I highly recommend this book to anyone who has dyslexia, is parenting a young person with dyslexia, works in education at any level or is just in general interested in how differing brain structures effect things such as working memory, 3D visualization, problem solving, and other areas of cognition. I've known I was dyslexic since I was about 8 years old, but I had never picked up a book on the topic. I found this very interesting and very easy to read (its printed in a san-serif font with large page margins, and also short well-structured chapters). It contains many real-life stories of people with dyslexia rising to the very pinnacle of their chosen fields as well as a good section of layperson's neuroscience of brain structure and some of the latest research on memory formation. The authors do an excellent job highlighting how so many of the things that are cast as weaknesses or drawbacks in dyslexic students' early education are often reshaped into strengths later in life. Multiple times the authors emphasized that while dyslexic students should receive extra instruction in reading in early childhood, that they probably won't catch up their peers until later in life, often in high school or beyond and that one of the most important things is never letting the dyslexic student give up on their own ability to learn, thrive, and succeed. Most dyslexics are late bloomers, but as the book says, "time is on your side." 

High school senior Mari is woken from a nightmare about voices calling to her from a pit in a cave to learn that her grandmother is dead. Mari, her mom, and her little sister drive back to Estrella Roja, their small mysterious Texas hometown. Meanwhile, Kat, a college freshman who runs a podcast about the paranormal with her best friend, receives an anonymous email tip about the "devil lights" of Estrella Roja and decides to solo road trip to investigate it over her spring break. Kat can't find anyone in town willing to to talk to her... except Mari, who is both sad and bored, and can't seem to connect with any of her close-mouthed relatives. The two stumble across something in the desert that was spooky enough to make me wonder if I should be reading the book before bedtime. This story weaves a queer meet-cute with a dark family history into a very effective YA horror tale. The inking and coloring are absolutely gorgeous. Scary, but not too scary for me, a known scaredy cat!   

This book has three different story lines, one of which is much stronger than the other two, which is making it hard for me to figure out how I want to rate the book. The opening story line, and my favorite, is about Mary Shelley during the period in which she wrote Frankenstein. These scenes especially in the audiobook are beautifully read and atmospheric, damp, melancholy, introspective, with engaging characterizations of Byron, Percy Shelley, and the other guests of the house. The second story line is about Ry Shelley, a trans doctor living in post-Brexit Britain who becomes entangled romantically and criminally with Victor Stein, a researcher focused on AI, cryogenic preservation and reanimation, and training robots to detect human diseases. Ry is fairly genderfluid, and is often described as both a man and a woman, or a boy who is a girl who is a boy. I appreciated having a trans POV character in this book, but wished Ry had more of his own ambitions and plot- he seemed to exist primarily to have conversations and sex with Victor, who insisted over and over that he wasn't gay even after falling for and sleeping with Ry. Ry also interviews and then is repeatedly misgendered by Ron Lord, a Welsh entrepreneur in the sex robot industry- there is a lot in this book about sex bots, including huge chunks of uninterrupted dialogue by Ron Lord that got fairly repetitive in audio. Ry is also the victim of a bathroom sexual assault near the end of the book that felt thematically unnecessary and punishing. I can imagine a different version of this book where Ry was the one conducting the research that Victor does in this book, and his love interest is a modern version of Percy, which might have interested me more. There's also a third partial story line about Mary Shelley meeting a man named Victor Frankenstein who claims to be the character from her book; these didn't add anything for me. Would I recommend this? Hard to say. It's a complicated queer remix of Frankenstein and I was engaged while listening to the majority of it but there were also pieces that fell short of my expectations. 

A short but rich story about platonic adult friends who bond through a competitive fantasy card game, but end up supporting each other through all kinds of life transitions both joyful and heartbreaking. Allen and Zekia are both single, both wish they were dating or partnered, but instead they're sharing hotel rooms at geeky conventions, setting up mutual friends, attending weddings and funerals, babysitting other people's kids, and most of all playing the card game Asylum. Zekia, a Black lesbian, struggles with her self-worth, feeling unlovable and too socially awkward to date. Allen, a straight cis man, take a more philosophical view of his situation, appreciating the good things he has in life, including his many strong friendships. The black and white art is simple, clear, and effective. I read it all in one sitting! 

This is a very quiet and soft story of a girl struggling with an invisible chronic illness, and the resulting isolation and loneliness. Harriet and her parents recently moved to Chicago (to be closer to hospitals and specialists) and she doesn't know anyone in her neighborhood yet except the older woman, Pearl, who lives on a lower floor. Harriet misses friends she made at a summer camp and sends them postcards, lying about her new busy and fun social life. Pearl lends Harriet a series classic of books to try and gently nudge the girl out of her shell. But Harriet struggles to focus on them, instead wondering about a possible ghost living in the attic. There are other emotional struggles hinted at, but they are very subtle and a lot is left to the reader's imagination. The lineart is very careful and lovely. 

This book does an unbelievably thorough job of recounting one of the most devastating recent thefts from a modern museum. In 2009, an American student studying at London's Royal Academy of Music broke into the Tring museum, which contains thousands of natural history specimens including birds collected by Charles Darwin and his contemporary Alfred Russel Wallace. Darwin and Wallace both independently formulated the theory of natural selection and survival of the fittest in the same decade, by observing and collecting birds on remote islands during the height of the British Empire. They both believed in the importance of preserving these birds for future science. At the same time, the colonial empire had developed a huge appetite for exotic and colorful feathers for Victorian hats, the cabinets of curiosities and natural history specimens which were in vogue in the upper class, and for another aristocrat's hobby: tying salmon flies. These appetites nearly drove many bird species to extinction. Modern day lovers of the Victorian art of salmon fly tying now comb the internet for feathers from these rare birds, desperate to get their hands on materials mentioned in Victorian books. The majority of these feathers are now semi-illegal to possess or sell. It was this obsession that drove 20 year old Edwin Rist to break a window at the Tring and escape with nearly 300 stolen bird skins. There followed a long detective investigation into how he'd done it and what happened with the feathers afterwards. I enjoyed the audiobook and was impressed by the persistence of the author, who pursued this story for half a decade. 

This queer, modern retelling of Hamlet is set in a scientific lab and contained mostly within a tense 12 hours. Hayden Lichfield finds his father's cooling body in Elsinore labs within the first few pages; he immediately calls on the sentient AI system, Horatio, who controls the security cameras and many other aspects of the building. Horatio reports a 1.5 hour gap in the video logs. Hayden and his father, Dr Lichfield, were working on formula to reverse death. Hayden's immediate assumption is that the killer was after his father's research. The lab goes into lockdown and Hayden is trapped inside with his uncle Charles, lab technician Gabriel Rasmussen, Hayden's ex and research intern Felicia Xia, and her father Paul Xia, head of security. Unless they find an intruder, one of them is the murderer. I enjoyed how deftly this novel kept me guessing even when following a plot I know well. I was genuinely unsure how many, or who, of the people trapped in Elsinore would survive the night. I was also into the unashamed queerness of an AI in love with a human, and the ways in which that love could and could not be reciprocated. 

Isaac and Bellatine Yaga grew up on the road with their parents' traveling puppet show, but neither has a good relationship with their parents as adults. Isaac ran away as a teen and has lived as a train-hopping actor and scam artist into his early twenties. Bellatine moved across the country to study woodworking in New England were she is trying desperately to live a normal life despite her power to bring inanimate objects to life. Her power, and Isaac's shapeshifting ability, are inheritances of a generational trauma from a history they barely know. But then another inheritance arrives for them in New York: a house on chicken legs, built by a Russian Jewish ancestor who survived the pogroms of the 1920s and the turmoil of the Russian Revolution. To Isaac, the house is an opportunity. To Bellatine, it is a home. But it comes with a curse: a shadow man follows the house to America, wanting to finish the destruction he started. I loved this story, woven through with Jewish folklore and American folk songs, a road trip story, a story of facing and accepting family history and how far its shadow falls into the present. I image this book gets compted with American Gods by Neil Gaimen and The Golem and the Jinni by Helen Wecker but it is very much its own book with its own lyrical tone. And its queer! Highly recommend. 

Safia is blind, but she was raised by booksellers who read her stories of adventures and the wide world. After her parents tragically die in a fire, Safia is adopted by a distant relative, a reclusive aunt who used to be the world's most famous adventurer. A curse ended her traveling career, but a rival adventurer and the discovery of an ancient city might pull the whole family back into the world. This book was sillier than I expected, but I still greatly enjoyed the art style and the magical whimsy. 

A four hour fantasy novella read by the talented and wonderful Moira Quirk, who also reads the Locked Tomb audiobooks. This original fairy tale features Floralinda, a princess captured by a witch and imprisoned in a tower full of monsters. When all of the princes who try to rescue her fail, Floralinda has to to take up arms against the monsters herself. I was entertained throughout my whole time listening to this story, but it didn't have a particularly strong emotional impact. I would mostly recommend it to Tamsyn Muir completionists; thought it was published in the same year as Harrow it feels like an earlier work.