A very satisfying installment in the Will Darling adventures! If this is the final book, I am happy with where it's left the characters, but it does also leave the door open for more. If you enjoy spicy M/M romance with a hefty side of action/adventure, this is a great series. It kept me company through a week of holiday cleaning, cooking, and baking, and I think it's my favorite yet from the series. 

Set in England during the reign of King George the third, this historical romance delivered a satisfying amount of plot along with the spice. Gareth is the son of a Baronet, but grew up with none of the privilege of that position having been send away from home after the death of his mother during his childhood. He works as a law clerk in London with few connections, no friends, and nothing much to recommend him. He seeks companionship at a tavern that turns a blind eye on the illicit sexual activities of men in the upper rooms. There he meets Kent, a working class man from Romney Marsh, with whom Gareth sparks an intense and intimate connection. Then it falls apart. Gareth is sacked from his job. He fights with Kent. His father dies unexpectedly, and Gareth is summoned to a manor house he hasn't seen in years to take on the responsibilities of a title, including the care of a teenage half-sister and his father's mistress. And by chance, the house Gareth inherits is in Romney Marsh, home of many waterways, pastures, smugglers, and also Kent, his former lover. I enjoyed the dynamic between the two romantic leads, and the crime plot which entangled both of them. If you are interested in R-rated M/M romance with action adventure and danger, I'd definitely recommend this series and also KJ Charles' Will Darling series. 

I hardly even know how to talk about this book because I loved it so much. It's a rich, nuanced, painfully human follow up to the earlier Farseer trilogy. I am amazed at how deftly Hobb wove the narratives of her characters across three decades of their lives and counting. There's Fitz, the royal bastard and reluctant assassin, who we first met at age six. Now in his mid-thirties, he is finally exploring his magical talents, teaching, learning, and taking more and more misfit young people under his wing. There's Chade, who we first met at a mysterious and wise teacher- now he's a royal advisor, and his hunger for power and influence might yet take him down a very dark path. There's Kettricken, who as a teenage princess was engaged to a stranger, now grown into a powerful queen bent on changing her kingdom for the better. There's the Fool, whose multiple identities are threatening to collapse as more and more of his prophesies come true. And Burrich, Fitz's adopted father figure, who in his anger and grief disowns a son who reminds him too much of his past. All of these characters feel so deeply rooted in their own histories, traumas, choices; I care so deeply about their lives and see so clearly how the twists of fate led them to where they are now. This is seriously one of the best fantasy series I have ever read, and I highly recommend anyone who loves long form fantasy to go back and pick up book one, Assassin's Apprentice.

Lizzy lives with her grandfather on one of many small islands in an world plagued by mist and monsters. Her mother, father, and grandmother all died fighting against the leviathan that used to threaten the seas between the islands; Lizzy has heard the stories, but never knew any of them. Her daily concerns are with goats, the market where she sells their cheese and milk, and her crush on a girl who works the island ferry. Magic doesn't regularly touch her life, except when she foolishly steals three coins from a wishing well, and is then tasked with completing the three wishes that are bound to them. This story has much the feel of a fairy tale with it's orphaned protagonist, three wishes, three tasks, and characters who are often more archetype than fleshed out people. But it manages a sweetly emotional ending and simple but lively and effective illustrations. 

Sasha taqwšəblu LaPointe is a Coast Salish poet and punk who digs deep into the lineage of women in her family searching for connection, strength, and healing. While writing a Master's thesis, LaPointe opened the door to memories of a childhood sexual assault, precarious runaway teen years, and the intergenerational trauma that affected all of her family after the colonization of the Pacific Northwest. The memories that surfaced shattered her life. The path to picking up the pieces was slow, and involved traditional healing ceremonies, friendship, writing, music, and multiple journeys to places where her female ancestors once lived. I found this book very quick and easy to read despite the often heavy subject matter (it also includes a divorce and a miscarriage). Some passages are quite beautiful, but the author was an emotional mess for most of the time period she recounts and behaved in some questionable ways towards many of those around her. It ends on a hopeful note, and I would recommend it, especially to people with connections to the PNW area, while keeping the content warnings in mind. 

Despite how much promise there is in the premise of this novel, I was ultimately fairly disappointed by it. I'll start with the positives: it's set in a diverse and creative fantasy world with multiple different countries and cultures. It has several queer characters, including one of the four POV characters. It has dragons, even though I think they were severely under-utilized. It is also far too long, and astonishingly, nearly every scene in the book felt rushed. I think it actually had too much plot; if I had been editing this book I would have suggested the author cut one of the POV characters and use the freed-up space to flesh out the queer love story, which was the emotional heart of the book. This book is marketed as adult fantasy, yet whenever a character is in serious danger they are nearly always rescued by a talking animal with super-speed abilities. Choices like this book made the book read younger than I expected. It also suffered, perhaps unfairly, due to the fact I read a book with a much smarter and more interesting use of dragons, human/dragon cultural tensions, and dragon politics earlier this year: Seraphina by Rachel Hartman, which I would recommend over Priory any day of the week. 

I've been following Yao Xiao's work online for several years and I'm really glad I finally made time to read the collection! The brightly colored pages are full of small, poem-like comics that circle and return to multiple themes: self-esteem, coming out as queer, being a Chinese American immigrant living in the US, trust, taking up space, trusting in one's own strength and the love of friends and community. The artist draws themself as a small character with orange hair and a black elf hat and moves like a spite through urban landscapes, clouds, dreams, gardens, hopes, fears and other elements of the unconscious. There's no overarching narrative, but the many small experiences add up to a greater sum than their parts. 

Watterson's first offering in many years is a strange little picture book. This fable opens with a kingdom surrounded by a deep dark forest. The people are fearful of mysteries which live in the forest, so the king sends his knights into the forest to capture a mystery. Most return empty handed, or do not return at all. One knight captures a mystery and it is not what the people expected. The art is quite elegant, black and white photographs of dolls posed in blurry but evocative settings. The story is very slight, and I'm not sure it delivered on the depth it seemed to be reaching for. Maybe check this one out from the library rather than buying it. 

What a delicious book, in many senses of that word! The unnamed main character is a Chinese-American chef from Los Angeles who is stranded in London by natural disaster. A toxic gray smog envelopes the majority of the world, killing most crops and animals. Countries close their borders as their populations being to starve. The chef is offered an unbelievable job in a billionaire's small private country, a mountaintop in Italy which still has access to some sunlight and caters to a set of unbelievably wealthy residents who bought their way in. The chef lies on her resume, padding it out a fictional degree from a French culinary school and experience at closed Micheline start restaurant. The chef is granted access to the country for a probation period and re-encounters a lush array of ingredients she thought were extinct from the world: fresh berries and greens, rich cream and butter, unpreserved meats and fish. Under the cold eye of her cruel employer and his charismatic and ambitious daughter the chef tries to prove she can cook dishes that will astonish the 1%. Little does she know she was hired as much for her skill in lying as her ability to cook well. This book had more queerness, more speculative elements, and more hope for a world destroyed by human greed than I was expecting. The descriptions of food, flavors, textures, and the intersection of appetite with pleasure are rich, powerful and evocative. I really enjoyed this and I particularly recommend the audiobook. 

Set in a kind of fantasy WWI, this story follows Iris, a young woman who had to drop out of high school after her brother enlisted and her only other relative, her mother, fell into depression and alcoholism and lost her job. Iris begins working at a newspaper, vying for a regular columnist position against her office rival, handsome and wealthy Roman Kitt. Iris has a magical typewriter, and she writes letters to her brother regularly, even though she's never received one back from him. She slips these letters under the door of her wardrobe and in the morning they are gone. What she doesn't know is that the letters are making their way into the bedroom of Roman, who also has a magic typewriter. They begin a correspondence and a budding friendship. But a series of misfortunes befall Iris and she decides to enlist at the front as a wartime journalist. Will Roman follow the woman he's beginning to fall for? Will he ever tell Iris than he is her penpal confidant? This story was fast paced and interesting throughout, but at the end I was left with some critiques. Primarily, the way the book simplifies war by making the cause of war a divine conflict outside of mortal responsibility. It felt like an extremely watered down version of a wartime romance, with none of the political questions that would have plagued the characters had the book been set in actual WWI or WWII. The book also has a cliffhanger ending, and sets up a plot twist that will probably delight some readers but which unfortunately falls into one of my LEAST fantasy favorite romance tropes. So I will not be reading the second one unless someone else reads it first and spoils some of the plot for me!