theirresponsiblereader's Reviews (607)

Random Sh*t Flying Through the Air

Jackson Ford

4.0

adventurous emotional funny sad tense fast-paced

Plot or Character Driven: A mix

Strong character development: Yes

Loveable characters: Complicated

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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There is no good reason that it’s taken me three years to read this book given how much I enjoyed its predecessor. But it did, and now I can answer the question:

What’s Random Sh*t Flying Through the Air About?

Teagan and her team are back on course after the events of The Girl Who Could Move Sh*t With Her Mind, she’s still haunted by those events (or, more specifically who was behind them). Still, they’re back in action as if they’d never been chased by the police, and have even added a new member to the team (and I’m so glad that Ford figured out a nice way to work him in) to the series.

Teagan’s no longer considering her team coworkers (coworkers by coercion, no less), but friends. She has plans to take cooking classes. That’s not all, she’s even trying to repair the disaster that is her friendship/budding romance. Things are looking up, basically.

Which means it’s time for things to start going wrong. And boy howdy, do they go wrong in a big way. One thing that Teagan, her team, and the shadowy government officials who employ them learned in the previous book, is that there are other people out there with abilities like hers.

For example, there’s this cute little kid—he’s smart enough that it’s a super-power in and of itself—he’s like Teagan, but his powers work best with rock, dirt, soil—basically, anything you focus on in Geology class. And he discovers that if he can access a fault line, he can do a whole lot. Between his power, his intelligence, and a complete lack of moral compass—this discovery isn’t good for anyone.

The question quickly becomes: can Teagan and the rest of her team stop him before mapmakers need to redo the Western coast of North America?

The Stakes

That last line wasn’t a joke—the stakes are literally that high in this one. This is a big jump—we go from a confused younger adult convinced he’s doing the right thing by killing a few people to literally risking several states and provinces? “Ford’s not really going to…oh, yes he is.”

It’s hard to imagine how the stakes could be higher (I’m a little nervous about the next two books), but this remained a very personal story. Amidst the threat of death and widespread destruction, the novel is about Teagan, the boy, and a few people in their immediate circle. Yes, the fate of millions hangs in the balance—but our focus never gets bigger than twenty people.

Personal Growth

At the end of The Girl Who Could Move Sh*t With Her Mind, Teagan’s in a better place than she began the novel in—she’s gained a little self-acceptance, has a better relationship with her team, and so on. But she’s essentially the same person. Which is both good and bad.

What we see in this novel is how much she needs to grow as a person—and as someone with abilities and knowing how/when/why to use them. She does grow a lot in these ways, as you’d hope. But we also see how far she still has to go. Sure, readers could tell that (like her rival) her abilities could be strengthened and improved in her debut—but I don’t know if I realized how far she had to go emotionally as I did this time.

It’s good to see that she is growing—and seems to be aware of her shortcomings, so we can expect to see more of it. Which is all we can ask for.

So, what did I think about Random Sh*t Flying Through the Air?

This is just what you want in a super-hero-ish kind of book. There’s drama, there’s action—the kind that CGI wouldn’t quite render right—there’s comedy, there’s honest and brutal emotion. Come to think of it, that’s pretty much what I want in any kind of book (well, I don’t demand action in every one…but you know what I mean). There’s a depth to RSFTtA that TGWCMSWHM didn’t quite have, but it maintained the same voice.

Yeah, I talked about emotional growth and high stakes and all—but at the core of the book is still Teagan’s snarky inner monologue taking us through everything. She takes some hard hits physically, mentally, and emotionally through these events, but it’s still her voice talking us through them. So the book is still entertaining no matter what.

If Ford is going to up his game—and up Teagan’s as well—this much between books 1 and 2, I can’t imagine what’s in store for us in the next two books. But man, am I going to enjoy finding out. I do recommend grabbing the first one before diving in here, but it’s not essential. Either way, pick this up.

A Fatal Groove

Olivia Blacke

3.5

adventurous funny lighthearted mysterious fast-paced

This originally appeared at The Irresponsible Reader.
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What’s A Fatal Groove About?

For the second time in the two months since she returned home, Juni Jessup finds a dead body. This time, she discovers the town’s mayor dead at his desk during the town’s biggest event—the Bluebonnet Festival.

It might just be all the True Crime podcasts Juni listens to and all the Police Procedural shows she watches, but Juni’s pretty sure he was poisoned from the evidence she sees. Sadly, the other thing she notices is that the mayor’s holding a coffee cup from her store in his hand—so it’s pretty likely that the source of the poison was the coffee her sister had poured him not that long ago.

Faster than you can say, “Jessica Fletcher,” Juni and her sisters are on the hunt for another killer to clear their store’s name.

The Bank Robbery

Decades ago, during this same festival, a bank in town was robbed while everyone was distracted by the festivities. The money has never been recovered, but it’s widely believed that the robbers buried it before they encountered the police. It’s now become a game during the festival for people to dig up a new plot of land each year to try to find the money. It’s like an Easter Egg Hunt for grownups, with less candy and more manual labor involved.

It turns out that the mayor and a few other people in town had turned this robbery into a hobby bordering on obsession, and the sisters can’t help but think that there’s a connection between the lengths the mayor and others were going to in order to figure out where the money is and his killing.

Texas

I’m pretty sure it was present in Vinyl Resting Place, but I was too busy getting to know everyone to really notice—but one thing I really appreciated this time was the way that Juni mused about Texas—the geography, the beauty, the flora, and the culture. She really missed her home state while living in Oregon—more than she realized—and now that she’s more settled back home, she can see all that she missed. Blacke does a great job of conveying that to the reader.

On the one hand, it’s hard to think that J. Todd Scott, Samantha Jayne Allen, and Attica Locke are describing the same state as Blacke is—and part of that has to do with the varied parts of the large state they’re describing, sure. But most of it has to do with the tone of their books—and once you adjust for that, they’re remarkably consistent and help readers who’ve never been there to get an idea of the place.

Still, all things considered, I’d rather live in Olivia Blacke’s Texas. At least Cedar River—it’s like Stars Hollow mixed with Bluebell, Alabama, but with better food (and better coffee).

A Small Confession

I imagine I’m going to be in the minority on this point, and most readers will shake their heads at me, but…I really didn’t care about the murder mystery. It was interesting enough, the red herrings were well-executed—as was the reveal and confrontation with the killer. But I thought the killer’s identity was pretty obvious, and nothing about that storyline really grabbed me. It happens sometimes.

But—and this is the important part—I didn’t care. I liked everything revolving around the murder mystery—particularly the long-unsolved mystery about the bank robbery. I enjoyed watching Juni and her sisters go about trying to solve things and everything else enough that it didn’t matter to me that the central story didn’t really click with me. I do think it says something about the world that Blacke is building here that I remained as invested as I did with that issue.

They Still Work

As I mentioned when I talked about the first book, the music-inspired punny drink names for their coffee counter are just perfect. They’re the kind of little touch that adds so much to a scene—you get an idea of the characters behind them if nothing else. Like the names of the stores and restaurants in The Good Place, they add a layer of enjoyment on top of everything else.

Blacke gives you just enough of them to keep you wanting more, but not so many that you roll your eyes at them. It’s a tricky balancing act, I’d imagine, but she pulls it off.

I’d say they’re the bit of whip cream on top of your specialty coffee drink to add just that nice finishing touch, but I can’t stand whip cream on my coffee. But you get the idea.

So, what did I think about A Fatal Groove?

I’m going on too long here…and there’s so much I haven’t talked about, for example:

The love triangle—it's pretty tame and everything's out in the open (both guys know she's casually dating them both). While I think the right choice is obvious and it's annoying that Juni doesn't just make the right choice, it's not at the "ARGH" stage most triangles get to.
Her sisters! I really need to spend more time talking about Juni's sisters.
the way the bank robbery story was resolved was so good, it made up for any of my complaints about the murder story.
The ability of the owner of a used car dealership to turn anything into a sales pitch is truly impressive. It would be annoying in real life (even if it's what made him a success), but it's fun in a fictional character.
I have no idea how to talk about what Juni won at the fair and how it tied into resolving so much, but...that was brilliant.
The funeral scene...so good.
The way the bank robbery story was resolved was so good, it made up for any of my complaints about the murder story.

This is one of those sequels that improved on everything that the original did right, expanding the world, and just having more fun with everything. Do you need to read Vinyl Resting Place first? Nope—it’s very easy to pick things up at this point—you’ll likely want to buy it after reading this, but the order isn’t essential at this point.

I do worry that at some point the residents of Cedar River are going to decide that Juni’s the Angel of Death having brought so many murders to town with her, but until then I’m looking forward to several more adventures with her and her family.

The Bitter Past

Bruce Borgos

4.5

adventurous dark emotional mysterious tense medium-paced

Plot or Character Driven: Character

Strong character development: Complicated

Loveable characters: Complicated

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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What’s The Bitter Past About?

Porter Beck is the Sheriff of Lincoln County, Nevada. We meet him as he and his deputies are looking at a horrific crime scene. A retired FBI Agent has been tortured and killed, and Beck and his crew are clueless as to why.

Well, that’s not entirely true—Beck has an idea, but he needs the autopsy results before he starts to act on it. Before he came back home and became Sheriff, Beck was in Army Intelligence and recognizes signs of a Russian Foreign Intelligence Service operation. An FBI Agent has been sent to look into the case and works alongside the Sheriff’s department, Beck confronts Special Agent Sana Locke about this and she comes clean.

The dead agent had spent decades trying to find a Russian agent who had infiltrated US nuclear tests in the 1950s, and there’s a reason to think that the Russians have come to find that agent for themselves. It’s up to Beck and Agent Locke to stop them.

The only way I can sense to talk about this book is to focus on each timeline/storyline separately.

The Present

We spend a lot of time getting to know Beck and his deputies—a colorful and interesting batch that I hope we get to spend a lot more time with in the years to come. We also get to know Beck’s father—the former Sheriff, now battling dementia—and his adoptive sister, a firearms expert and instructor (who could probably be the protagonist in a series of her own).

In addition to trying to find either the killer or the agent the killer was looking for (in order to find the killer), they have to deal with a missing woman from an FLDS compound.

Both active cases stretch the small department to the limits—it’s a large county (roughly the same area as Maryland)—and tensions within the department staff start to build as they do their best to cover routine duties as well as pursue (and generate) leads.

We don’t get to me a lot of non-law enforcement residents of Lincoln County, I assume that’ll change in future books—but those that we do tell me that I want to meet more of them.

The Past

In the mid-to-late 1950s* the US conducted several tests of nuclear weapons in the desert of Lincoln County. Our Russian Agent, Lt. Georgiy Dudko of the KGB, had spent a long time preparing to come to America and pass himself off as an American citizen**. Once here, he got hired on as a security guard on the base that conducted the testing and started gathering information for Moscow as worked his way into better and better positions on base.

* and maybe later, too—I’m not sure of the history off the top of my head, and it’s beyond the scope of this post to get into that.
** Think of the FX show The Americans but Georgiy never got to wear any of the impossibly great wigs. Poor guy.

Georgiy never lost sight of his mission—but at some point questioned some of his orders. He thought they damaged his overall mission and he had other moral/ethical concerns that I really can’t get into. But this led to the Present-time story, so the reader is able to start putting the pieces together right away.

This is largely background material, but that doesn’t keep Borgos from keeping it as gripping as if it’s the only story in the novel. Early in this story, I saw it as background and was in a hurry to get back to Beck’s storyline. That ended quickly and I didn’t want to step away from Georgiy’s story—even once I knew pretty much how things had to go. And my notes say that a lot.

The Setting

Obviously, the setting of any book is vital to the overall novel—you can’t tell Elvis Cole or Harry Bosch stories outside of L.A. (with a couple of exceptions), Spenser and Kenzie & Gennaro need Boston, Walt Longmire and Joe Pickett have to have their stories in Wyoming—the geography, the character of their homes, and the history of the area shape and form the people, crimes, and type of stories you can tell.

The same is true here—these are stories that can only be told in this part of the world. The history of the area informs so much of this novel that it cannot be overstated—but the empty spaces, the long distances between neighbors, and the amount of territory Beck’s department is responsible for are just as important as that history. It’s a perfect combination of locale and subject.

So, what did I think about The Bitter Past?

I cannot believe that I haven’t been reading these books for years—I felt right at home with the characters almost instantly. I could feel the rapport between them—even between Beck and his rival deputy—as solidly as if this were the fifth book in the series.

I want to spend some time discussing a couple of the deputies at length, but I’ve gone on too long already. So I’ll just leave it by mentioning my favorite parts of the book. There are a couple of scenes of Beck and the deputies looking around crime scenes and dissecting them—each pointing out evidence and trying to build an explanation for what’s before them, what happened during the crime, etc. Yes, Beck’s the Sheriff and has the most experience, but it’s a true team effort, which is just a joy to watch. If Borgos gives me a couple of those in every book, I will be reading him for as long as it already feels like I have been.

That opening crime scene is grisly—I can’t think of anything worse since M. W. Craven’s The Puppet Show—and any reader is going to want to read about that killer being stopped.

Borgos puts enough wit and humor in both storylines to keep things from getting too bogged down in blood and intrigue (and nuclear fallout), the characters are all the kind you want to spend more time with (even the Russian spy), and the cases are intriguing. The pacing is perfect—he keeps you turning pages and trying to guess at what’s coming next without keeping things at a breakneck speed, so you can enjoy the scenery and his well-put-together sentences.

I don’t know if Borgos will be able to structure another book like this—and I frankly don’t care. If all we get is Beck and his crew, I’m fine. If he does have another trick like this up his sleeve, I’m all for that, too.

I strongly recommend this book—particularly for fans of Craig Johnson and C.J. Box. This is the beginning of the next great Western Mystery series. I’d have ordered Book 2 already if the option existed, and I think I won’t be alone in that.

The Worst We Can Find: MST3K, Rifftrax, and the History of Heckling at the Movies

Dale Sherman

4.0

informative lighthearted medium-paced

This originally appeared at The Irresponsible Reader.
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What’s The Worst We Can Find About?

This is one of those books where the sub-title tells you everything you need to know: “MST3K, RiffTrax, and the History of Heckling at the Movies.” The back of the book does give a fuller explanation:

Had you tuned in to the small television station KTMA on Thanksgiving Day, 1988, you would have been one of the few witnesses to pop culture history being made. On that day, viewers in and around St. Paul, Minnesota, were treated to a genuine oddity, in which a man and his robots, trapped within a defiantly DIY sci-fi set, cracked jokes while watching the terrible 1981 movie Invaders from the Deep. Although its origins may have been inauspicious, Mystery Science Theater 3000 captured the spirit of what had been a beloved pastime for generations of wags, wiseacres, and smart alecks, and would soon go on to inspire countless more.

The Worst We Can Find is a comprehensive history of and guide to MST3K and its various offshoots—including Rifftrax, Cinematic Titanic, and The Mads Are Back—whose lean crew of writers, performers, and puppeteers have now been making fun of movies for over thirty years. It investigates how “riffing” of films evolved, recounts the history of these programs, and considers how a practice guaranteed to annoy real-life fellow moviegoers grew into such a beloved, long-lasting franchise. As author Dale Sherman explains, creative heckling has been around forever—but MST3K and its progeny managed to redirect that art into a style that was both affectionate and cutting, winning the devotion of countless fans and aspiring riffers.

Sherman starts with some commentary on the history of what we now call “meta” and riffing in general—going back to Greek choruses. He then shows how movies started riffing/commenting on themselves (and each other).

He then focuses on MST3K itself—talking about Joel Hodgson’s background and the creation of the show. We actually get some good background on all the major players from the early years. He then describes the transitions in staff/cast as it moves from KTMA to Comedy Central to the movie (and, wow, what an effort to get that made) to SciFi and so on.

We then get a look at what the post-MST3K careers of the central figures look like and how riffing on movies has kept popping up in their lives (largely because people won’t let them stop) and how the show has come back from its ending a time or two.

My Sole Criticism
Sherman only cites previously available material—yes, he dug up a lot of things that many/most fans would never see, never think of looking for. But he doesn’t interview anyone himself, or provide anything outside a couple of personal memories that an industrious fan couldn’t have found on their own.

I don’t want to criticize what he did—it is no small feat to do what he did. And I’m so glad he did it—but the lack of original material keeps me from absolutely raving about this book.

So, what did I think about The Worst We Can Find?

Back when I talked about Scott Ryan’s Moonlighting: An Oral History, I’d said:

When I read a book about a television show, I want a few things—I want something to
make me want to rewatch the show
make me not really need to, because the book has helped me remember it in such a way that it’s not that necessary
give me a lot of behind-the-scenes information about the show
help me understand it better (not just information, but reflections on it—its legacy, cultural context, impact on television, et.)
Ideally, teach me something about the art and/or business of television (preferably both)
and if it can be fun (TV should be entertaining), that’s all the better.
Yeah, that seems like a lot to ask for from a book, but if I’m going to take the time to read a book instead of watching a behind-the-scenes show or listening to a panel discussion, I want bang for my buck—I don’t always get it (and know that going in), but I want it.

The Worst We Can Find delivered on all but the “make me not really need to” because there’s no way that someone could do that in a book form. I have watched some MST3K since then (more than I usually do because I’ve been inspired)—and some Rifftrax, too.

I don’t want ponderous, I don’t want slow. I don’t mind a lot of detail (in fact, I relish it), I don’t mind thoughtful (that’s why I read the book), but I want to be entertained. And Sherman delivered there. His chapter introductions were golden—worth at least half of the purchase price alone. I started to give a couple of examples, but why ruin it for you? So, I’ll be vague. I laughed aloud at Chapter 4’s introduction. Maybe all of them, but Chapter 4 was the point I stopped to make note of it.

I really appreciated the way Sherman pivoted in the last chapter to speak of “we” in reference to fans of the show, it’s clear throughout that he was one of us (there’s no way you do this work without that—or a bigger paycheck than he likely got for this book), but I appreciated the way he did it there.

The last paragraph was perfect, incidentally.

This was a great read, I learned a lot, I chuckled frequently, and I had a great time reminiscing about a favorite show. I think you will, too. I’d say is a must for MSTies. As I said, I can’t rave about it—but I can strongly encourage you to check it out. And keep circulating the tapes.

Pure of Heart

Danielle Parker

3.5

adventurous emotional tense medium-paced

Plot or Character Driven: Character

Strong character development: Complicated

Loveable characters: Yes

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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What’s Pure of Heart About?

In this world, werewolves are born, not made, and apparently begin changing around adolescence. In Harper’s case, this is dangerous—her parents died before they told her anything about lycanthropy and she had to learn about it along with the uncle who took her in and raised her from the age of eight. Grady knew his sister got furry every full moon, so it wasn’t a total surprise—but that’s about all he knew about werewolves.

She’s in her twenties now and pretty much all she knows is that chains can’t hold her down and that her wolf will kill and eat people if given the chance. Harper’s taken it upon herself to make sure that doesn’t happen again. Her uncle and friend/veterinarian regularly hunt her down and shoot her with tranquilizers when her wolf gets out of the house.

Harper’s entire life seems to revolve around not letting the wolf get out of control. Which seems like a lonely existence—and it pretty much is.

Until a new woman moves to the small Colorado town to take over her late grandparents’ bookstore. Something about Emerson affects the wolf part of her—Harper can’t even come close to understanding it. But her wolf immediately acts strangely (and we’re talking strangely for a werewolf, so it’s really strange) as soon as Harper meets Emerson.

Harper’s got to figure out what’s going on with the wolf before something happens to Emerson.

Parker’s Werewolves

I guess I should say “Faoladh” instead—but whatever. Keeping in line with her tumblr page’s title, Parker’s “Werewolves Don’t Sparkle.” Harper’s wolf is dangerous to everyone and everything (particularly doors/walls/fences). There’s little tame about her. We’re reminded of that constantly (bordering on too often).

This shows up in Harper, too—her wolf is always below the surface and keeps her from being too likable to many people. That’s a nice little touch and as (if?) Harper and her wolf start getting along better as the series continues, it’ll be good to see how that changes her.

The way she describes the change (particularly from human to wolf) is really good. Over the years of reading werewolf UF, it’s become one of those things that jump out at me to differentiate the authors’ take on lycanthropes and Parker’s strikes me as one of the better versions of that.

Harper and her family know incredibly little about her, um, condition. And it’s almost wholly from trial and error (mostly error). Because he didn’t manifest the werewolf heritage, Grady’s parents and sister didn’t bother to tell him much about it. I find that difficult to swallow, but I’m willing to do that for the sake of the story. I do appreciate that her cousin isn’t going to have this issue, he knows almost as much as the reader does. Harper stumbling through all of this practically blind makes it very easy for the reader to jump in with her and learn alongside her.

We are told a couple of times that there’s a difference between Faoladh and what we think of werewolves thanks to books and movies. But we have no reason to believe that yet—I really want to see us have that reason as well as see how that actually works out. I’m not saying that because I’m skeptical, but because I think both will refreshing and stimulating.

On a semi-related note, people in this town are quick to take a couple of clues and jump to the conclusion that “this woman must be a member of a species that I thought was the stuff of folklore and horror movies until right this second.” A little more self-doubt would’ve been nice, but it’d have slowed the book down too much.

So, what did I think about Pure of Heart?

I’m honestly not sure what I was expecting from this book—but it wasn’t what Pure of Heart ended up being. It’s a compelling read, for sure, just not for the reasons I’m used to in typical UF/werewolf novels, which is a pleasant change. For starters, there’s no big supernatural foe (unless you count Harper’s war within herself). It’s human drama, just with a massive side helping of the supernatural on board. Actually, I’ll just stop with that, too, so I don’t end up saying too much.

It’s also a great pastiche for Disney’s Beauty and The Beast—and once you start seeing that, it’s everywhere, adding a level of entertainment.

I don’t have a major problem with the romance arc that the book ended up focusing on, but it looked for a minute or two that we’d be swimming in strong and interesting platonic friendships, and those intrigue me more lately. So that was a minor disappointment, but just a minor one. I’m a little worried about the level of consent involved given the supernatural angle—see also, my qualms with Jolly’s BaIT—but Parker seems so focused on it, that I’m trusting her. Also, there’s reason to suspect that everyone involved is going to come to a greater understanding of Faoladh abilities soon, and that’ll give her a chance to assuage any feelings of creepiness.

Is it a wholly successful novel? Not quite—but it’s close enough to make getting (and reading) the second book a priority. The writing was compelling and engaging—Parker can tell a story and keep the reader curious and entertained the whole way. A lot of snark and love flows between her characters, Harper’s family/friends are a tight bunch and it’s hard to resist that feeling. Her characters brim with life. I think with another book or two under her belt, Parker could turn into a favorite author.

Check this one out, for sure.

Sleepless City

Reed Farrel Coleman

4.5

adventurous challenging dark tense fast-paced

This originally appeared at The Irresponsible Reader.
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I really want to tell you everything about this book—and I also want to tell you nothing at all beyond what the jacket copy is going to say and just tell you that if that sounds good to you—it is, and maybe better than you think. If that doesn’t sound good to you, it still is, but it’s probably not your cup of tea. Let’s see if I can accomplish something in-between.

What’s Sleepless City About?

Nick Ryan is a detective with the NYPD—that’s all he’s wanted to be, and he’s good at it. Sadly, because his father did the right thing and testified against a number of dirty cops several years ago—Ryan (and his father) are hated by most of the rank and file (and probably more of those above those). It doesn’t matter what Ryan does, his career is going nowhere. He’s still doing good work and seems to accept his lot in life.

Until a few things happen—I’m going to ignore those and move on to the results: Ryan is recruited by a lawyer representing unnamed interests who are going to change things for him. He’s going to get a promotion, he’s going to get to choose what cases he works on—whatever strikes his fancy and curiosity. But when this lawyer calls, he will push pause on everything in his life to take care of whatever these interests want. He’s basically going to be a fixer for the NYPD, cleaning up messes they can’t, preventing problems, and essentially doing whatever needs done. They’ll provide the resources (off the record and unseen), and he provides the results.

In Sleepless City we get the origin story for Det. Ryan, we see his first two cases, and get an idea what the resulting series should look like. Here’s the best thing about these two cases (which I’m going to share even if some might consider it mildly spoilery to do so because it’s a great selling point): unlike in 95% of thrillers/procedurals these two crimes that apparently have nothing to do with each other do not come around in the end to be related. They are actually distinct from each other. The resolution of one has practically nothing to do with the other (only that some goodwill generated by Ryan in one situation keeps him out of hot water in another).

Problem 1

A few recent incidents (nationally and in the city) have tensions high between the police and black communities at the tipping point. Ryan’s called into the scene of a shooting death of an interracial couple by someone who never should’ve joined the police. Ryan’s impulse—and that of several others, it should be noted—is to let the facts come out honestly.

But with the city near the boiling point, the fear is that the ensuing riots will leave too many dead, too many homes and businesses (and survivors) ruined, and the outcome of the protests and riots uncertain. Ryan has to cover this up without turning the victims into anything but victims.

So right away, you know that this book/series is going to live in morally gray (at best) areas. The lengths Ryan goes to—and the means by which he tries to accomplish this coverup are, tell you just as much about the way this series is going to work while the ends tell you about the ethical quagmire it tries to navigate.

Problem 2

The second issue centers around a Madoff-like character who stole a billion or so dollars—a large amount came from various law enforcement unions. The havoc wreaked on the first responders by this loss is great—and the consequences for Ryan’s brother (as an example) are devastating.

They’re going to be able to put Aaron Lister away for a long time—there’s no doubt about that. But no one can find the money—and nothing that the police, the FBI, or the courts have been able to do can get Lister to reveal where it is so they can try to repay the retirement funds.

Enter Nick Ryan.

No White Hats In Sight

We get the idea early on that Nick Ryan is a stand-up guy, ready to do the right thing regardless of the consequences. But after the events that I alluded to before his recruitment, he takes a different position on the legality of his actions (and maybe that was present before, but it’s certainly strengthened now)—it’s about the end result for Ryan now.

He’ll cut corners, he’ll make deals with whatever devils he needs to, and he’ll resort to methods that are so far beyond the pale of right, moral, or legal that they should be measured in light years.

In the real world—I’d hate someone like him and want to see anyone doing these vigilante acts imprisoned. And it’s not just Ryan, all law enforcement characters like him—Raylan Givens should be tried on several charges, Jack Reacher should’ve been locked up (not for the reasons he was initially arrested when we meet him—but for everything else in that book, and the dozens following). I want Malcolm Fox to expose Rebus for the offenses he’s committed (not necessarily the one’s Fox thinks he has, though). Kate Burkholder should confess to shooting that man (in self-defense) and the coverup of that shooting in her teens. And so on.

But in fiction? Bring. It. On. I love this stuff. Particularly because I don’t think Ryan’s modus operandi is sitting well with him—I’m betting as the series progresses, we’re going to see him having a harder and harder time with what he’s doing. Possibly even driving him to eventually trying to bite the hand that feeds him and exposing the interests directing him to the world (and going down with them).

I don’t have time to talk about the mess that is his personal life—but there’s plenty of fodder there for personal subplots for years to come.

So, what did I think about Sleepless City?

I had a great time with this book—it’s a great action ride and you can spend hours debating the ethical questions it raises (with yourself, with the book, or with others—and I can’t wait until people I know have had the chance to read this so we can have those discussions).

The speed at which Ryan is able to pull off these fixes probably strains credulity, but this isn’t the kind of book to care about how long things take. And by the time you start to wonder about plausibility, you’ve blown past the point where the question arose and you’re more focused on what happens next.

Because he’s the reigning gold standard, I will say there are a couple of scenes where Ryan gets to have a Jack Reacher-esque moment, scenes that have nothing to do with the plot, just a chance for Reacher/Ryan to demonstrate their abilities and stop a wrong outside of the primary storylines. The way that one of these resolves is so un-Reacher that I laughed and re-read it to see where Coleman made you think Ryan was going to try to match the ex-MP’s style. Ryan can be violent when he needs to be (quite), but he starts with his brains and mouth when he can in a situation—as satisfying as a good fight scene can be, someone thinking and talking his way through a problem can be as fun.

I think Coleman pulled off quite the feat here—this doesn’t feel like his previous work (although I freely admit I haven’t read as much of his earlier work as I want to, so maybe it does). This is more about action and less about reflection and thought. But it’s not mindless violence and the Ryan is a thoughtful character.

There are moments of fun—Coleman’s able to slip in a joke or two, too. But really this book is all about forward momentum, as if once Ryan has taken on this role he can’t stop moving and the book follows suit.

I assumed going in between the premise and my past experience with Coleman that I was going to enjoy the book—but Coleman and Ryan delivered something not quite what I was expecting—and Sleepless City is better for it.

I hope I’m reading these books for years to come—and suggest you pick up Sleepless City as soon as you can.

Cutthroat Cupcakes

Cate Lawley

3.5

funny lighthearted mysterious fast-paced

Plot or Character Driven: Character

Strong character development: No

Loveable characters: Yes

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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“How do you kill a person with a cupcake topper?”

“When it’s drenched with as much raw magic as yours are, so many different ways.” Sabrina ticked off options on her fingers. “As a potion additive, as part of a ritual, ingested by the magic-user to add to their own power. Yeah, those are probably the top three.”

“Yours was used to create a potion which was then added to a beverage the victim drank, from what we can tell,” Miles added helpfully.

I really didn’t feel so good.

What’s Cutthroat Cupcakes About?

Lina’s having a slow day in her store—a year-round custom-made candy store with a Halloween theme—when everything she knows about her family, herself, and the world as a whole changes.

Lina discovers that magic is real and that she’s a witch in one of the worst ways imaginable to learn these things—by being arrested by a supernatural cop for killing someone with an item you cursed.

This cop is a wizard with the International Criminal Witch Police who has a certain amount of leeway in his jurisdiction—since he’s easily convinced that Lina has no idea how she may have cursed the candies in her shop, he offers to cut a deal with her—if she helps to track down the person who used her unintentionally cursed items, he won’t pursue charges (ignorance of the law yada yada yada could still get her a few years as an Accessory). Apparently, once you know what you’re looking for it’s easier to find traces of your own magic than it is to find someone else’s, so it makes sense to recruit Lina into this investigation, even if she doesn’t know anything about the magical side of things.

Lina’s curious about this whole witch thing, desperate to not be convicted of a crime—and fairly attracted to this detective, truth be told. So she puts her store in the hands of a new (witch) acquaintance for a few days and takes the offer.

The Boise-ness of It All

“The three of you are it? For the entire city of Boise?”

Bastian huffed. “City? Town.”

“Hey, now. No smack-talking Boise.” I’d only lived here five years, but that was long enough to recognize that the place definitely had its charms.

“I’m not talking smack. I’m stating a fact. It’s a town, not a city. But to answer your question, the three of us cover the greater Boise area.” His lips pulled into a grimace. “Insomuch as there is a greater metro area.”

You know right away that this is some sort of fantasy—there’s no way that a homemade candy shop—particularly a Halloween-themed candy shop—survives in downtown Boise for as long as Lina’s has. Yes, the idea is appealing, but it’s easier to buy the idea of the magic, to be frank.

Outside of that, putting this series in Boise helps ground it—Lawley has some good fixed locations for things and is able to use that geography to her advantage. But no one who is unfamiliar with Idaho’s capital is going to suffer for it—it’s a nice bonus for those of us who make the same drive as Lina does to know how long it takes so we know how long the uncomfortable silence (or whatever) will be. But that’s about it.

The Cozy Factor

I drank my exceptional espresso with exactly the right amount of cream and tried to keep my annoyance at recent events to a minimum. Nothing like a rotten mood to ruin good caffeine.

This is pretty “cozy” on two fronts—the magic and the mystery. We only get very broad brushstrokes about magic, how it works, what it can/can’t do, the society of witches/warlocks/wizards, and so on. Lawley gives us enough details to keep the story moving. We do get to see some magic at work, and get a sense that some ritual and effort is necessary—but Lawley’s not coming at this like Butcher, Rowling, or Harrison.

The mystery part of the book is solidly in the cozy area as well—we’ve got a candy store owner, a detective who works out of a coffee shop, and a whole lot of generally nice people (even a suspect or two are pretty nice when you get to know them).

The effect of both of these is to make you as comfortable as if you’re relaxing with one of the some of the drinks and treats described while the world passes by.

So, what did I think about Cutthroat Cupcakes?

Maybe I should have dithered, asked for more information, heck, even asked for the questions first. But this was the guy who’d cured my headache. Despite having locked us in my store earlier and disabling my phones, he seemed a stand-up sort of guy. Maybe he wasn’t warm and fuzzy, but…I trusted him. And that’s saying a lot given the fact he arrested me.

I initially thought this seemed like a charming idea for a cozy mystery series, but I wasn’t prepared for the extent of its charms. I devoured this in one sitting and if I owned it, I’d have likely rolled right into the sequel (I will be rectifying this situation soon). I want to use words like cute and adorable, but those both feel condescending, so I’m sticking with charming for now. Enchanting might work there, too. But that’s a little too something given all the witchiness of the book.

Lawley’s not afraid to have a little fun with the premise—the first (aware) witch we meet is named Sabrina, for crying out loud.

*Pun intended, naturally.

The characters are all great (I thought about spending some time talking about them, but why ruin your fun?). The candies are tantalizing—even for someone who abstains from sugar. The coffee shop owned by the detective (there’s not enough supernatural crime to be a full-time job in this area—and he needs a cover story for the non-magical folks) will cause cravings for sure.

Basically, this is a light-hearted, sweet, appealing, and charming book. I encourage you to grab a snack, pick up Cutthroat Cupcakes, and get lost in the world for a little while. You’ll feel better for it.

The Worst Man

Jon Rance

2.5

emotional lighthearted medium-paced

Plot or Character Driven: Character

Strong character development: Complicated

Loveable characters: Complicated

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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…at the back of my mind, I have always held out hope – blind, foolish, irrational hope – that they will break up. When you find yourself desperately in love with your best mate’s girlfriend, blind, foolish, irrational hope is all you have. In fact, and not to put too fine a point on it, I have been banking on it.

What’s The Worst Man About?
The novel starts off with Dan and Lucy’s wedding going awry–the details are a little fuzzy, but we know it has something to do with our narrator, Ollie. Then we go back to twelve weeks earlier when Dan and Lucy tell Dan’s lifelong friend, Ollie, that they’re engaged and we see how in love/deeply infatuated/possibly obsessed Ollie is with Lucy.

For most of the book, it’s difficult to say exactly how Ollie feels–he tells you one thing, but his actions/thoughts may make readers reach other conclusions. So, I’m going to put the phrase in quotation marks (imagine me making wildly exaggerated air quotes as I type).

He’s been this way for three years–since he met her–and it’s only gotten worse from what we can tell. One friend knows about his hangup (and Lucy likely does, too, because she’s no fool).

The main plotline of this book is seeing Ollie try to shake it off, to try to force himself out “of love” with her–or it’s seeing him fantasizing about ways he can profess his “love” to her and scheming ways to get Lucy to break off the engagement.

Unsympathetic Protagonist

I really want Dan and Lucy to be happy, just not together.

Ohhhh boy. It was really hard to find a way to like Ollie. This was something I struggled with from the opening paragraphs right up to the last sentence–and, frankly, never succeeded at. This is a guy we’re supposed to find at least somewhat likable and appealing–we’re supposed to root for him.

But he’s an immature little twit pining after his best friend’s girlfriend and only stopped when she became his best friend’s fiancée–not because he grew up, but because he started pining after his best friend’s fiancée. We’re not talking best friends since college or something–we’re talking about a couple of guys who grew up together, and might as well have been brothers since childhood. And he’s so wrapped up in what he wants that he can’t be happy for Dan. He tries to be (or so he claims in the narration if you can trust him), but it fails.

He even gets this harebrained idea to make Lucy jealous–and that this jealousy will cause her to realize her mistake, break off the engagement, etc. The girl he uses in this scenario is a far better fit for him–if only because she’s single and looking (although there are many other reasons)–and Ollie won’t see it (or does, and still blows it off for Lucy).

As Sherman T. Potter would put it, this boy’s full of mule fritters.

The irony of it all is that Ollie teaches young teens/preteens–and ends up acting like one.

The Saving Graces
Here’s what kept me going. In the middle of all of this are three stories worth reading.

Ollie’s flatmate–another friend of Dan and Lucy’s–has a quirky little love story (and dog story) all his own. I don’t know if there’s a real Rom-Com in it, or if it’s just a good storyline from a Romance, because we only get glimpses of it as Wilf tries to talk some sense into Ollie. Regardless, watching that storyline was one of the pleasures of this book.

Ollie’s Dad has been alone for a very long time and he just may have found someone, too. This storyline brings a lot of the comedy of the book–and a decent amount of the heart. I’d have read an entire book on this story.

Ollie’s dad has been single for years because Ollie’s mother left them when he was pretty young. It’s one of those things that shaped the two of them–and you could probably make some sort of link between this and Ollie’s actions in the present. But whatever–the thing to focus on is that Ollie’s introspection about her absence in his life and the rest of this story are some of the most honest and moving emotional writing in the book.

So, what did I think about The Worst Man?

‘Then stop acting like a f($^@#g child and grow up,’ says Wilf before his phone rings.

That’s all the book needed, Ollie to listen to Wilf.

I was prepared to be very tepidly positive in this post because of its strengths, but Rance lost me in the last 9%. I’d have been tempted to discard the book over those events if I wasn’t in the closing chapters. I want to stress that’s with the exception of those arcs I mentioned in the previous section. But those three couldn’t save it.

The writing was clever enough–with some really nice lines and moments scattered throughout. For example, Ollie’s description of “possibly one of the worst dates in the world,” is both a. entertaining for the reader and b. a really bad date. You can’t help but have strong reactions to these characters (mostly positive)–there’s a student of Ollie’s that you will feel for in particular.

In the end, Rance did the best he could with this character and the premise–really he portrayed Ollie and the situation pretty well. Which was the problem for me, in the end. I’m definitely not writing off Rance for this, and will be happy to try something else from him (I’ll just do a better job reading the descriptions first).

Save yourself the time and check out something else by Rance, like The Summer Holidays Survival Guide.

Toby and the Silver Blood Witches

Sally Doherty

3.0

adventurous fast-paced

Plot or Character Driven: Character

Strong character development: Yes

Loveable characters: Yes

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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Toby raised his eyebrows. What a ridiculous rhyme. Yet, every cell in his body quivered. The sensible voice inside his head reminded him there was no such thing as magic, but he couldn’t help wonder, would something happen?

What’s Toby and the Silver Blood Witches About?
Toby Bean doesn’t have the easiest life. He’s a twelve-year old who’s bullied at school and he hasn’t spent much time with his football team or friends since his mother became ill a couple of years earlier with myalgic encephalomyelitis (it might have been nice if myalgic encephalomyelitis had been spelled out at least once) and he’s had to spend all of his time taking care of her/their house.

After hearing strange noises in their attic a couple of times, Toby goes to investigate only to find an injured woman in the attic—she’s strangely dressed, and what she’s saying is even stranger. She claims to be a witch who crashed on her broom, landing in the attic. Not only that, but she needs his help to be able to leave. He’s just this close to calling the police to come pick her up, but decides to indulge her. He finds her wand around where she thought it fell, and then he sees her use it.

And Toby’s complicated life just got more complicated—and more exciting.

He finds himself helping magical people in ways that only non-magical people can, visiting a city that’s shouldn’t exist, and taking on a secret organization to rescue some witches.

This summer break isn’t anything like what Toby’d expected.

Worldbuilding

It was obvious which of them was the Head Witch. It wasn’t just Willow’s height which gave her presence– she exuded a quiet air of authority. Her face was unreadable, neither stern nor overtly friendly. It bore no wrinkles, no lines. It was as if she never betrayed great emotion. She was impassive with a touch of the formidable.

Doherty’s worldbuilding is just great. The human/earthen conflict with the witches was introduced and dealt with in a way that is both easy to grasp and believe.

The witches’ hidden city was a great concept, and the tour of the city that Doherty took Toby (and the reader) on through it was well done and entertaining. Just about everything she gave the reader about witches—from Witch Bumble’s words for objects/animals (think The Little Mermaid‘s Scuttle) to their wands—is exactly what you want to find in a book like this.

I do think the big, evil human group could’ve been developed a bit better—they did stop short of twirling their mustaches or Tex Richman-esque maniacal laugh, but just by a hair. But that’d be my only complaint on this front (and that’s something that can be addressed in the next book so maybe I’m being premature on this point).

The Difficulty Setting

The more she talked, the more Toby felt as if he was falling headlong into a curious fictional world. He needed to take charge of the situation, before it completely spiralled out of control.

If you think of this as a video game, you’re definitely reading a play-through on the “Easy” setting. Every single arc resolves pretty easily and without a lot of tension—there might be some tension or suspense in the setup, but it goes away pretty quickly.

I noticed this first with the arcs involving Toby’s friends and his mother, but once I put my finger on it, I realized that’d been what was bugging me about everything.

This could be by design—particularly if Doherty is aiming at the younger end of the MG audience. If it’s not by design, I’d say all the elements for a more suspenseful and satisfying resolution are there, the text just needs to explore that better—and add another hundred or so pages to the book (that’s just an assumption on my part based on similar MG books I’ve read).

To be clear—this isn’t a flaw in the stories/arcs—everything ended in a very satisfactory place and I wouldn’t ask Doherty (or any author) to change that based on my whims. I just want the journey to that end to be more satisfying. The resolutions—particularly to the friends and mother—didn’t feel earned.

So, what did I think about Toby and the Silver Blood Witches?

Bumble leaned forwards. “It’s good to be different.”

“Being different is horrible. Being different means you get picked on,” Toby muttered.

“Being different is great! Who wants to be the same as everyone else?”Toby looked up at her. She sat there in her bright patchwork dress, a bat peeping out of her pocket and her head held high.

Bumble smiled at him. “Be proud to be you, Toby ,” she said gently.

This was a perfectly charming and fun read—it was quick, too—not just because of the complexity, but primarily because the narration was so engaging that the real world melted away in the background and the only thing you wanted to focus on was the book.

Toby’s an endearing character, and you can’t help but root for him and those around him (other than his bullies, obviously). He ends up in a pretty good place and it’ll be good to see how a better-adjusted version of him who is already familiar with the world of witches deals with things in the sequel.

I did want more from Toby and the Silver Blood Witches—and think that MG readers would be justified in asking for it—but please note, I’m asking for more of something good. Not wanting a mediocre or disappointing read to offer more. It’s good, it just could’ve been better. Still, most MG readers are going to want to return to this world in the sequel(s) and from re-reading it.

Nic Blake and the Remarkables: The Manifestor Prophecy

Angie Thomas

4.0

adventurous hopeful lighthearted fast-paced

Plot or Character Driven: Character

Strong character development: Yes

Loveable characters: Yes

Diverse cast of characters: Yes

Flaws of characters a main focus: Yes

This originally appeared at The Irresponsible Reader.
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So Here’s the Deal:

I’ve tried to write a favorable post about this book a couple of times now, and I’ve failed. I’ve got to get this back to the Library soon, so I need to get something done. So…here are some bullet points describing why readers should avoid the book.

What’s the Book Jacket Say about The Manifestor Prophecy

I guess, to be fair, we should start with some facts. Here’s what the jacket copy has to say:

It’s not easy being a Remarkable in the Unremarkable world. Some things are cool—like getting a pet hellhound for your twelfth birthday. Others, not so much—like not being trusted to learn magic because you might use it to take revenge on an annoying neighbor.

All Nic Blake wants is to be a powerful Manifestor like her dad. But before she has a chance to convince him to teach her the gift, a series of shocking revelations and terrifying events launch Nic and two friends on a hunt for a powerful magic tool she’s never heard of…to save her father from imprisonment for a crime she refuses to believe he committed.

From internationally bestselling superstar author Angie Thomas comes a wildly inventive, hilarious, and suspenseful new contemporary fantasy trilogy inspired by African American history and folklore, featuring a fierce, irrepressible character who will win your heart.

Reasons to Avoid It
In no particular order, just the way they occurred to me:

As all good Fantasy readers know, there’s a plethora of books (especially for MG audiences) with magic systems largely based on African American myths and folklore. It’s the same old-same old here, give me some WASP-y fantasy!
An MG-book featuring a strong father-daughter connection, however flawed by good intentions and human nature? Bah. Who needs that?
We don’t need a respectful, but still pointed, take on a certain magical boarding school series.
The fact that there’s a way for Muggles, I mean Unremarkables, to access magic on their own is such a bad idea and adds nothing new to the genre.
In many ways, you get the impression (although it might not be the case) that Coogler’s Black Panther influenced this storyline and world. Of all the superhero movies, why this one?
The protagonist and her best friend be prepared for their adventures because of their devoted fandom of a series of fantasy novels. Nerds shouldn’t be action heroes. They should stay in their lane.
“Chosen One post-traumatic stress disorder?” Listen, the notion of a Chosen One is sacrosanct and should be treated that way.
It’s a Middle-Grade book, it shouldn’t acknowledge (but not dwell on) things like issues with the prison system, racism, the Underground Railroad, the Civil Rights Movement, and so on.
Protagonists (and main characters) who make mistakes—serious ones—and have to adjust their behavior are not the examples that Middle-Grade readers need.
Nic Blake finds herself as part of two supportive and encouraging multi-generational communities (who don’t see eye to eye, it should be said) and gets help from both when she needs it. But it’s not just help for her—the communities help each other—largely because it’s needed, not that they get anything in return.
There’s a sense of fun and joy that pervades the entire book, without detracting from the stakes, and that’s such a turn-off.

So, what did I think about The Manifestor Prophecy?
Okay, fine…there are few reasons not to read this book, really. It’s a fun world filled great characters (both minor and major), and I’m ready to read the sequel today (if only so I can have another chance at writing something about the series).

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