A wonderful, lively memoir of Pomo basket weaver and medicine woman Mabel McKay, as written by Greg Sarris, who knew her for most of his life until she passed in the early 1990s. Sarris is currently the chairman of the Federated Indians of Graton Rancheria based in Sonoma County which serves the local Pomo and Miwok populations. Sarris is very much also a character in this story, which lays out many conversations had on long car rides up and down the California coast, while Sarris drove McKay to give talks at universities and museums or to visit her relatives. The story is non chronological but still immersive, telling of McKay's childhood, her early years doctoring and making baskets, and her life-changing friendship with Essie Parrish, another basket weaver and important figure in Sonoma county. I'd highly recommend this book, especially to anyone interested in West Coast history, and very especially if you grew up in California. 

At the start of this book, in 1959, Andy Mills is at rock bottom. The former San Francisco cop was fired after being discovered in flagrante with another man at a gay bar. He is seriously considering suicide because he can't see any other options. Then a well dressed older woman, Pearl, sweeps into his life and asks him to solve a weeks old murder that occurred on her private Marin estate. Pearl is a lesbian and widow; her wife was the owner of a well known floral soap company and she died under mysterious circumstances. Pearl was unable to call in the police at the time because nearly everyone who lives on the soap flower farm estate is queer. A small group of biological and found family has made a safe, gated community for themselves- safe, that is, until one woman fell to her death from a second floor balcony. Andy isn't too hopeful about solving a case with little to no evidence, but he gives it a try, and he is blown away by seeing multiple queer couples living opening together in the same household. This was a solid story, though it didn't have that magic spark that sometimes captures me in murder mysteries. I was all ready to say I probably wouldn't continue the series, and then a 15 minute sample of the second book played after the end of the first in the audiobook. The second one already sounds MUCH more fascinating than the first, in part because Andy starts the sequel in touch with an intriguing queer community and setting up a new PI business. So I might try the next book after all! 

This is an action packed volume that sticks more closely to Coco, which is what I want out of the series. I'm still frustrated by the overload of new characters who I'm struggling to keep tract of. But the art is so stunning I'll probably keep reading.

In Tel Aviv, teenage Rotem spends her free time hanging out with friends and obsessively re-reading her favorite book, Sunrise, a vampire romance. She doesn't know anyone else into the series and has to wait for the next book to come out in Hebrew. But she does meet another reader, Ayala, who sits out of gym class every single week, sometimes with a Jane Austin novel. Rotem lends Ayala the vampire book and suddenly she has a fandom friend. This book very delicately, and at times wordlessly, explores the way a fictional story can act as a lens for teen questioning of gender and sexuality. The book feels almost memoir like with its groundedness in very real teen emotions and relative lack of external conflict. It's a simple story but beautifully illustrated and relatable.

Utterly charmed by the entire chapter that's just Yotsuba learning how to cook pancakes. What a good reminder that fine motor control is a learned skill! I also liked how Yotsuba's dad handled a lie about some broken dishes. This is such a great series.

In 2016 Julian Carter, a queer author and long-time participant in San Francisco's dungeon kink scene, received an invitation to be part of an archival matchmaking project. The project paired artists, activists, and scholars with specific issues of OUT/LOOK: The National Lesbian and Gay Quarterly. The assignment was to use the issue as a jumping off point to think about queer history and make something "new and provocative." Carter's assigned issue was from Winter 1991, the year the CDC announced 1 million American were HIV positive and AIDS was the 3rd leading cause of death in people aged 25-44 years. One of the many who died in 1991 due to AIDS related complications was Lou Sullivan, one of the first trans men to publicly identify as gay. From this starting point, this book traces paths of queer lineage, both proclaimed and obscured, traveling through history, memory, and poetry. Carter is linked, through friendship or scholarship, to Susan Stryker, pioneer of transgender history, to Zach Ozma, who edited Lou Sullivan's diaries for publication, and to Lou himself. Casting a transgender eye back on a queer history divided sharply into gay and lesbian, Carter allows himself to claim as ancestors sailors, skeletons, writers, lovers, and reaches forward in time towards students, readers, and artists. Including me. I was fortunate enough to be gifted an early copy by the author, and read it back in February back in one delicious rush. I already want to read it again, and more slowly, this time underlining and annotating it. This is a book to savor, but is easy to devour instead. It's sensual and surprising, formally precise, and made me want to dig around in a mess of queer historical papers and also contribute my own to the pile. It's out on June 4, 2024; give it a pre-order or look for it on shelves soon! 

I'm all caught up on this series and now I have to WAIT for MORE! 

Don't mind me just binging this series... 

This series is hitting such a sweet spot for me, a mix of humor, silly gender mix-ups, friends with very different personalities and dynamics, great pacing and delightful character designs. 

College students Tokiwa, Asagi, and Hagi are invited to a mixer with some college girls, but when they arrive they are greeted by three handsome boys at their reserved table. It turns out the girls they planned to meet at all work at a cross-dressing bar! Suo is a devastatingly charming and confident prince; Kohaku has a prickly exterior but a soft, shy interior; and Fuji draws smutty fan comics in her free time and is constantly on the lookout for new models. This goofy premise turns into a very sweet and funny slice of life comic as three couples with very different dynamics begin to develop. Sadly, I cannot find these books available in English so I am reading them at a sketchy online site, lol. I hope they get translated at some point because I've been completely sucked in and read four volumes in like 24 hours :3