Barda is the captain of a soldier unit from a torture/hell world called Apokolips. Her backstory includes being kidnapped as a child and tortured into serving as the perfect weapon in a very black and white interplanetary war. Her torturer is an old woman named Granny Goodness. They work for a classic evil emperor named Darkseid, who has the son of his major enemy locked in his dungeons. At the beginning of the book, Barda is told to investigate how this guy, named Scott Free, keeps managing to almost escape. This is challenging material to make something out of. It feels so ridiculous, so campy, so over the top, I had a hard time taking the premise seriously- especially as this torture world has to obey PG-13 movie rules about not showing any blood or actual human mutilation. All that being said, I think Ukazu wrote about the best modern take as you possible could with these characters. The writing is quippy, smart, empathetic; I enjoyed the page layouts, color palette choices, and the emotional arc she takes Big Barda on through the book, even though I wanted it to go a little farther at the end. 

Avery is a queer biracial teen, uprooted from her DC home just before senior year of high school by a family emergency which relocates her and her parents to Bardell, Georgia. Avery's grandmother, Mama Letty, has cancer and the prognosis isn't good. Avery is also fresh from a breakup with her first ever girlfriend. Her early years of high school were ruined by Covid, and she doesn't want to waste her last year as well in a back-woods town. But despite herself, Avery is drawn towards the people of Bardell and the ways she learns their histories tangle with her own. There's Carol, the woman next door, who was Avery's mom's best friend in high school but who know barely speaks to her. There's Carol's daughter, Simone, whose colorful locs catch Avery's eyes immediately. There's Jade, Simone's best friend at school whose family is linked to more than one tragedy in the town's history. And there's Mama Letty herself, who Avery wants to get to know, but time is running out. I read this book in just under a week while on vacation and really enjoyed it! It felt refreshingly grounded and real after some of the YA I've tried and DNFed recently. 

I picked this up after listening to the author's excellent interview on Gender Reveal. I'd never read an explanation of anarchy before and found this one accessible, intersectional, and rich with references to follow up on. Branson's basic argument is for recognizing that the state exists only to perpetuate its own power, and aids citizens only incidentally and when doing so doesn't conflict with maintaining control. In light of this, citizens should seek to gain as much freedom in daily life as they can by supporting community and mutual aid, by refusing hustle culture and separating self-worth from productivity, by spending as much time as they can on things that bring pleasure, joy, peace, and stealing from corporate workplaces among other things. Many sections of this book I found myself simply agreeing with, while other chapters (especially the sections on Work and Art) really challenged a lot of my internalized beliefs. I'm very glad I read this and imagine I will return to it in the future, especially when I'm able to read more on this topic. 

Helen Oyeyemi continues to baffle and dazzle me. This one is set in and narrated by Prague, which is a tricky city full of its own complicated whims and desires. Into this self-aware city enter several women: Sofie and Polly, an engaged couple, celebrating their bachlorette weekend together with friends. Hero, a somewhat estranged friend of Sofie's, who come to Prague mostly to avoid a piece of registered mail which is chasing her down. And Thea, a woman willing to commit violence for the right price, on a hired revenge mission that happens to intersect with a dark episode of Sofie and Hero's past. Does that sound straight forward? It isn't. Oh yes and there's also a book, Paradoxical Undressings, which tells a different story to every person who cracks open its covers. This book allows Oyeyemi to tell many nested and fantastical anecdotes from Prague's Communist past. As with most Oyeyemi books, there are a few threads I was left scratching my head over, but I had such a good time on the ride that I don't mind. I'll just have to read it again and see if I catch them (assuming it's the same book when I open it a second time!) 

Another satisfying installment in the Singing Hills Cycle! In this one, Cleric Chih accompanies a young woman and her family to the remote estate of her prospective husband. But all is not as it seems. The potential husband looks at least twice as old as the young woman, and he has a son shut up in a pagoda and kept drugged in his gardens. Everyone on the estate is in some kind of danger, but the secrets are thicker and deeper than even the Cleric can guess. 

The art is absolutely stunning, but the story is a bit too cruel and dark for me to really enjoy. This book takes the concept of the child sacrifice of Omelas and expands it out into a whole fantasy world, in which gods maintain their power through the consumption of innocents. The stunning color panel carried me though the first volume but I'm unlikely to pick up a second book. 

This book tells a fictional history of a real manuscript- the Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century Spain. The frame narrative follows an Australian manuscript conservation specialist, Hanna Heath, hired to re-bind the pages in the mid 1990s for a Bosnian museum that until extremely recently was in the middle of a war zone. Alternating chapters dip into contentious periods of Europe's history, usually moments of high tension between religious groups (WWII, Vienna at the turn of the century, the Spanish Inquisition in Venice, the banishment of Jews from Spain in 1492, Muslim/Christian conflicts in Seville in the 1480s) and trace how the Haggaadah managed to survive fire, flood, blood, war, and exile in the hands of many different people. This is an ambitious book that mostly achieved is goals; I got through the 14 hour audiobook very quickly. One unfortunate side effect of the narrative structure is that I as the reader didn't spend more than a few hours with any of the characters, and so didn't develop a particularly deep emotional connection with any of them, including Hanna, the lead. But still, I appreciate Brooks' eye for capturing just most exciting or tense moment from a historical era and will likely try a few more of her books in the future. 

Three friends, recently graduated from high school, struggle to keep their punk band together through the demands of early adulthood. College applications, jobs, family obligations, and makeout partners are all knocking on the door, demanding to be let in. Will Ariel, Michele, and Gael be able to stay true to their creative spirits and to each other? I had a great time with this fast-paced, sweaty summer, friendship-focused book even though the majority of the punk music references went right over my head.  

There was a lot I enjoyed in this memoir, as well as some aspects that worked less well for me. I enjoyed Slate's writing style and the focus on small moments of beauty and reclaiming one's right to live fully in one's body, acknowledging all of its human needs for softness and love. I liked her whimsy and sense of humor and kindness. I do wish that some of the chapters had been slightly more grounded in some of the facts and loose timeline of Slate's life. I didn't know anything about her before starting the book and it took me until almost the last chapter to learn she was the middle of three sisters; a line earlier on had made me think she was maybe a twin. It became clear that she was writing through the process of emotionally recovering from a divorce, but I only learned from wikipedia that her ex-husband had also been a major creative collaboration partner. I wonder if she expected most people reading this book to already be familiar with her biography? Regardless, don't go into this book looking for facts; go instead for a nonlinear reclamation of some simple but hard-won emotional truths and skip any chapter that isn't speaking to you. 

At age twenty, after a bad breakup, the author signed up for a study abroad program in Paris. Lonely and soul searching in a foreign country, Yanow spots a girl riding a fixed gear bike. Yanow is a committed bicyclist and chases the girl down to learn she is also an exchange student, also recently broken up with, a committed anarchist and a shoplifter. Yanow and her new friend decide to take a poorly planned trip to Amsterdam, intending to hitchhike the whole way. About as many things go wrong as you might expect. In beautifully minimalist black and white panels, Yanow perfectly captures the naivete and first political awakenings of a young college student trying to seem cool and so taking risks and hiding passions in order to impress someone new. A quick read and a master class in understatement.