theirresponsiblereader's Reviews (607)

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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This was a good way to bring Nate back into the series if nothing else. The story was okay, and seeing Joe balance out working for his new administrator and Gov. Rulon was fun. I was less-than-excited about Sheridan’s storyline, it was good to see her in action, and any way that Box can do that is okay with me—I just wanted more, I guess.

Bringing Missy in (and Box might as well have saved time with that reveal, anyone could’ve seen that coming 5 miles away) didn’t do much for me at all. The series really needs less of her, and I don’t get Box’s need to use her as much as he does.

A decent installment in this series—nothing special, but nothing bad, either. 

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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Coll tried so hard—you could feel the effort on every page. There were some truly amusing moments, and even a little sweetness here. But every storyline was entirely predictable—and not in the way that can be comfy and reassuring, but in a disappointing way. The madcap/slapstick moments felt disorganized and chaotic. The earnest parts felt like a Hallmark card.

The parts of the book that were about the ups and downs, travails and semi-triumphs, of a small bookstore made me like this enough not to resent the experience. But that's about the best thing I can say. 

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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Whatever problems I have with this are not with Newbern—I really enjoyed the narration.

I also really enjoyed portions of this—I can't say entire storylines or characters—but maybe half of each? (some of the beginnings were great and then fell apart, some ended so well that I forgot that I really didn't want anything to do with the characters/story, and some had great middles).

I found the overall "Friend" idea that tied all these divergent stories together both a great idea, and problematic at the same time.

I really wanted to like this, and assumed going in that I was going to love it. But I think this novel has taught me a lesson I should've learned with his TV show—Bays has moments of brilliance, but shouldn't be allowed too much control over a story's ending. (but if given the chance, I'm sure I'll give him another try) 

 

This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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I'm getting a little annoyed by this series, I have to admit—I'm in it for the long-haul, make no mistake. But man...it feels like we're just spinning our wheels with a couple of the storylines (and not in believable ways, mostly just to stretch out the drama), and Tori just refuses to learn or develop in any meaningful way (which is realistic, sure, but irritating in a fictional character after this long).

Still, I enjoy the novels, and am intrigued by some of the developments. Dukehart is fun to listen to—and the way this is interwoven with the other series ensures I'm sticking around. 

 

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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Oh, this was just fun. Gwen and Martin's kids are teens now, and discover the whole magic/computer thing on their own (mostly because Gwen, Martin, and Philip are in major trouble and the teens blame Philip). We get to see some magic that's not in the medieval England or Atlantean model, and see how strange everything in the first 5 books really is through the twins' fresh eyes.

Daniels was his typical great self; Meyers was inventive, clever, and witty (as you expect), and the story was very satisfying.

If this is the end of the road for this series, it was a great way to go. If not? I'm really going to enjoy what comes next. 

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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I think I need to read this, so I can focus on some things I didn't give enough attention to (and a couple of the names confused me a bit, so I know I missed some things while I figured out the context).

But this story about an aging assassin who might be having memory issues, and could be developing a conscience of sorts—while trying to put a young up-and-comer in their place was just great.

Every front worked—the emotional moments, the dry wit, the action and intrigue, the character development...all solidly delivered. I'd probably have rated this higher if I'd read it and could've been more careful in understanding. Strongly recommended. 

 This originally appeared at The Irresponsible Reader as part of a Quick Takes Catch-up post, emphasizing pithiness, not thoroughness.
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Opening a coffee shop has to be hard—period. Especially if you happen to be an ork, tired of the adventuring and killing, who wants to retire to a quiet community (instead of dying in battle). Harder still if no one in this part of the world has ever heard of coffee. But Viv's not known for backing down, she's going to give it her all.

This is possibly the sweetest Fantasy story ever written. It's just pleasant—as pleasant as whiling away an hour or two in a comfy coffee shop chair with some great beverages. I've got nothing else to say, everything else would just be a rewording or unnecessary expansion on that.

Baldree's narration was as good as his text—sometimes I wonder about the ego involved in an author doing their own narration, when they just shouldn't. But Baldree absolutely should've. 

 This originally appeared at The Irresponsible Reader.
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This is a short story, so I'm not going to keep this short and sweet. Let's go with a Pros and Cons list:

PROS
* Satisfying SF Story
* Jewel Staite
* Neil flippin' Gaiman

CONS
* Sound effects that are effective, but a little too loud


It's 29 minutes of entertaining goodness. 

 This originally appeared at The Irresponsible Reader.
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What’s Scattered Showers About?
This is the first collection of short stories by Rainbow Rowell—nine stories, four of which had been previously published.

They are, at their core, love stories—the beginning of a relationship, the change of a relationship, the maintaining of one—and a couple that are harder to define. Rowell’s signature style and sweetness fills these pages—her light humor and propensity for happy endings, too. (propensity, not universal practice)

Checking In On Old Friends
With three of these stories, Rowell revisits characters from previous novels. We get to see some of the primary characters from Attachments in “Mixed Messages,” and a character from Fangirl in “If the Fates Allow,” and some of the characters from the Simon Snow trilogy (and, I guess, from Fangirl, too?).

I didn’t get into the Simon Snow stuff in Fangirl (and even skipped most of it) and didn’t bother with those books—but I liked the fact that Rowell did revisit some of her previous work. (I do wish we’d gotten to see Eleanor and/or Park, but am pretty sure that I’d have been annoyed at whatever she told us about them, so I’m glad she didn’t include anything about them).

Now, it’s not essential that you’re familiar with the characters in these stories to enjoy them. I don’t honestly remember who Reagan was from Fangirl (hey, it was 9 years ago, cut me some slack), but I quite enjoyed this story featuring her. I did remember the characters from Attachments, but I don’t think it enhanced my appreciation of that story—but it was nice to see a little about what’s gone on with them.

The Illustrations
Opposite the first page of each story is a full-page illustration, sort of a cover image. There are also some accent illustrations scattered throughout the stories. They were attractive and fitting to the stories. I’m not sure that they added much to the book, but I did think they were nice touches.

So, what did I think about Scattered Showers?
I’m a sucker for Rowell’s love stories, and had a lot of fun with these.* When she’s not writing about teen wizards, I have a hard time resisting her work (and don’t find much inclination to try).

* Okay, true to form, I skipped “Snow for Christmas” after the first page and a half didn’t intrigue me at all.
 
Out of her norm were two stories: one that’s a strange fairy-tale of sorts that I found strangely appealing, but I’m not sure how to talk about it. The closing story is about some characters who’ve taken up residence in an author’s subconscious or imagination, while they wait for the author to put them into a story or novel. I thought this was a fantastic story—Pirandello-esque, but with a Rowell-twist.
 
All in all, this was a very pleasant way to spend a couple of hours.
 

 This originally appeared at The Irresponsible Reader.
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What’s Bartleby and James: Edwardian Steampunk Chronicle About?
Alton Bartleby is something of an intellectual dilettante—he has some degree of brilliance and uses it to flit around from idea to idea, interest to interest, and so on. He gets very invested in some sort of project or occupation for a little while, and then plunges wholeheartedly into something else. Thankfully (for him) he has the wealth to indulge his flitting attention span.

James Wainwright is his friend—Wainwright’s a brilliant engineer, who is far more interested in whatever device he’s fiddling with than interacting with anyone. He seems to go along with Bartleby helping him out with whatever flight of fancy he’s on. But he’s not so sure about his latest idea—after meeting a certain retired Consulting Detective who now keeps bees, Bartleby wants to be a detective.

He sticks with it for longer than Wainwright or his fiancé expects—this book collects four short stories recounting some of their earliest cases. The Duo tangles with an automaton assassin, an out-of-control airship, a rogue spiritualist, and more.

The Tone

 
These stories are told with a very light touch—they’re not comedic, but they have their moments, but they’re definitely not stories that take themselves too seriously.
 
That doesn’t stop them from brushing up against serious thoughts or emotions—and there is a little bit of character growth (and the “little bit” is solely a function of the brevity of the collection based on what I’ve read). Bartleby is largely the same man we meet in the beginning, except that he doesn’t seem to be tiring of being a detective. James, on the other hand, is definitely not someone he’d recognize from his pre-detective days.
 
So, what did I think about Bartleby and James: Edwardian Steampunk Chronicle?

 
This was a fun, quick read—a nice little dose of Steampunk with a thin coating of Victorian P.I.
 
The stories were all a little too brief for me, I could barely get my teeth sunk into them—I’d prefer one story told over 120 pages rather than four.
 
But these were fun enough that I can see myself going on with the books. And think just about anyone would, too.