199 reviews by:

samdalefox

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dark inspiring mysterious reflective tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: No

V for Vendetta is a dark graphic novel based in dystopian England in the 1990s, that teaches very interesting lessons of fascism, anarchism and revolution. Obvious biases that affect my reception of the graphic novel: I'm a communist, and an anarchist sympathiser. I am vehemently anti-fascist and anti-authoritarian and pro-militant action. Of course I was always going to love this story! I preferred the comic to the film, there a couple of significant changes to the film that I feel diminish the story's message. I'd recommend reading the comics, you can buy the complete collection in one volume and I found the style very easy and enjoyable to read.

Pros
  •  The inclusion of Valerie is incredibly important. To centre the story of a persecuted lesbian woman of integrity as the manifesto for resilience, resistance, hope, and love is just perfect.“...it was my integrity that was important. Is that so selfish? It sells for so little, but it’s all we have in this place. It is the very last inch of us, but in that inch we are free....It is strange that my life should end in such a terrible place, but for three years I had roses and apologized to nobody. I shall die here, every inch of me shall perish—except one” (156, 160).
  • The inclusion of arts as well as the sciences and philosophy. The symbolism of the roses is particuarly beautiful for socialists and communists, referencing Rose Schneiderman's "bread for all, and roses too". 
  • The pacing and aesthetic was bang on for a dystopian vision. Heavy shade, stylised thought 'bubbles', interesting strip arrangement. 
  • Accurate portrayal of various supporting systems of oppression propping up fascism; racism, homophobia, and notably patriarchy. At first I wanted to put the appallingly frequent slut shaming, misogyny, and sexism into the cons bucket as I didn't enjoy it, but tbh it's a hallmark of fascism so is probably best accepted charitably as accurate and not unecessarily used. 

Cons

  • Dare I say, too much focus on the fascist government and not enough on the oppressed people? The novel does a good job at exploring the nuances of consciousness in the people in power; how they are negatively affected by fascism too. But in a graphic novel that claims to want to upset that very balance of power, it would have been nice to have the same nuance and diversity explored within people not in power (excluding V and Evey).
  • The
    capture and torture of Evey
    was VERY problematic. It was unjustified as a plotline and completely undermines the anarchism point the novel was trying to make in my opinion. I think Evey's liberation could and should have been achieved in a different way, and the story of Valerie could have been included via a different mechanism.
  • I would love a follow up about the BUILDING PHASE. Most dystopian fiction focuses on the destruction phase of anarchy. The building phase in V for Vendetta was at least mentioned, but was never focussed upon. The building phase is not as gritty, glorified, or glamorised, but it is still tough and a worthwhile story to tell. I think V for Vendetta missed a trick by not creating a short sequal or appendix covering the hardships of healing and creating. 

    Favorite Quotes: 

“Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.”

“Knowledge, like air, is vital to life. Like air, no one should be denied it.”

Expand filter menu Content Warnings
challenging hopeful informative reflective sad medium-paced

This is the one. The book that gives me hope that people who aren't currently engaged with the climate crisis will finally understand and take action. David Attenborough is an icon with the ability to reach millions of people who respect and are inspired by him. Attenborough has taken this opportunity horns first and written a damning, hopeful, instructive book on what the climiate crisis is, why it is bad, and what we can actively do NOW to help. As he says himself: "With the right motivations profound change can happen in a short period of time."

I will not waste words here repeating the structure and tales he uses to illustrate his points. Attenborough does this himself eloquently and makes the science accessible to all. I'd recommend listening to the audiobook if you're used to hearing him on the TV. It's one of the few non-fiction audio-books that I really retained the information from. Instead, I'll offer you some of my favourite quotes below. Please read this book. Please give this book to others to read. We must act now to save ourselves and the planet. Some key themes and concepts are listed here:

  • The demographic transition model
  • The doughnut of social and planetary boundaries - by Kate Raworth. 
  • The shifting baseline syndrome 
  • Degrowth (a just transition to sustainable energy, considering equitable social and infrastructure factors)
  • Rewilding, habitat conservation, and protecting biodiversity 
  • Circular economy (biological and technical cycles 

Quotes:

"We have become Accustomed to an impoverished planet. We have replaced the wild with the tame. We regard the earth as our planet, run by humankind for humankind. There is little left for the rest of the living world. That truly human world, that non human world, has gone. We have overun the earth." 

 "To restore stability to our planet therefore we must restore biodiversity, the very thing we have removed" 

 "We have all the tools we need plans minds and imagination of a future. All we require is the will". 
challenging dark mysterious tense fast-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

The Stepford Wives is a book that deserves its iconic status. It succeeds as both a feminist text and a psychological horror story. And it is no less needed now than it was in 1972. The text does not feel dated at all. It's short and punchy. I enjoyed the pacing of the book and that older style of horror, where the most horrible stuff is strongly implied and happens just off-screen...
one of my favourite moments was when Bobbie is in the kitchen holding a knife and has rock music turned all the way up to cover Joanna's screams but the story cuts away before the action happens, that moment was TENSE
.

I suspect I would have enjoyed this more if the twist hadn't had been ruined for me before beginning reading. The version I had spoiled it by explicitly stating the twist in the first line of the preface. I beg you, if you don't know what the twist is, SKIP THE PREFACE.

There are plenty of points for feminist discussion. Firstly, Ike Mazzard and Dale Coba with their lewd male gaze (Simone de Beauvoir’s existentialist feminism). Secondly,  the backlash against women’s liberation in Stepford is a backlash against the rejection of “Occupation: housewife" (Betty Firedan's The Feminine Mystique). Thirdly, the role of men in the feminist movement and their progressive 'allyship'. I was devastated at
Joanna's husband's betrayal
, there are plenty of examples of gaslighting, manipluation, guilt tripping, and control of men over their partners. All of these points brilliantly highlight the pervasive undercurrent of misogyny thought that still pervades our society today.

Expand filter menu Content Warnings
informative inspiring lighthearted medium-paced

I loved this book. It's easily readable, informative, and inspiring. It made me look at and appreciate trees in a whole new light. Since finishing the book, several of the concepts and factoids have stayed with me and I delightedly blurt them out to people in conversation and actively stop to observe trees. I would definitely like to learn more about forests and reforestation. For those in the UK I recommend browsing the Woodland Trust website, they have a good section on our ancient woodlands. 

 
Parts I found particularly interesting. Well everything. Wohlleben did an excellent job of describing how the forest systems are dependant upon each other. This isn't just a book about trunks, leaves, and roots. It's about the 'wood wide web' fungal system, how do trees communicate, feel pain, sense time, sense light, protect themselves, how do insects and animals co-habit within forests, mosses, lichen, and diversity. I also appreciated that Wohlleben noted where science is still researching the answers, and suggestions on what the future for forests should look like:

  • Conservation -  Protecting a percentage from all interference 
  • Silviculture  (aka plenterwälder)
  • Coexistence with forests - community based forestry
  • Species appropriate treatment/management in their ideal habitat
  • Breaking down moral barriers between animals and plants 

The reason this is not 5 stars is that even as someone who respects and wants to learn about nature, I am a city girl, and have very little knowledge of plants and trees. Although the text is very accessible, having pictures, diagrams, or photos would have enhanced my enjoyment and understanding even more. Instead, every few pages I had to google "what does a fir/silver beech/oak etc. look like?" like the novice I am. 

Favourite quotes:

 "In these times of dramatic environmental upheaval, our yearning for undisturbed nature is increasing". 

"We like to apply our own situation to others, we overlook the fact that an (intact forest) has completely different priorities /needs"

 "The main reason we misunderstand trees, however, is that they are so incredibly slow" 

 "This is what this ecosystem achieves: the fullness of life with tens of thousands of species interwoven and interdependent" (and processes e.g. leaves, acidity, plankton production in oceans, food chain) 

informative reflective

This is a difficult one for me to rate because 1, I have epilepsy, and 2, I also work in the medical field so I have lived experience of epilepsy and exposure to others with epilepsy. I first picked up this book a few years ago when I was killing time in Brixton Library in south London, and I remember being thrilled at finding something to do with epilepsy. I restarted it again this year and this time round was disappointed. 

The book is framed as a memoir, but crucially the author does not have epilepsy himself and is not a neurologist working with people with epilepsy. His exposure is second-hand through his brother who criticically
cannot speak for himself since he has died from SUDEP
and his academic/clinical encounters with epilepsy as a physician. I feel that this book would have worked better as one or the other. e.g. a memoir of Dr Grant's personal experience with his brother's epilepsy, or a factual history of epilepsy. It seemed incongrous to me smushing the two together and I found the readability of the book difficult. This may be because I found Grant's reflections on his brother Christopher as paternalistic and infantilising; something I find infuriating in my own experience with epilepsy. There were moments where I did relate though, especially with M's story on pg174-175, where he describes missing 'his brighter self' from before being medicated.

That being said, the book does offer exellent insights into the history of epilepsy. How sufferers were/are treated/mistreated, how medicine has developed to more effectively treat epilepsy [ "Technology often attempts to solve a problem by mirroring a function of nature" ], and it even touches upon the 'should we treat epilepsy'? A minority of people enjoy their seizures, and a larger minority do not want to be medicated/treated despite not enjoying their seizures. Overall, a bit of a slog to get through, useful info for those that want to learn more about epilepsy, but maybe not the best reflection of the individualistic nature and experience of epilepsy. I for one, don't identify with many of the statements Grant makes.

Expand filter menu Content Warnings
challenging sad slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

One of my guilty pleasures is reading about the monstrous activities of wealthy characters. As such, I adored Tartt's 'The Secret History'. Unfortuantely, I cannot say the same for 'The Goldfinch'. I was expecting dark academia, history, priviledge of art. Instead I got a bore. The book is long, and it feels long. The excruciating detail does not add anything substantial to the story and borders on hypergraphia with inconsequential tangents galore. At many points, it just plain bored me.

I was most interested in the art world, art theft, and dodgy dealings underworld of antiques, and yet the book frustratingly spends little time there. All glossy descriptions and no substance of narrative. Why it won the Pulitzer Prize for fiction I don't know. The book attempts at some grandiose reflection of life, juxtaposing beauty and purpose and the transcendent universiality of experience through time (through the painting and Hobie), against chance or a higher 'pattern' (through gambling, drugs, and Boris). The last 3 chapters or so are just incoherent rambling of Theo trying to justify his life through these reflections. I am not convinced that Tartt successfully justifies/condones his choices or criticises them. A series of bad events happen to an unsympathetic character, maybe if the story was cut down it would have held my interest. It started strong with an interesting premise, then meandered its way through Theo's chaotic life, never truly addressing the consequences to himself or others. Altogether, very disappointing. The famous painting itself however, is exquisite.

Bits that did resonate with me:
  • I identified with being in a family that's not your own/familiar (The Barbours, class divides), and the description of Theo's Dad/Xandra (in relation to my own Dad)
  • Walden - "the mass of men lead lives of quiet desperation". Examining city life vs country life e.g. car dependency
  • Boris, anti-capitalist
  • Boris - "None of us ever find enough kindness in this world do we" 
  • The Goldfinch painting itself, in particular the bird's torturous chain. The description on pg 342 "fluttering briefly, forced always to land in the same hopeless place."



Expand filter menu Content Warnings
reflective medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

I am a fan of Chekhov's plays (notably, Uncle Vanya) and I'm a fan of short stories. This is the first collection of Chekhov's short stories that I've read. I enjoyed reading them as an audiobook, I deeply appreciate Richard Armitage's voice. The rating is a reflection of the average taken from all the stories individually rated. 'Ward 6' and 'The Black Monk' were by far the standouts. But, I'll be honest, I've just about had my fill of stories about well-off, middle/upper class Russian intellectuals sitting about pontificating and life and insanity. 

Ward 6 notes
Although I could see where the plot was going, I still enjoyed the story. Ward 6 raises important issues regarding the relationships between citizens and state, and between people in positions of power (doctors, upper class, law makers and enforcers) and those whom they incapacitate (the physically and mentally ill, the poor, those they disagree with). I found it particuarly satisfying that Dr Ragin came to fully understand and agree with Ivan Gromov's points in Chapter 10. Where Gromov challenged Ragin's viewpoint on suffering, arguing that in order to understand the suffering of others, the doctor would have to experience suffering himself. Gromov's criticism of Ragin's stoicism had me literally shouting out YESSSS COMRADE! Other points that made me pause and think:
  • "There is nothing so good on this earth that did not have something bad about its origin"
  • Human connection - is this dependent upong thinking and intellectual pursuits? Arguably not. 
  • "People intellectualise reality to justify their own inaction". Case in point: Dr Ragin. 

Betrothed (The Bride) notes
I suppose for the time this may have been radical - mid 1800's, a woman, with autonomy, choosing her own way in life? Shocking. I also enjoyed one particular passage where the characters were discussing whether it is moral/immoral to 'do nothing'. E.g. They were discussing the wealth of the upper class acting as a parasite - stealing the life of another less wealthy person. 

The Black Monk notes
Part horror story, mostly celebration of madness and authenticity. The apparition of the Black Monk could be read to symbolise a number of things. To me there are 4 main themes throughout the novella:

  1. Is the hallucination of the Black Monk 'normal'/acceptable, or a mental illness/unacceptable? It questions why the hallucination could not be seen as a natural thing, since the person and mind is part of nature. ("I exist in your imagination, and your imagination is part of nature, so I exist in nature.") This could be read as romanticism of mental illness. Or a criticism of unnecessarily treatment and value judging of certain mental experiences. There were frequent references to 'feeling ordinary', 'out of character', 'not authentic', I would be interested to read a Phenomenonological review of this story. 
  2.  Spiritual emptiness, boredem, loneliness.
  3.  Humans' relationship with nature - represented in the control of the beautiful and bountiful Garden. Then reflected more profoundly in the nature of the self (see point 1 above). 
  4. Kovrin's suffering from 'delusions of grandeur' - his desire to be important and change the world and the stunting he felt from being limited in his ambitions. Are his feelings and views of himself justified or not?

"Why, why have you cured me? ...all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was... interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am—mediocrity..."  

"...Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew."

"Everyman should be satisfied with what he is". The Black Monk asks "Why did you not believe me?" i.e. in yourself.


Individual ratings (out of 5)
  • Ward 6 (3.5)
  • The Kiss (2)
  • Betrothed (2.5)
  • The Black Monk (3.5)
  • Neighbours (2)
  • The Student (1.5)
adventurous mysterious reflective tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

The word that comes to mind is Epic. Epic in length, complexity, world building, and social commentary, that to be brutally honest is still extremely revelant to today. The only other comparable work of fiction I would describe as epic in this sense is The Lord of The Rings. I am definitely going to continue reading the series.

For such a famous and epic book there are plenty of detailed reviews for you to peruse. I'll only highlight the themes I identified and top line likes and dislikes about the book.

Themes
  • Commentary on ecology and Earth's environmental crises 
  • Investigation into different sorts of power e.g. resource control (spice production, a clear metaphor to oil in the Middle East), 'soft' political control (bene gesserit and other religious sects), 'hard' militarised imperial political control (classism with the Landsraad, Emperor, salusa secundus, and racism against the Freman).
  • Eugenics lack of morality e.g. the bene gesserit breeding program, and 'race conciousness'. I can see why the fascists love it so much. I read the book as criticising rather than advocating this point though.
  • Beware of 'heroes'/'Messiahs/Leaders - Keynes's last words were explicitly that Dune did not need Paul the Hero. The Freman would have been better liberating themselves on their own terms with their own ecology and power plan.
  • Investigation into the powers of the mind, mental capacities, and different ways of seeing. Perhaps influenced/inspired by 60s psychodelic drugs?

Likes
  • I enjoyed this as an opposition to Assimov's Foundation series where everything is determined by computers and tehcnology and statistics etc. Dune felt like the mirror image demonstrated in the powers of the mentat and the butlerian jihad. 
  •  Finally, women power! The bene gesserit. The Fremen women. Even Princess Irulan to a degree. Ok, they're not morally 'good' and don't have a lot of power, but women, with some agency, in a book from the 60s!
  • The whole world building was beautiful and swept me up. Though detailed, long, and written a long time ago, I found it very easy to read.
  • The three appendices: ecology of Dune, religion of Dune, Bene Gesserit motives and purposes.

Dislikes
  • Alia. Just weird. I suppose that's the point of her, but, just nope. 
  • I find it difficult to believe that the missionaria protectivia planted the religious seed of The Prophet. Although reasonable (and possibly a shrewd criticism of religion in general), I get the niggly sense that this may have some unconcious bias or tinged racism to it. The fact that an entire people (brown, Islamic inspired people) so easily adopted this narrative of an outsider arriving to be their saviour... just I don't know, it was the only thing I thought hmmm really, sounds a bit off? I'd like to read reviews from Middle Eastern people to hear their opinions about whether Dune is racist or not.
  • Outdated homophobia painting Baron Harkonnen as a depraved homosexual. The film made a good call in updating this aspect. On this point, the film adapted the book brilliantly. It was largely true to the source material and anything it left out or embellished was to enhance the core story and update the text beyond homophobia, sexism, racism etc. So, bravo! I look forward to watching part II at the cinema when it's released.

Expand filter menu Content Warnings
informative reflective medium-paced

Bell Hooks is a household name for intersectional feminists. This is my favourite book of hers so far. She offers a unique (and necessary) perspective on masculinity, patriarchy, and feminism. She is also the first person I've read who I think successfully argues for the inclusion of men and men's experience of patriachry in the mainstream fourth wave feminist movement. She argues that engaged women should expend their energies on men to demonstrate a "collective, affiriming call for boys and men to join feminist movement so that they would be liberated from patriachy". She articulates the history and motivations behind this historical exclusion and why we must work together to end patriachy, the sole burden for change is not on men. This is a necessary book for men to read, because as Hook's points out, sadly many do not even know the reasons behind their anger and grief; this book unveils why. Although the text is heavily gendered, Hooks does acknowledge the intersection of masculinity with other genders and sexualities. Something perhaps a modern academic could expand upon. She also acknowledges the intersection with race and class. 

Pros
  • Well reasoned and well referenced. It was heartbreaking learning about the unique way patriachy harms our boys and men. But, also envigorating to focus on their particular experiences and identify points where we can most sucessfully break the cycle - spoiler alert, childhood and teenage years. This change needs to come from both women and men in a boy's life.
  • Critical finding: violence is the necessary boyhood socialisation to continue the cycle of upholding capitalist white supremist patriachy
  • Critical message: "replacing the dominator model with a partnership model that sees interbeing and interdependency as the organic relationship of all living beings".
  • I particularly enjoyed the recognition of working class men, best summarised on page 138
  • Core message:

Feminist masculinity presupposes that it is enough for males to have value, that they do not have to "do", to "perform" to be affirmed and loved.

Cons
  • Frustratingly little discussion on how to actually solve the problems identified. There were a couple of examples (i.e. replicating the success of emotionally vulnerable enviornments like AA, and a couple of novels such as 'The Colour Purple'), but I'd loved a chapter on what we can incorporate in our everyday lives to support this mission of loving boys and men and freeing them from patriachy. Maybe a couple of exercises, or even a full blueprint of how a society/community could operate?
challenging emotional hopeful informative reflective medium-paced

This was recommended to me by my counsellor. I'm glad she did because I'm not sure it would be something I would have naturally picked up myself otherwise, predominently because of the conversation style of writing. I gained a lot from reading this; a greater insight into myself, a much better understanding of trauma-work and healing, and an increased compassion for others. This is another non-fiction gem I would not hesitate to recommend to literally everyone. The book covers pioneering neuroscience and clinical psychology research into trauma, but is presented in an extremely accessible way. There are 11 simple diagrams introduced along with new concepts as the conversation develops that you can always refer back to. This is a book you should definitely read in sequence and not rush. There are plenty of opportunities to sit and reflect upon your own life. The core message to to reframe the current question of 'what's wrong with you?', to 'what happened to you?'. After this, I am utterly convinced this is the kindest, most evidence based approach to all humans.

Below I've included my top-level notes and messages I gained from the book. This is certainly an area that I am interested in reading more about. An dindeed, they provided a suggested reading list at the end of the book after the epilogue.

Raw notes:
  • Regulation = balance, love, care 
  • Love = action (physical touch, being present, engaging)
  • Trauma = EEE (event, experience, effects) trauma is always individualised
  • Stress is natural and not inherently bad. The important bit is timing, pattern, and intensity
  • ACE = Adverse Childhood Experiences
  • Relational health = connectedness to others ( this has the power to counterbalance adversity)
  • Therapeutic dosing = small individual 'moments' , with people being fully present, only seconds long
  • Transgenerational transmission is an encompassing term (see figure)
  • Sequence of (neurological state) engagement = regulate, relate, reason (this is crucial)
  • The uses of dissociation - a personal insight, perhaps this could explain my fainting at the sight of blood?
  • The chapters on healing, post-traumatic wisdom, and relational hunger hit very close to home for me - the neglect description and lonliness descriptions were accurate in all respects.
  • The chapter on systems and the degradation of society and what we can learn from Indigenous people fits into my other reading on understanding the climate crisis and capitalism.
  • The power of 'Intention'
  • "We feel better with the certainty of misery rather than the misery of uncertainty" [Bruce Perry] - people are attracted to the familiar
  • Malleable, not 'resilient'. redefinition of the word resilient
  • Four aspects to healing:  rhythm, community, talking therapy, and pharmaceutical therapy
  • Relationships and community are essential for regulation and healing
  • Relational health = connectedness
  • Trauma informed care (TIC) - important discussion on defintion, see 'Neurosequential Model'
  • Question: How do we create opportunities for healing within our systems?
  • Neurosequential Model - the latest and best developed model for trauma informed care in education
  • Learnings from  Indigenous people - 'wholeness' way of thinking, world view - fragmentation and disconnection is at the heart of all trauma. Pain is shared.
  • Advocation of 'Techno-Hygiene'
  • Awareness + connectedness = transformation