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553 reviews by:
gabberjaws
I wrote a discussion review of this fantastic book with Mishma last year, and because I've gotten so bad at this blogging this, never got around to writing a proper review for this book, myself. I need to rectify this, soon.
I will say this for now: Chaotic Good is funny, wholesome and filled with heart. Whitney Gardner writes in an honest, passionate voice that leaps off the page and demands you to feel right along with Cameron. It was, somehow, even better the second time around.
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18/06/17
I had the honor of being given the chance to read this book ridiculously early, and let me tell you, I loved every minute of this.
Chaotic Good is charming, touching, incredibly real - it's everything this Chaotic Good nerd girl ever wanted. Put this on your TBRs, guys. I promise you won't regret it.
review to come closer to the release date, which is about how long it'll take me to get a handle on my emotions
I will say this for now: Chaotic Good is funny, wholesome and filled with heart. Whitney Gardner writes in an honest, passionate voice that leaps off the page and demands you to feel right along with Cameron. It was, somehow, even better the second time around.
---
18/06/17
I had the honor of being given the chance to read this book ridiculously early, and let me tell you, I loved every minute of this.
Chaotic Good is charming, touching, incredibly real - it's everything this Chaotic Good nerd girl ever wanted. Put this on your TBRs, guys. I promise you won't regret it.
review to come closer to the release date, which is about how long it'll take me to get a handle on my emotions
I don’t think it’s possible to get to the 10th book in a series without truly loving it. Like, if you’re lukewarm about it, it’s not gonna work; eventually, you’re gonna run out of steam and your interest will dwindle. Which should tell you something about how I feel about this series.
The tenth book in the Mercy Thompson series is probably the most different so far. Not only did we get a flip-flopping timeline (i’ll get to that in a bit), but we also got to see things from Adam’s POV, AND the story took place outside the US of A.
The story kicks off with Mercy and the Werewolf gang LARPing over at the Hauptman-Thompson residence. Mercy, the first to be killed in the brutal pirate battle, decides to bake cookies (a habit that’s got her marked as an early target by all the other players) but goes down to the kitchen to discover that there aren’t enough eggs in the house. Mercy, ever practical, hops into her husband’s SUV and books it to the store to buy more eggs.
Aaaaaand everything pretty much goes downhill from there.
You’ve gotta feel for Mercy – thrown into the thick of things in the very first chapter. You really gotta.
One of the things I love (and sorta hate, let’s be honest) about this series is that it never fails to remind you that, Child of Coyote or not, Mercy is still very much mortal, and very not invincible. She’s had some very close calls of late, and they’ve all served to take away any assurance readers might have had that Mercy would always come out of things alive and kicking. At least, they have for this reader.
Seeing Mercy all alone in Europe, completely separated from Adam (because their mate bond’s just as inconsistent as ever) and in the clutches of a not-entirely-sane Vampire Master had me concerned for her. Don’t look at me like that, I had every right to be. Thankfully, Adam wasn’t about to let Mercy fend for herself and was helping her however we could.
Which brings me back to the flip-flopping timelines.
This book is told from both Mercy’s POV, and Adam’s. It was a delightful surprise, even if it did make mentally keeping track of the chronological order of events a little tough. It took away the linearity of the narration that we’re so used to from the previous books. We would follow Mercy through a bunch of main events, and then, a few chapters in, hop into Adam’s brain to see how he was handling things on his end.
I don’t know if everyone else who read this book will be singing the same song, but I actually really liked the flippity floppity and Adam’s POV. Adam’s voice is sorta like… not a palette cleanser… but a lovely complementary flavor to Mercy’s robustness. Adam’s a lot more wry and serious, which is a lovely juxtaposition to Mercy’s snarky quippier voice, if that makes sense. As for the flip flopping, I loved the gaps it filled. It took away the need for tedious exposition towards the end of the novel when Mercy and Adam were eventually reunited and it kept the flow going. So it gets a yay from me.
I don’t know what else there is for me to say, really, besides I really enjoyed this book. I love the way these characters and worlds all continue to grow. Ten books into the series and you’d think that all the develop would have started to peter out, but it hasn’t.
And I don’t know about youz guis, but for as long as this series can continue to give me fresh stories and growing characters; I 👏 am 👏 here 👏 for 👏 it.
This review and more here
The tenth book in the Mercy Thompson series is probably the most different so far. Not only did we get a flip-flopping timeline (i’ll get to that in a bit), but we also got to see things from Adam’s POV, AND the story took place outside the US of A.
The story kicks off with Mercy and the Werewolf gang LARPing over at the Hauptman-Thompson residence. Mercy, the first to be killed in the brutal pirate battle, decides to bake cookies (a habit that’s got her marked as an early target by all the other players) but goes down to the kitchen to discover that there aren’t enough eggs in the house. Mercy, ever practical, hops into her husband’s SUV and books it to the store to buy more eggs.
Aaaaaand everything pretty much goes downhill from there.
You’ve gotta feel for Mercy – thrown into the thick of things in the very first chapter. You really gotta.
One of the things I love (and sorta hate, let’s be honest) about this series is that it never fails to remind you that, Child of Coyote or not, Mercy is still very much mortal, and very not invincible. She’s had some very close calls of late, and they’ve all served to take away any assurance readers might have had that Mercy would always come out of things alive and kicking. At least, they have for this reader.
Seeing Mercy all alone in Europe, completely separated from Adam (because their mate bond’s just as inconsistent as ever) and in the clutches of a not-entirely-sane Vampire Master had me concerned for her. Don’t look at me like that, I had every right to be. Thankfully, Adam wasn’t about to let Mercy fend for herself and was helping her however we could.
Which brings me back to the flip-flopping timelines.
This book is told from both Mercy’s POV, and Adam’s. It was a delightful surprise, even if it did make mentally keeping track of the chronological order of events a little tough. It took away the linearity of the narration that we’re so used to from the previous books. We would follow Mercy through a bunch of main events, and then, a few chapters in, hop into Adam’s brain to see how he was handling things on his end.
I don’t know if everyone else who read this book will be singing the same song, but I actually really liked the flippity floppity and Adam’s POV. Adam’s voice is sorta like… not a palette cleanser… but a lovely complementary flavor to Mercy’s robustness. Adam’s a lot more wry and serious, which is a lovely juxtaposition to Mercy’s snarky quippier voice, if that makes sense. As for the flip flopping, I loved the gaps it filled. It took away the need for tedious exposition towards the end of the novel when
I don’t know what else there is for me to say, really, besides I really enjoyed this book. I love the way these characters and worlds all continue to grow. Ten books into the series and you’d think that all the develop would have started to peter out, but it hasn’t.
And I don’t know about youz guis, but for as long as this series can continue to give me fresh stories and growing characters; I 👏 am 👏 here 👏 for 👏 it.
This review and more here
I read every Archie comic I could get my hands on as a kid. These comics (along with the Tintin and Asterix books) helped form my love for comic books and graphic novels, and the Riverdale gang holds a special place in my heart.
When I heard that Archie was being rebooted, I'll admit I was a little skeptical at first. But it was Archie - there was no way in hell I wasn't checking this out. Then I heard that Fiona Staples (aka actual illustrator goddess) was going to be doing the artwork for this, and the decision was made. I was going to get my grubby little paws on this ASAP.
Besides the wonderful artwork and the great writing, the best thing about this was that this is still the Riverdale gang that I know and love. They're in the 21st century now, yes, but the charm and personality that had me begging and borrowing the original comics as a kid is still here. Archie and the gang are still compelling as hell, without having too much about them and their world changed.
And I love that.
When I heard that Archie was being rebooted, I'll admit I was a little skeptical at first. But it was Archie - there was no way in hell I wasn't checking this out. Then I heard that Fiona Staples (aka actual illustrator goddess) was going to be doing the artwork for this, and the decision was made. I was going to get my grubby little paws on this ASAP.
Besides the wonderful artwork and the great writing, the best thing about this was that this is still the Riverdale gang that I know and love. They're in the 21st century now, yes, but the charm and personality that had me begging and borrowing the original comics as a kid is still here. Archie and the gang are still compelling as hell, without having too much about them and their world changed.
And I love that.