booksthatburn's Reviews (1.46k)

Ning leaves her village to try and save her sister's life, joining a competition in the palace in hopes of winning a favor from the princess. 

A lot of the worldbuilding revolves around every bit of her surroundings looks. The descriptions are usually brief enough to not slow things down too much, but this is a book that makes sure you get a sense of how most rooms (or at least the people in them) appear. There's also a lot of sensory information related to the tea. The magic system is consistent enough to make sense but loose enough to allow for a bunch of cool stuff which fits the kind of thing we know can be done even if it wasn't mentioned before it initially appears. 

The audiobook narrator is great, her style fit the story and it was pretty easy to tell everyone apart (even minor characters). 

One thing which was a bit frustrating is that Ning kept obsessing (and trying not to obsess) about this guy who at first appears unconnected to the palace but turns out to be much more than he appears. He works well as a plot device but I don't feel like I know anything about him and I don't get why she's interested in him (other than him being mysterious). Plots where people are lying stress me out, and having Ning not seem to know why she was so interested in him made it a bit harder for me to believe their romantic tension as well. 

I'm confused by some of the strategies in the competition and the treatment of animals. It's so morally grey (even within the book, as evidenced by the judges' reactions) that it made me wonder if this is actually a villain arc rather than a hero arc. It establishes how far Ning will go to try to get this position and save her sister, but I can't tell whether that's meant to be good or bad.

As the first book in a duology, this ends on a bit of a cliffhanger. Most major things from early in the book get a resolution, but right at the end several things happen which set up a direction for the sequel, but leave this book frustratingly unresolved on some key points. It works in the book, but whether it works for any reader will depend on your tolerance (or desire) for unresolved endings. This is the first half of a specific longer story, and it shows. I'm interested enough to finish that story and find out.

Kate starts watching over Julie, a young girl whose mom has vanished while worshipping in a coven who can't keep their crows straight (a dangerous thing in a world alternatingly drenched in magic and tech). Julie is one of my favorite characters in the series and her first appearance here sets the tone of their relationship for the next few books. This also is the first book to feature Andrea, an excellent markswoman who loves the Order and guns. The dynamic between Kate and Curran is emotionally charged in a way that currently is tilting towards mutually consensual violence but Curran seems to be making subtle (and not-so-subtle) moves in a more sexual direction that Kate hasn't yet reciprocated. 

This picks up on the last known status of a bunch of plot threads but isn't trying to wrap them up, really (except for Crest). It continues Kate's entanglements with the Pack and the People, and shows her involvement with the Mercenary Guild and the Order but isn't focusing on them as much this time around. There's a new storyline featuring some new characters (a few who won't continue past here and some who will be series regulars), but even that has a connection to a minor character who appeared in MAGIC BITES. That storyline has a major thing that is both introduced and resolved in this book. There are several things explicitly left for later which involve changes to the status quo. The main character is still Kate, her voice is consistent with the previous book. It might make sense to start here because this is laying so much groundwork of its own, but the dynamic between Kate and the Pack (specifically but not only Curran) definitely benefits from being read after the first book, since otherwise Curran's strong personality can be a bit off-putting when it lacks the context of Kate's opening salvo to their interactions in MAGIC BITES.

This book begins with a map theft and stays pretty focused on the characters important to that initial incident, while building out the world in specific ways. This introduces the witch covens as an important power in the city, shows some factions within the Pack, and deals with a different set of gods that are upsettingly more relevant during the Flare. Bran, Andrea, and Julie provide three completely different sets of problems and opportunities, keeping this from feeling like just a stepping stone to later books. 

MAGIC BITES follows Kate Daniels, a mercenary in magic-riddled Atlanta who tries to stay clear of the major powers in the city but tends to be too stabby for that to work all that well.

Kate is a loner by necessity who finds herself getting more entangled than she intended when she investigates her mentor's murder. She has a sword that's excellent at killing undead and needs to be fed if it doesn't get the opportunity often enough. 

I wish we had a bit more of her dynamic with Jim, though maybe that's me thinking they were closer than they actually are when this starts out. If the point is that she's kept even her most frequent battle partner at a distance, this conveys that pretty well by treating him as an afterthought except when necessary. Her dynamic with Curran, Jim, and the Pack lays the foundation for many things later on in the series, but, focusing on this book specifically, I like how both she and Curran are so wrapped up in violence as a language that their every interaction is tense and has the possibility of blood, even things that ought to be innocuous.

When starting out a series that seems to be mostly the contemplation of violence, actual violence, and then some romance, it's still a bracing start to kick things off with cannibalism, necrophilia, bestiality, and a murder dungeon. These are balanced with less stressful elements in the narrative, with the most upsetting topics tending to get the barest descriptions, but in combination they make it clear that this city isn't kind to its residents, and Kate will have plenty of things to stab even when this particular murder spree is (hopefully) halted.

MAGIC BITES is a book I've read and re-read for years; it's the start of one of my favorite urban fantasy series, and I enjoy it tremendously. Reading it for this review, I'm impressed with how it holds up for me, but it was never my favorite book in the series. Every time I read it I intensely dislike what happens with Crest. It mostly fits the plot, it enables a truly fantastic related plot beat, but the moment where Kate shows up at his apartment always devastates me because I just wish she'd put other things together earlier. I don't think it breaks the book or anything, it's just a very stressful scene that serves to change who Crest is and can be in the series to make room for someone else. 

I love the twist itself, and I appreciate how the groundwork is laid from the very start of the book. The plot works well (even that one scene I don't like has a pretty important purpose), and this sets up a lot for the series to draw upon as it gets going.

SHADOWSHAPER blends real and fantastical elements, grounding it in specific locations in Brooklyn, NY. I'm unfamiliar with that city and I don't know which ones were real and which were made up for the setting. The characters share a local culture but late in the book they have a conversation about how their backgrounds differ even within this one place. 

The details about the Shadowshapers as a group are revealed agonizingly slowly. It's a pace where Sierra was more stressed than I was because what I took as a slow burn, Sierra (rightfully) understood as actively being denied a piece of her culture and knowledge of a massively influential force within her family because she's a girl. She ends up feeling like an outsider in her own family, needing help from a boy who happens to know more because he was given access to this knowledge when she was kept out. I felt her frustration at the exclusion, and her determination to keep going with whatever she had.  

I read this as an audiobook, and the narrator's performance helped with my immersion into the story. The ending works well, tying off this story while leaving room for more as the series continues. I'm interested in what's next for the Shadowshapers and I plan to keep reading the series. 

Can tell it’s not for me, stopping now.

Lila Mae Watson is the first Black female elevator inspector ever in the department, she's an Intuitionist who can enter an elevator and "intuit" any defects. She's outnumbered by Empiricists in the department, who are almost all white and male, and eager to blame an Intuitionist when an elevator goes into freefall after Lila Mae's inspection. 

The divide between Empiricists and Intuitionists seems like a simple ideological divide at first, but that central question becomes more complicated as Lila Mae learns more about Intuitionism's founder while investigating the crash. Lila Mae isn't the first Black inspector, and I'm unsure whether she's the first female one, but the combination of the two means that a nearly endless slurry of sexism and racism are directed her way, either singly or in combination. It's consistent but not constant, and whether and how characters disparage her is part of their characterization and contributes to the worldbuilding as a whole. The antagonists attempt to weaponize her identity for their own gain in a variety of ways, whether from things she chose (being an Intuitionist) or things she didn't choose (being Black and female). 

There are long sections which contain delightful thoughts about elevators, including but not limited to competing theories of elevators, how the passenger exists in context with the elevator, where escalators fit in as vertical conveyances, and many more. 

The mystery is tense and engaging, I was hooked almost immediately, became riveted about a third of the way in, and was completely engaged through to the end. Lila Mae is purposeful and conscientious, which are excellent qualities for the protagonist of a mystery. Excellently layered, I love this.