell from the sample I looked at) by credible sources. Monbiot writes from a UK perspective and highlights many pitfalls and opportunities close to home, but also takes a truly holistic view of the globalised industry of agriculture and the effects is has in all parts of the world. I cannot speak highly enough of this book.
Favourite quotes:
"Learning about the soil has taught me, to a greater extent than ever before, that we establish our truths from information that's patchy and shallow, beneath which lie realities we scarcely imagine. Widely accepted claims are based of hearsay and myth, while scientific findings, however dramatic and intriguing, are scarcely known beyond a small circle of specialists."
"Some of our knowledge gaps are so wide that humanity could fall through them. As systems becomes more connected, study paradoxically becomes more segregated: there is a trend in the academic research of greater specialisation over time. A tremendous body of knowledge accumulates, but the walls between disciplines are high. In science, modularity is dangerous."
challenging
dark
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This book is a hot mess but I really enjoyed it. I don't think this book is 'good', as in I don't think it's particuarly well researched, written, or thought out, but it was still engrossing to read and I tore through it quickly. I was genuinely surprised by the narrative which is a rarity for me and the ending was left completely open.
There are clear influences (in some cases direct lifting) from American Psycho and includes a great many other contemporary references to pop culture which I don't think will age well. I think it's interesting to view the themes through both the artist (Irina) and her art. Irina is a menacing unreliable narrator who embodies some really interesting themes also expressed in her art: rape culture, consent, boundaries, self hatred [diet culture, disordered eating], control, the male gaze and social hypersexulisation of girls and women, the 'female gaze', the impact of trauma to a person, narcissism, biphobia, women's anger and wanting to be seen, cruelty to others, manipulation (of others, of the truth), attachment issues, and some pretty interesting commentary on the British class system within the arts world. Her art comments on many of these things in the subject matter, Irina's process of how she makes the art, and how it is recevied by others.
There were many subplots (or redherrings, or mental dillusions, who knows!) that I was quite interested in but disappointingly never went any further e.g. Mr B, Irina's haunting/sexual sadism fetish of glass in the eye, and the 'breakdown/murder' .
Favourite quotes:
There are clear influences (in some cases direct lifting) from American Psycho and includes a great many other contemporary references to pop culture which I don't think will age well. I think it's interesting to view the themes through both the artist (Irina) and her art. Irina is a menacing unreliable narrator who embodies some really interesting themes also expressed in her art: rape culture, consent, boundaries, self hatred [diet culture, disordered eating], control, the male gaze and social hypersexulisation of girls and women, the 'female gaze', the impact of trauma to a person, narcissism, biphobia, women's anger and wanting to be seen, cruelty to others, manipulation (of others, of the truth), attachment issues, and some pretty interesting commentary on the British class system within the arts world. Her art comments on many of these things in the subject matter, Irina's process of how she makes the art, and how it is recevied by others.
There were many subplots (or redherrings, or mental dillusions, who knows!) that I was quite interested in but disappointingly never went any further e.g.
Favourite quotes:
"I look at the photos again, the ones I didn't delete. I look at his purple face, his bloody chin and nipple, his swollen cheek. I wonder what the fuck I have to do for people to recognise me as a threat, you know?"
"Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a fucking mark?
I like this review from the following Reddit thread:
I love this review because it thoroughly examines the flaws of the book. I see what you are saying, however I loved the book for exactly those reasons. Irina is insufferable and a horrible person. She’s not that great at much, except for being shocking and vile in acceptable ways. She gets lucky and abuses any of her power. I don’t think we’re supposed to fully grasp everything in the book. I admit the plot could be better, but her deliriousness really disillusions our hopes for her to change her ways. I wish there was maybe a clear point about gender dynamics or power, but I think there doesn’t need to be. I found it wildly entertaining to hate Irina and be excited by her reckless behaviors at the same time. Anyways, i just really like the points you made!
https://www.reddit.com/r/books/comments/vetecw/boy_parts_by_eliza_clark_is_an_utterly_terrible/?utm_source=share&utm_medium=android_app&utm_name=androidcss&utm_term=1&utm_content=share_button
Moderate: Biphobia, Drug use, Eating disorder, Fatphobia, Mental illness, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Blood, Murder, Gaslighting, Toxic friendship, Alcohol, Injury/Injury detail
Minor: Classism
informative
reflective
medium-paced
I enjoyed it more the further I read. The writing is a nice mix between informal commentary (almost like a memoir) and more traditional reporting style. I was dismayed by the lack of references list and have docked it a star accordingly, however a note on the sources was provided at the end commenting that a good deal of the material was sourced from primary interviews with people mentioned by name in the book. I understand the reasoning for this, but still find it disappointing (and explained by point 3 below). The book covers the preamble and moment when almost all countries around the world (though through a USA-centric lens) came close to uniting on how to tackle climate change through a multilaterial binding legal agreement. By the end my resounding feelings are:
- Sadness and anger at the generations before me that had the power to make meaningful change to stop the climate crisis and didn't.
- Despair at humanity's continuing inaction (the science has only expanded further to confirm what we already know in the 1970s and added observed further compounding disasters).
- Dull recognition at the incredible nepotism, privilege, and old boys' club networks the book describes in the political, NGO, scientific, and journalism professions.
- A tiny amount of happiness for aquiring greater knowledge on the history of the climate crisis. I learnt many new things in this book and will certainly keep it for reference. At the moment I am unsure how we can use this knowledge in current praxis, but my gut instinct is that this is useful information to know. I would recomment to climate activists and to climate deniers.
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
Utterly enraging. I'm completely on the side of the 'villain' in the book, the headteacher. The reaslisation the teacher comes to, that I'm sure is meant to be the inspiring revelation and is the apex of the plot, that she should preach 'the children can be anything they want' is utterly wrong. Wrong morally and practically. The author goes to pains to paint a dystopian backdrop [the human race is going extinct] , it is perfectly reasonable and desirable to encourage the remaining humans of the human race to do what they love, want, and need WHILST recognising the very real limitations and challenges ahead of them. This is the healthiest way to approach it. This is what our generation desparately wants right now as we are facing a very similar prospect with the impending climate crisis. I cannot express how tone deaf this short story is. Completely unecessary, uninspiring, and downright dangerous rhetoric to believe in.
reflective
slow-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
This is the first book of George Eliot's that I've read. I enjoyed it, I laughed a few bits in fact, but I'm certainly glad I listened by audiobook, I think I would have found it more of a slog reading a physical copy despite it being so short. I wouldn't say this story reads as a horror in 2022, more 'literary magical realism'. I suspect for the time it was written in that the writing (first person, middle class man with 'feminine' characteristics') may have been novel or interesting. Reading it today, it was a bit boring to be honest. Additionally the protagonist didn't actually do anything with his gift of forsight and understanding others, he merely meanders on. I actually quite felt for Bertha his wife, she was vastly more interesting to me.
Minor: Death, Death of parent
adventurous
dark
funny
lighthearted
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Not as good as the first three, still really enjoyed it though.
adventurous
sad
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
I know I watched The Iron Giant as a kid, but I hoenstly can't remember it, so I went in to the book without preconceptions. Like other readers, I found the introduction of the second main character the the space-bat-angel-dragon a sudden change in tone but I still thoroughly enjoyed the story. I can clearly identify the themes Hughes was trying to introduce, but I don't think it was cohesive at all. For example, he incorporates themes of consumption, war, greed, and the message for us to live in harmony with each other, to find a natural calmness and balance. YET, he has a clear cut case of slavery with no moral implications or indications which is contrary to that aim... He also hints at themes of man made machinery vs nature where the message at first seems to be that nature should be respected, should triumph, and harmony should be found. YET AGAIN, he contradicts this with a clear example that machinery can win over a natural being and enslave it for the greater good of humanity and that this is desirable. As such, the true morals of the fable are contradictory and confusing.
The best part is definitely the characterisation of the iron man, I especially loved the first part and the description of his colour changing eyes and behaviours. I found the below review had a particularly interesting point that I agree with and adds to the contradictory and confusing nature of the story (specific section highlighted in bold). Contains spoilers.
insomniac2453's review
...I could see kids being read this book and proclaiming how they believe the story will continue or how the situation will play out, who they support - the farmers or the iron man. And later in the story, if they feel bad for the iron man or the space-bat-angel-dragon. The sentences were full of descriptive language so it always felt action packed, even if the iron man was just collecting his body parts....
The best part is definitely the characterisation of the iron man, I especially loved the first part and the description of his colour changing eyes and behaviours. I found the below review had a particularly interesting point that I agree with and adds to the contradictory and confusing nature of the story (specific section highlighted in bold). Contains spoilers.
insomniac2453's review
Minor: Bullying, Slavery, Violence
informative
inspiring
reflective
medium-paced
I listened to this as an audiobook and didn't like the narrator, I'd recommend reading this as a physical copy if possible. "The Art of Being" is like a short manual on auto-analysis, meditation, and focus, but it doesn't go deep into methods the reader can apply. I believe that Fromm is trying to make the reader more self aware and introduce some ways of how a human being can orientate oneself towards being rather than having.
First half of the book was better, it was broader in scope with geater insight (and some pithy take aways) in my opinion. Whereas the second half was a much more academic piece drawing on Freud, Marx, and Buddhism. I wasn't convinced by many of his arguments, especially the primitive human vs civilised human discourse. However, I did enjoy the discussion around mindfulness. I also found the discussion around superficial relationships and small talk very interesting too. Fromm's assertion that "most conversations are monologues," is very powerful and I think everybody should read and reflect. My favourite part though was the introduction of the concepts 'functional property' and 'dead property', I found these incredibly interesting and already beneficial to my own inner progression towards 'being'. Functional property is necessary (for physical and spiritual existence, it is functional and has a use). There was a large amount of time describing the 'having' mode and exploring the academic historical observations, but very little on the 'being' mode. In fact, the audio book only had one dedicated chapter, right at the end, for 10 mins on it! Overall I found the concepts introduced of great interest, but the structure and delivery of the book disappointing, I am eager to read Fromm's original work "To Have or To Be" though, I'm hoping I will find this more instructive.
First half of the book was better, it was broader in scope with geater insight (and some pithy take aways) in my opinion. Whereas the second half was a much more academic piece drawing on Freud, Marx, and Buddhism. I wasn't convinced by many of his arguments, especially the primitive human vs civilised human discourse. However, I did enjoy the discussion around mindfulness. I also found the discussion around superficial relationships and small talk very interesting too. Fromm's assertion that "most conversations are monologues," is very powerful and I think everybody should read and reflect. My favourite part though was the introduction of the concepts 'functional property' and 'dead property', I found these incredibly interesting and already beneficial to my own inner progression towards 'being'. Functional property is necessary (for physical and spiritual existence, it is functional and has a use). There was a large amount of time describing the 'having' mode and exploring the academic historical observations, but very little on the 'being' mode. In fact, the audio book only had one dedicated chapter, right at the end, for 10 mins on it! Overall I found the concepts introduced of great interest, but the structure and delivery of the book disappointing, I am eager to read Fromm's original work "To Have or To Be" though, I'm hoping I will find this more instructive.
"With an increase in civilisation, functional property increases with things. The individual may have several suits or dresses, skis... [etc.] All these possessions need not be different from functional possessions that exists in primitive cultures. Need no be, but often are. The change in function happens at the point where possessions ceases to be an instrument of greater aliveness and productivity but is tansformed into a means for passive receptive consumption. When having primarily has the function of satisfying the need for ever increasing consumption, it ceases to be a condition for my being but is basically no different to keep possession."
"If other people do not understand our behavior, so what? Their request that we must only do what they understand is an attempt to dictate to us... Mostly they resent our freedom and courage to be ourselves. We owe nobody an explanation or an accounting."
“Without effort and willingness to experience pain and anxiety, nobody grows, in fact nobody achieves anything worth achieving.”