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There's a pretty fine line between exposition and throwing the reader headfirst into a fantasy world - you want to have a good balance. Unfortunately, I think McGuire was a bit heavy- handed with the 'telling' and not quite successful enough with the 'showing'.
The first several chapters kept introducing new character after new character, each coming with their own paragraphs of vague backstory and how they related to this particular world. The was it was presented almost felt like a rehashing of another story, as if there had been a previous novel, which was jarring.
I did not connect with the main character and I absolutely hated her "love interest", though it was nice to find out that he was the Big Bad she had been searching for this whole time. What a skeevy, gross character. Apparently he was supposed to be attractive, but my mind glossed over his description in favour of his appalling behavior.
I think my favourite part was when Daye went to see the Luidaeg; her character was the most interesting and one I wouldn't have minded more exposition on. Considering how that meeting ended, I'm sure there will be more sightings of her in future books.
The first several chapters kept introducing new character after new character, each coming with their own paragraphs of vague backstory and how they related to this particular world. The was it was presented almost felt like a rehashing of another story, as if there had been a previous novel, which was jarring.
I did not connect with the main character and I absolutely hated her "love interest", though it was nice to find out that
I think my favourite part was when Daye went to see the Luidaeg; her character was the most interesting and one I wouldn't have minded more exposition on. Considering how that meeting ended, I'm sure there will be more sightings of her in future books.
In reviews it's much easier for me the point out all the things I didn't like about a book. I can nitpick all the live long day.
When I like a book? Suddenly, I can't think of anything other than "I just do, okay?!" So bear with me as a I traverse all the reasons I really enjoyed Cinder.
First of all, I adore retellings of fairy tales or myths - nothing is original anymore, but new takes on old things can still be great. Meyer made Cinderella into a cyborg, with all the (assumed) associated problems + benefits (though to be fair, most of the book focuses on the problems). Despite her "upgrades", Cinder behaves just like a normal person. She has moments of self-pity, she loves and hates and feels pain.
The fact that Kai seems to constantly run into her while she's about is not particularly realistic as a man in the position of Prince/Emperor, but runs totally in line with a teenager with a crush. He's charming and concerned, but not overly pushy to find out the secrets that she's pretty obviously hiding. Their banter was a little awkward, but mostly endearing. Her inability to blush really made it easier for me to enjoy their encounters, because the constant blushing and stammering is just not something I can handle reading about for too long. (This is why I avoid a lot of the YA genre now).
Obvious foreshadowing about Cinderbeing the presumed dead Princess Selene is obvious. There was absolutely no other reason to add that information in. Cinder's journey to figure it out herself (though really, she just has someone tell her ...) was a little slow for me. The doctor's identity as Lunar was also fairly blatant almost from the start, though at first I though perhaps he was going to be a creepy Mengele. I wish that Meyer had been a little more circumspect about how it was revealed, but perhaps that is her just pandering to the genre - which is not to say that the readers are idiots, just that the industry thinks so.
I was hoping that Meyer would go more into the ethics of how cyborgs are treated as less than human, but that was probably too much subplot in a YA novel that already had politics and romance mixing. It's a fun ride and I hope see more improvements to the world building as the series continues. I know I'll be picking up the next one.
When I like a book? Suddenly, I can't think of anything other than "I just do, okay?!" So bear with me as a I traverse all the reasons I really enjoyed Cinder.
First of all, I adore retellings of fairy tales or myths - nothing is original anymore, but new takes on old things can still be great. Meyer made Cinderella into a cyborg, with all the (assumed) associated problems + benefits (though to be fair, most of the book focuses on the problems). Despite her "upgrades", Cinder behaves just like a normal person. She has moments of self-pity, she loves and hates and feels pain.
The fact that Kai seems to constantly run into her while she's about is not particularly realistic as a man in the position of Prince/Emperor, but runs totally in line with a teenager with a crush. He's charming and concerned, but not overly pushy to find out the secrets that she's pretty obviously hiding. Their banter was a little awkward, but mostly endearing. Her inability to blush really made it easier for me to enjoy their encounters, because the constant blushing and stammering is just not something I can handle reading about for too long. (This is why I avoid a lot of the YA genre now).
Obvious foreshadowing about Cinder
I was hoping that Meyer would go more into the ethics of how cyborgs are treated as less than human, but that was probably too much subplot in a YA novel that already had politics and romance mixing. It's a fun ride and I hope see more improvements to the world building as the series continues. I know I'll be picking up the next one.
It's amazing to me to see the same basic idea done by two very different authors and how they turn out. Take this book and The Royals written by Kitty Kelley. The latter reads a bit like a page from ONTD on the subject of the Windors: lies, damn lies and a sprinkling of the truth scattered around like the Prince of Monaco's baby mamas.
I wonder how many people Bedell Smith interviewed to get all this information, including random off-the-cuff anecdotes considering what a strong confidentiality contract royal employees have to sign. Things such as the Queen blowing her nose and showing the groom her mucousy tissue as evidence that the stables were too dry and dusty. Both awesome and gross.
I liked this book. More later.
I wonder how many people Bedell Smith interviewed to get all this information, including random off-the-cuff anecdotes considering what a strong confidentiality contract royal employees have to sign. Things such as the Queen blowing her nose and showing the groom her mucousy tissue as evidence that the stables were too dry and dusty. Both awesome and gross.
I liked this book. More later.