Williams illuminates, through memoir, interviews, and mixed media illustrations the extreme failures of the US healthcare system to address chronic pain. These failures are especially common for patients of color, patients who struggle with addictions, patients who are queer or survivors of assault and trauma. If you had any illusions that the systems of medical care are working in this country, shed them now. This book is half cathartic, half infuriating to read. I really appreciated the honesty and vulnerability of the interviewees and the trans and nonbinary inclusiveness of the language surrounding pain tied to the reproductive system. 

Liv's parents are on the verge of divorce; they've just moved to a new town and Liv will be starting at a new high school. At her last school, Liv was bullied for being openly queer and an unapologetic mall goth, and she is understandably hesitant to accept friendship overtures at the new school. However, a supportive male English teacher and a fellow goth gamer boy start to make Liv feel welcome. The goth introduces her to an MMORPG and the English teacher praises her essays and gives her <i>Lolita.</i> Both of them start regularly DMing Liv late into the night, more than is appropriate for the relationships they have. This book is in large part about a teen navigating confusing advances and how and when to disclose things that make her uncomfortable but feel hard to speak about or define. I thought that aspect of the story was handled very well. Some of the pacing in the friendship plot lines surrounding it felt a bit rushed, a few sections underdeveloped, but ultimately I think this book tackled an important issue not often seen in YA comics. It is also steeped in early 2000s Hot Topic/emo music/pop culture references- if you were there, you'll know. 

This comic blew me away. One of the most beautiful, strange, artistically ambitious and deeply trans books I've read in a while. Aesthetically, its as rich as a stained glass window or illuminated manuscript. Its narrative is psychedelic but emotionally it rings so tender and true. The story opens with Jules, a transman trapped in a nunnery who accepts a deal with a devil who promises to help him live as a man. Possessed and impervious to physical harm, Jules turns to a life of debauchery and crime. Then he meets another trans criminal, the poetic thief and thespian Casper, and they begin to fall for each other. They see each other as no one else ever has, they validate and treasure one another, but Jules' devil is a jealous master. The devil would rather see Jules burn than thrive. This is one of those books that made me want to draw, made me want to write, made me want to be bolder, weirder, freer, wilder in my story telling. An instant favorite, I expect I'll return to this over and over. 

This book picks up right after the end of the previous volume and I had, unfortunately, completely forgotten most of the previous plot. Once I got myself oriented I still had a great time with it. Wow, I just love watching Murderbot learn and grow and solve problems in unique and interesting ways! I kind of want to go back and re-listen to the whole series. 

I really loved the colored pencil illustrations of this book, especially the botanical drawings, and the kind of abstract relation of the text and images. I thought the drawings paired extremely well with the hand lettering even if at times I struggled with some of the cursive capitals. This is a candid memoir of recovering from sexual assault and a dysfunctional relationship to ones body and sexuality, of stepping into queerness and self-acceptance. I couldn't really relate to the author's journey, but I appreciated the honestly and thoughtfulness with which the more challenging themes were handled. 

This book, and this series, has earned Robin Hobb a permanent place in my list of favorite authors. This story goes so hard, weaving together threads that are 9 volumes and 30 plus years of in-story history in the making. The final confrontations, reunions, and farewells at the end of this story were hard earned and so well written. This very much felt like it could have been a final volume of the Realm of Elderlings series, but I know that there are 7 more books to come and I can't wait to see what else this series has in store for me! 

Atana is a mermaid, but she was banished from her home to live alone on island for a reason she doesn't understand. One night a curious young firebird leaves her flock in space to come down and visit Earth, and she convinces Atana to go an adventure. They are soon pursed by magic hunters, but they also make friends, and end up as invited guests in the Witch Queen's palace. She makes them welcome in her massive library and gardens, but she also has ulterior motives. This is a fast paced story of magic, friendship, and young people slowly learning about the forces larger than themselves that shape their world and their lives. I really enjoyed the art, it has a very active, energetic line which serves the action scenes particularly well. I can tell the author came from an animation background! I am glad that the ending set up potential future installments in this world. 

What an accomplishment! I savored every page of Feeding Ghosts, absolutely floored by the labor and courage that went into the writing of this book. The inking is gorgeous, the history is clear, digestible, and devastating. This book threads the line between honesty and compassion in a way that I appreciate so much in any memoir, but especially one dealing with family. Hulls lays out the story of three generations of women starting with her grandmother, Sun Yi, a Shanghai journalist who faced intense persecution during the rise of Communism in China, who penned a popular and scandalous memoir and then suffered a mental breakdown. This left her only daughter, Rose, a student at an elite boarding school with no parental figures and no other family to lean on. Eventually Rose earned a scholarship to an American university and in the end moved her mother into her California home. Sun Yi haunted that home during the author's own childhood. The unexamined trauma and codependency of Sun Yi and Rose drove the author to the extreme edges of the Earth, seeking freedom from their ghosts. But in the end, she stopped running from her family history and turned, instead, to face it. Shelve this book with Maus, Fun Home, Persepolis and The Best We Could Do.

I really struggled with this book. I almost DNFed at 25%. Ultimately, I did finish it, and I am glad I did because I think the final act was my favorite part of the story. However, I think the title and cover set me up with expectations of what this book would be which were very different than what the book actually delivered. This is not science fiction- despite the fact it was nominated in the science fiction category in the Goodreads Choice Awards. It is only barely speculative. This is a book about grief, depression, and parenting a baby and then a young child as a single mom struggling with loss and borderline alcoholism. There were passages of the book which struck hard, individual observations and lines which rang like bells. There is also nearly no plot and I was frustrated by the lack of world building. I wanted to know more about the laws governing extra shadows- were Shadesters allowed to vote, hold passports, travel across state lines? Had anyone experimented with the removal of Shadows? When and how did cameras get installed in apparently every home in American, and how did the government hire and pay for a workforce of seemingly 1:1 surveillance agents to citizens? Also, how on earth did Kris manage to pay for a whole apartment on a single salary working a call center job, especially when as a Shadester she had to pay extra taxes? I understand that this is literary fiction, and these questions are obviously not the ones the book was interested in answering. But it felt strange to me that a book so focused on parenting would not include a single passage about struggling to pay for or arrange childcare. The "pop quizzes" that break up the text did not work well in audio, and did not add anything to my experience of this book. Ultimately, I would only recommend this novel to a vary narrow audience of readers who enjoy lit fic, and are willing to spend a lot of time in the POV of a character teetering on the edge of a mental breakdown through much of the story. 

In a desert village, a group of folks choose to live a nocturnal life to keep the moon company, and to care for a small group of magical moths, the only creatures who can pollinate a magical tree which helps sustain the whole ecosystem. One youngster, Anya, volunteers for the important but lonely job of Moth Keeper. She yearns to be of service to others, and feels she must earn her place. In reality, help and friendship are only an ask away. This is a very beautifully illustrated and brief tale of responsibility, community, and resilience.