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ashlightgrayson

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Initial DNF review: I am currently rereading the first book in the series and plan to reread the second one as well. It's been a long time since I've picked this series up so I've forgotten some important details that I need refreshed. I will eventually get back to reading this one.

Review for 2023 read:

I am so happy that I was able to return to this world and these characters. It took me a long time to finish this, mostly because it just never felt like a good time to jump back into this world. I went through a whole venture where I reread the preceding books before coming back and I'm so glad I did. The world Susan Dennard builds is unique and complex. There are a lot of small details that eventually come back to play an important role later (such as in this installment). I wouldn't have remembered enough to make sense of it all if I hadn't reread the series, honestly.

Like previous installments, this book has a lot of alternating points of view. The characters have been split up and are doing their own part in their own subplots in their respective parts of the world. Like in true Dennard fashion, all of these moving parts eventually interconnect into as singular relevant plot. Until then, the story is consistently action packed and engaging. The stakes feel high and no word on the page is wasted. I love how Dennard builds strong relationships between female characters in the story. We also focus a lot more on Iseult and Aeduan's relationship which was nothing short of rewarding. Additionally, Vivia becomes a leader in her own right. She must fight tooth and nail to gain the respect of the men in power that are used to following her father. Despite these obstacles, she becomes a more and more likeable character as I get to see more of her. Themes of sexism and female empowerment are at the forefront of this story. I'm hoping this continues to be the case, because Dennard does it so seamlessly. The ending left me wanting more and I can't wait to jump into the sequel.

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funny lighthearted fast-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

This a fun witchy romance that is reminiscent of Sabrina the Teenage Witch (the 90s TV show). The story isn't too deep, but there is good chemistry between the main couple. There is a queer character as well as a magic school in the setting. The female friendship and sibling relationship the male lead has with his brother were some of my favorite parts. There are a lot of enjoyable funny moments in the story and it was a lot of fun. It's not super deep when it comes to the magic system, which I didn't mind since the focus is the romance after all.

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challenging informative tense medium-paced

This book serves as a good introduction to intersectional feminism that includes people of color. I feel like it could have used some more nuance when it came to discussing feminism from a more global perspective. The author is American and it is clear that the intended audience seems to be American. However, I feel that there were some misleading statements that needed to be addressed. I read this for a buddy read and I explained in my buddy read comments the main issue I had with this book and have included it below:

 
In the chapter titled Missing and Murdered, the author discusses femicide and violence against women. She also further discusses how the disappearances of indigenous and black women do not nearly get as mainstream media attention as they should. The first thing that came to mind was how much media attention the Gabby Petito case got while there are so many unsolved disappearances for women of color. 

The author also briefly mentions El Salvador and the rates of femicide there. There is a line in this chapter that I read and immediately thought may have been inaccurate, not necessarily in terms of statistics, but in the way it was presented. Page 151, the author states the following:

We know that of documented murders, 22 percent of the nearly fifteen thousand people killed every year in the United States are women, while only 11 percent of the murders in El Salvador are women.

My mother is Central American and I have visited multiple times, so I feel like this is something I can speak on. Violence in general in Latin America is rampant. This statement seemed like an attempt to make it seem like murder rates were the main measure of violence against women and that it was worse in the United States than in El Salvador. I attempted to look up the sources for this statement, but the ones given at the end of the book seem to reference other topics addressed in the chapter rather than this statistic specifically. Therefore, I opted to do some further research. This was the first articles I found pertaining to the countries with the highest femicide rates in the world:

Femicide: a global tragedy, no matter your gender
https://www.worldvision.ca/stories/gender-equality/femicide-a-global-tragedy-no-matter-your-gender

Central America: Femicides and Gender Based Violence:
https://cgrs.uchastings.edu/our-work/central-america-femicides-and-gender-based-violence

The United States was not mentioned and according to the first article above about femicide. In fact:

Seven out of 10 countries with the highest female murder rates are in Latin America, where gang violence plays a major role.

This quote also has a link to another article discussing why Latin America has the highest femicide rates in the world:

Why Does Latin America have the World's Highest Female Murder Rates:
https://insightcrime.org/news/analysis/why-does-latin-america-have-the-world-s-highest-female-murder-rates/

I understand that Latin America gets a bad reputation based on how it is reported on in the United States. However, there is some truth to that.  My mother has a family friend whose daughter was followed home after school and brutally murdered because she refused the advances of a man. Stories like this are incredibly common in Honduras, my mother's home country. I should also add, that despite the fact that it seems the murder rates in El Salvador have decreased under the current government, the disappearances have increased according to the following article:

El Salvador's house of horrors becomes grisly emblem of war on women:
https://www.theguardian.com/world/2021/may/25/el-salvador-house-of-horror-women-murders

I also believe that the murder rate should not be the main baseline for measuring violence against women in a comparable way. About 2 years ago I recall that Kate del Castillo was participating in a play focused on femicide in Juarez, Mexico. She had an interview on NBC Nightly (linked below), where she discusses in detail how femicide in Mexico is not just about the actual murder, but the violence involved in the murders. She notes that women in Mexico are often not just murdered, but raped, quite literally torn to pieces, and sometimes have their murderers wear their nipples as necklaces around their necks. Click below for the full interview:

Interview with Kate del Castillo on NBC Nightly News:
https://www.youtube.com/watch?v=lWOtffgxdKc&t=1s


It is also very common for women to be murdered indirectly. Drug cartels often use women as drug mules. To further explain, drug mules are people who smuggle contraband (often drugs) across borders. For women this can often mean having bags of cocaine placed in their breast or buttocks implants, sometimes without them knowing. In other instances, pregnant women swallow bags of drugs, sometimes having the bags disintegrate while inside them causing an overdose and immediate death. Some of these women enter into these arrangements willingly as a result of economic hardship and a lack of better options. I am unsure if the statistic mentioned by the author in this chapter of Hood Feminism included the indirect murder of women in this way. Even if it was not, I feel that the methods of murder in the United States versus other countries would have been useful as a point of comparison. I don't believe that the methods mentioned in this paragraph are necessarily something I hear about often in the United States.

As a further example of femicide in Latin America, there was a case of a woman whose head was found in a phone booth in Guatemala, placed there by a cartel as a warning to the government to stop their attempts at impeding their criminal activities. The articles referencing these incidents are linked below:

The Rise of Femicide and Women in Drug Trafficking:
https://www.coha.org/the-rise-of-femicide-and-women-in-drug-trafficking/

Woman decapitated as Guatemalan gangs hit back after extortion crackdown:
https://www.independent.co.uk/news/world/americas/woman-decapitated-as-guatemalan-gangs-hit-back-after-extortion-crackdown-2282118.html

This articles also references the same decapitation:

https://www.kaieteurnewsonline.com/2011/10/30/the-rise-of-femicide-and-women-in-drug-trafficking/#:~:text=In%20May%202011%2C%20a%2020-year-old%20woman%E2%80%99s%20decapitated%20head,often%20hold%20the%20family%20together%20in%20these%20societies.

I think this chapter could have used a bit more of a nuanced discussion about the way it is much more common to see this level of brutality in murders against women in other countries compared to the United States. I understand that violence and femicide against women is an issue in the United States too, but the way it was framed in this chapter felt like it was minimizing the plight of women in other countries to me. For further context, if you were shocked by the abortion law passed in Texas last year, then you'll be thrilled to know that that abortion laws of this magnitude are the norm in Honduras. Since 1997 women in Honduras could go to prison from 3-6 years for having an abortion as well as the medical staff involved. Last year, this line of lawmaking was even further solidified. This article from CNN gives a lot more details on the topic:

How lawmakers made it nearly impossible to legalize abortion in Honduras:
https://www.cnn.com/2021/01/31/americas/honduras-abortion-ban-ratified-intl/index.html

Femicide is a global issue and no matter how low the rate in any country it is an issue that needs to be addressed because it should never happen at all. I should clarify that this commentary is not motivated by a need to defend femicide in the United States. I just think that the way the author frames murder rates in El Salvador compared to the United States ignores the more increased violence present in a lot of Central American countries. Again, I can mostly speak to Latin America and not other countries since that is where my experience and background is. This is not an attempt to dismiss the suffering of women in the United States. However, I do wish to offer a more international perspective on this topic and I felt it was necessary to address it here. If you find anything that is a rebuttal to anything I have said, please feel free to share it. I have picked up this book in an attempt to learn more about feminism in relation to women of color. I am open to being corrected on any information I present because I want to become more informed, and growing and learning is part of that.

To add to this topic, there is a video I watched months ago from a Mexican expat that spoke on pretty privilege. She touches upon the difficulties that are faced by women there compared to the United States. I don't necessarily endorse everything she says in the video, but I think that it does give perspective, especially in the first few minutes, about things that American women in general don't really have to think about that women in Latin America often do. Whenever I have visited Honduras, I have to go out of my way to go unnoticed for safety reasons in a way that I've never really had to in the United States. I think I've been longwinded enough, so I'll stop the discussion there. Let me know what you think or if you have something to add to my perspective. Questions are also welcome in case I missed something or need to clarify any of my points. The link to the video is below:

https://www.youtube.com/watch?v=gVniDFNhDIc 

I feel that this isn't something that most people reading it will notice unless they have personal experience with violence against women in Latin America. It's what mainly brought my rating down from a potential 4 start read to a 3.5 star. This is still a book I would recommend with the above caveat.

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adventurous funny medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

I had a lot of fun with Bianca and Ian. They have known each other for a few years now and have a lot of instances of great banter in the book. Bianca is very intelligent and
is revealed to have been experimented on by her late husband.
This adds a lot of dimension to her character as we explore her past trauma and how it affects her now. She has a strong need to prove herself. Ian has his own strong sense of duty in his own right and a similarly traumatic past that I think eventually helps them more easily be able to understand each other. Ian feels like a real stick in the mud at the beginning of the story, but as he spends more time with Bianca, he is shown to be very considerate, caring, and concerned for her safety more than anything else. They eventually have a clear sense of respect for one another that makes for a great romantic relationship.

I appreciated getting to know some of the other siblings in this story. Despite his quiet demeanor, Ferdinand was very interesting and I
appreciated the representation of what disability may look like in a future world.
Overall, this story had less sex scenes than the first book. The couple was still charming, and the sibling relationships were still strong, so I still really enjoyed it.

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dark mysterious reflective medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

This novella is very short, to the point, and speculative in nature. The main character, Binti, is from the Himba tribe and finds herself leaving her home in order to pursue a university career. There is a lot of introspective exploration of the character as she feels judged by her family for leaving and also by her university peers for her hair, traditions, skin tone, etc. I appreciated the futuristic setting that still had space for social commentary. There is another character introduced with whom Binti finds common ground in terms of being misunderstood and judged. By the end, there is a great message about how peace can be found if two parties are willing to try to understand each other. There are a lot of cool ideas presented in this short work and I'm looking forward to reading more in the future.

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dark emotional informative reflective medium-paced

This is a memoir told in graphic novel format of a child growing up during the Iran Revolution. It is a story of death, loss, joy, family and love. I appreciated how simple it was to understand the history behind what was going on since it is told by a child. Albeit, the weight and emotional trauma of the events is not lost. This was very informative and I'm looking forward to reading the second volume.

Expand filter menu Content Warnings
mysterious slow-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: Complicated
Flaws of characters a main focus: No

This book reminded me of The Invisible Life of Addie Larue in terms of its beautiful prose. It reads like an anthology of stories that are loosely connected until all of it all comes together as you keep reading. The pacing is slow and I feel that this book is best enjoyed if it read slowly and patiently to really take in each part of the story like a piece of poetry.  I read the book in chunks and found that helpful to stay focused on the overarching events as well as really enjoy the purple prose. Plot points eventually come together to form a more cohesive story, but the atmosphere is clearly the main focus. 

This book seems like it would do well consumed as an audio book because there is such attention to detail to how the prose sounds. If plot focused stories with a lot of action tend to be your preference, I would not recommend this. However, if you want a break from plot or adventure heavy books and want to maybe try a portal fantasy that is different from what you usually read, this may be for you. I would say that if you enjoy books in the vein of Einstein's Dreams by Alan Lightman this is probably a good option. (If you have not read that one and enjoyed this one, I would recommend Einstein's Dreams because I think you will probably enjoy it.)

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adventurous dark emotional medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

This graphic novel embodies the characters from the film well. The Enterprise is on a rescue mission for another ship that ends up becoming very complicated. Kirk leads the mission while trusting Spock with command of the ship. I appreciated seeing how despite Spock and Kirk being very different in terms of personality, their morals align where it matters. Spock and Kirk are both willing to put themselves at risk for the safety of their crew. Kirk trusting his crew with Spock is also a sign of goodwill. At the end when he gives Uhura and Spock time alone I think it's another sign of how their friendship will become more developed in future films. The ending to this story is very heavy and emotional affecting Kirk the most. I was not expecting it to be so dark, but I think it only adds to the stakes in a good way. The events of the plot help motivate emotional maturity on Kirk's part which I'm sure will carry over into the next film. I have yet to watch the second film because I wanted to read the graphic novels leading up to it first. I am looking forward to watching it soon after reading this, though. 

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dark emotional medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

This follows the same plot as A Touch of Darkness but from Hades's perspectives. We are introduced more thoroughly to some characters that Hades knows more than Persephone. I loved that we got to see what a nice friendship Hades has with Hecate. She is powerful in her own right and her interactions with other gods and characters display how well respected and feared she is too. I appreciated that the mythology of the Fates was woven into the story. We didn't really get to see that from Persephone's perspective. Of course, Hades works closely with the Fates, so it made sense that we'd get to see more of them. We also get new settings such as Olympus where important plot points are expanded upon. I appreciated getting this perspective since it felt fresh, which can be difficult to do when you are rehashing the same story over again. The author did a great job with it, though. I'm looking forward to reading the rest of her books and do recommend picking this one up if you enjoyed A Touch of Darkness. I will note that I think you get the most out of this book if you 

Expand filter menu Content Warnings
dark slow-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: Complicated
Flaws of characters a main focus: No

If you wanted some more backstory for the Klingons in Star Trek Discovery then this might be the graphic novel for you. It explores the Klingon perspective of the Klingon Federation War. We get more scenes with L'Rell and Voq as well as the other Klingons. It's short and really just gives more context rather than having a standalone plot. Definitely skippable if Klingons weren't your favorite part of season 1 of Start Trek Discovery, though. 

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