Sammie is a recently out nonbinary transfemm but their college friend group has not picked up on that fact yet. When Sammie is invited to be the "best man" at their friend Adam's wedding and attend a bachelor weekend at a high-tech, no-laws resort built on top of the Pacific Garbage Patch they decide to go in stealth mode. The resort is a pyramid scheme mutated with a strip club, business conference, all you can drink brunch bar, pro-gamer, most-dangerous-game corporate nightmare. Also, the waters around it are infested with terrifying flesh-eating monsters and someone is trying to raise an eldritch god. It takes every bit of queer resistance Sammie possesses to survive this bleak, hilarious, and surprisingly moving tale. In both their fiction and nonfiction comics, Lubchansky continues to hold up the black mirror to our own dystopian times. 

A very queer high school rom-com comic with a satisfying message about growing into yourself and seeing others truly for who they are. It opens with a love triangle, but subverts that form into a more complicated shape by the end of the tale. Strong character designs and very effective limited color palette. 

Set in an alternate 1930s, Mississippi, this story follows a group of friends and found family who have to hide their magic from the restrictive and racist government. They survive at the margins, but they don't let the fear of prosecution stop them from doing what they love: racing together as a team. Deep in the woods seers and witches host carnival like events where racers on brooms compete for prize money and glory. Each of them has reasons why they need to win; lives and futures depend on it. This book is deeply queer with a diverse and magical cast. If you're looking for historical fiction where the trans and lesbian brown witches win, this one's for you. 

No one is doing it like Ann Leckie! This sci-fi novel uses six different pronoun sets (actually kind of seven, except one is the same set just used culturally very differently by different groups of people). It’s fantastic. We’ve got they/them, e/em/eir, sie/hir, it/its, he/him, she/her, and she/her again except used as a universal pronoun regardless of gender (which works great inside the Radch Empire and badly outside of it). I'm on the fence about whether this book can be read as a stand alone, or if it would only really make sense after having read at the Imperial Radch trilogy and Providence. I suppose it depends on what level of baffling alien customs and politics you are willing to tolerate. This book opens with Enae attending hir grandmaman's funeral, only to learn that the seemingly wealthy old woman had sold her entire estate to a stranger before her death. For the first time in her life, Enae leaves home with a Foreign Affairs job: to see out a fugitive who left Presger space some 200 years prior. Enae isn't expecting to succeed, but sie gives it hir best shot- and in doing so completely upends the lives of a widening circle of bystanders including Reet, a man of unknown parentage, and Qven, a juvenile Presger. This book finally begins to explain this inhuman and terrifying species, and the reason why the Presger-Radachii Treaty defines the rules of so much of this universe. I deeply enjoyed this installment; it makes me want to go back and re-read the original trilogy. 

What a delightful return to Romney marsh! This book picks up 13 years after the dramatic conclusion of the previous installment. Luke Doomsday is now a secretary, looking for a new position in a large house were he can keep books and solve his master's problems. Rufus, the recently minted Earl of Oxney, formerly a major in the army and son of a draper, has problems. For one, he never expected to inherit and his uncle is doing everything he can to prove Rufus illegitimate in court. For another, the previous Earl of Oxney was a selfish old bastard who let the estates fall into terrible disrepair, while Rufus' timid cousin kept poor account of the estate's money in a chicken scratch handwriting. Rufus struggles to read at the best of times, and he can barely make sense of his newly inherited account books. When Luke shows up on his door, it feels like a godsend. The men are immediately attracted to each other, though both have reason to be wary. And Luke, in seems, may have come to Stone Manor looking for more than a job. This series is such a fun mix of spicy romance, action, mystery, and danger. I'm really enjoying the setting and time period, which is just after the end of the Napoleonic wars. I really hope there will be more books to come! 

Action packed and exciting, this family drama is full of unexpected twists and turns. I loved the focus on female characters: passionate Kai, whose love of martial arts and sense of justice cannot be contained by the normal rules of Joseon society; her mother, Meorhu, a fragile woman with a surprising past; Sura, a thief turned mercenary; and the Gumiho herself, the deadly but alluring fox spirit who impacts the lives of all the others with her magic and charisma. The art is rich with historical details, beautiful nature scenes, and fast paced fight scenes. Lovers of ghost stories, kdramas, and queer re-tellings of fairy tales will find much to enjoy here. I was lucky enough to read an advanced copy of this book! Pre-order it now, or look for it in bookstores in mid-February 2024. 

Lucian is the son of a minor nobleman and the CEO of the galaxy's biggest AI company, but he's not so rich that he can't get in trouble. After being fired as a programmer from Echo Station he joined a startup with a couple friends and is now fishing for funding at an elite tech expo on board an expensive and exclusive space vessel. There he sees someone he thinks he recognizes- Ezra, a grey robot, an fully sentient AI who worked on Echo Station as a researcher and partially cost Lucian his job. So why is Ezra now working on the space vessel as an escort? Unless it's not Ezra, but just a look-alike robot model? These questions drag Lucian into the beginnings of tangled web of intrigue which include kidnapping, AI-hacking, and murder. I've been reading this story online as a webcomic for years; you can still read all of volume one here: https://electricbonescomic.com/index.... But last year I also backed the kickstarter, and just sat down to re-read the whole story in print form, including a sexy little bonus comic. I love these characters, I love the rich colors, the lovely sense of flow and design of the pages. I can't wait for volume two! 

I really enjoyed this book, even thought I think it's more interesting as a collection of ideas than as a novel. The characters in the first third felt somewhat flat, and the dialog is often delivered in hefty paragraphs with minimal dialog tags. But the story picks up in the second half and by the end I was reading it daily in big chunks. The concepts this book explores are what really shine, especially the idea of walking away from capitalist society and living in self-sustaining communities without formal governments or laws. This novel contains some future technology which we don't currently have today including 3D printers which can print food, clothing, and building pieces for vehicles and housing and also internet interfaces implanted into people's bodies which allow them global network access from anywhere almost all the time. The nation state of Canada also seems to have fallen before the start of this novel, as most of the characters end up walking away from the US into northern Canada to find these alternate communities. I liked seeing Doctorow play out the clash between on faction wanting to run a group house as a meritocracy versus another group committed to allowing all members to work as much or little as they want to or can, for example. The book does not shy away from showing the violent crack down of the existing governments on these alternate communities. There are major character deaths. But the other big theme of the book is exploring the digital scanning and uploading of human consciousnesses to the web allowed people to walk away from death. 

This was beautifully illustrated but too sad and violent for me to enjoy reading. It's the story of a dysfunctional middle school friendship between two unhappy girls who make a suicide pact. This story will really hit for some readers but it wasn't for me. 

This comic is grim, funny, gory, and darkly poetic. It's impossible to read it without an awareness of the history of the script, which is based on a suppressed opera written in 1943 two prisoners at the Terezín concentration camp in Czechoslovakia. The authors did not live to see their play performed. Maass and Lay have done an impressive job transferring a story meant for the stage into a comic. The stars of the show are the characters of Life and Death who narrative and frame the story of a paranoid dictator in the fictional nation of Atlantis and his reign of terror against his own citizens.