booksthatburn's Reviews (1.46k)

The early worldbuilding annoyed me a bit because things were constantly compared to their “old Earth” counterparts. It kept pulling me out of the story. The story seems fine, just a bit past my comfort zone.

I stopped reading because I’m concerned that this book where a secret and powerful group of magic users whose power is propped up by a secret location where children (and some adults) are tortured and killed in New York City might be antisemitic. It’s at least playing way more into blood libel than I’m comfortable reading.

I hated almost every character. Sydney and her employer are the most sympathetic characters among the magicians, and it seemed like most of the other magicians were meant to be somehow repulsive. Sydney are her employer are also the only magic users who are in the competition but not part of the established houses. At least as far as I got in the book, the members of the houses are varying degrees of unpleasant, from just generally complicit in the pain caused by their magic, all the way up to one being a serial killer who thinks his method of direct murder is better than the secret torture dungeon. I don’t know if he’s right or wrong, but I’m uninterested in the debate.

The main character disguises herself as a (specific) boy with a disability she doesn't have. That was iffy enough, but my hell no point was when she bound her chest for five days with no breaks and then kept going through the pain. I'm not interested in watching a character either slowly distort her ribcage through unsafe binding practices, or mysteriously have it just be painful but have no other consequences.

A THOUSAND STEPS INTO NIGHT features a girl who begins turning into a demon, abruptly unmooring her from the misogynistic confines of her ordinary life.

I enjoyed Miuko's rapport with the bird spirit, their friendship provided a lot of levity in otherwise stressful moments. The various spirits and demons felt a bit numerous sometimes (especially when I have trouble keeping track of character names), but this felt very accommodating of my inability to keep track of them and I didn't get lost. 

The worldbuilding is wonderful, Miuko sometimes pauses to explain something, but it's always right when it's needed. This is generally free of anything resembling infodumps, as the explanations are a natural part of Miuko processing what's happening around her. I enjoyed the audiobook immensely, the narrator did an excellent job and really helped the story flow.

One of my favorite things about this is how it's a story about identity, empowerment, and the difference between an aspect of identity being bad versus it being someone else's excuse to be exploitative or cruel. This is explicitly bound up in how the book approaches gender, but that general idea applies to other aspects as well. Miuko is a cis character (as best as I can tell) who explores her gender presentation a bit with various necessary disguises, and is driven at first to make things safer and better for girls. There's a recurring bit where someone asks what she is and when she says she's a girl they retort that (because she's slowly turning into a demon) she can't be a girl, she must be something else.  Early on she thinks there used to be non-cis people but maybe not any more, and when she finds out that the people in power making being trans or third gender difficult socially didn't make them go away, she adjusts her goals to make sure her solution is better for everyone. 

The plot flowed and circled back to previously encountered characters in a way that made it easy to follow. I love the kind of reveal midway through the book as to why the plot kicked off in the first place. I don't want to spoil it, but the second half explains why a bunch of things in the first half even happened, and it works very well. I love the ending, it fits the world and the characters and really lets things feel settled.

TO BE TAUGHT, IF FORTUNATE presents a delightful and intimate portrait of long-term space travel with a small team of scientists who undertake this journey knowing that it means saying goodbye to everyone they knew and loved. 

Ariadne has strong bonds with her other three crewmates, singly and collectively. Their personalities come through very well and her interactions with them are a delight. They're all affected differently by certain plot events, despite being generally in the same situation as each other, and by the time things get stressful I had a enough of a sense of them to resonate with their reactions. The science explanations are just a much a part of the narrative as Ariadne's conversations with her team. Everyone's enthusiasm for their work makes this a delight to read. 

It's very slow to start and I'm having trouble getting into it. I generally have trouble with YA contemporary and this feels more YA contemporary/fantasy than I'd like.

A lot of cool stuff with regards to thinking about language and polyamory, neat bit of sci-fi.

VESPERTINE is a bloody tale of revenants, reluctant saints, and unlikely allies in a world where the dead walk.

I like the banter between Artemisia and the revenant. This is one place where the audiobook narrator's performance really shines, as it enhanced an already excellent story by making the revenant's voice pitch perfect for its characterization. Their conversations sometimes feel like banter while staying generally appropriate to the seriousness of each new situation. I was worried that Trouble (the bird) would be a gimmicky animal sidekick, but his appearances are brief and important. He has enough of a presence to keep his few contributions from coming out of nowhere, and his relatively few appearances keep the narrative from feeling like a comedic trio of possessed, possessor, and animal friend. 

The worldbuilding is filled in gradually, starting with Artemisia’s incomplete understanding of the history of her home and the forces at play, then gradually filling in as she learns from the revenant and tries to stay alive. 

The way this handles trauma, mental illness, and disability in the narrative is pretty great. It's a world where magic is real and very present, but while magic completely dispels some ailments it's not treated as a cure-all. Artemisia has burn scars on her hands which affect her daily existence. The way her hands healed affects her motor skills and ability to sense things like temperature. She still has panic attacks and various levels of mental distress when triggering events occur. There's a minor character who is deeply traumatized by an unrelated experience with possession, and even the revenant has a phobia borne of trauma. It's a world filled with undead, death, and violence, and the way that all the characters are either explicitly or implicitly traumatized accordingly helps it feel cohesive in a way I hadn't expected but very much appreciate.

The plot builds slowly, focusing more on Artemisia's efforts not to get caught once she has the revenant, then gradually she ends up in a position to do more with the information which became available to her. It has great "accidental hero (saint)" vibes with a plot that backs that up. 

It begins with an ableist and classist comment which was wholly unnecessary, and then didn’t manage to hook me after.

It introduces a disabled secondary character as an object lesson/warning to the protagonist, this character is disabled from mutilation and amputation during previous torture. I’d felt uneasy about how flippantly some topics were handled and then this confirms that my hesitance was well-founded.