Take a photo of a barcode or cover
informative
relaxing
medium-paced
4 Stars
One Liner: Beautiful and informative
Ever wondered what stories the flowers have to share with us? This book has the answer. Floral Folklore is a collection of folktales about forty beautiful flowers in nature. The book is divided into four sections based on the major seasons –spring, summer, fall, and winter.
However, the book is not limited to stories. It also provides us practical tips to create mindful practices and rituals using the flowers. It helps align ourselves with the flowers, seasons, and nature. The foreword by Anna Porter and the introduction by the author are compact and set the tone about what to expect from the contents.
Each story has the flower’s name as the title, with the scientific name as the subtitle. We get a three-line description, the meaning of the flower, and the origin of the tale listed on the side. Then, we proceed to the story with a lovely illustration on the side. The color scheme is softer and a touch muted, which suits the book’s language. Though I prefer vibrant colors, I loved many illustrations in this one.
At the end of each story, there’s a short section about how to create a ritual to connect with and use the flower for spiritual work, manifestations, etc. The story is written in simple language and is easy to read. However, it is not something everyone will like. The tone is blandish and matter-of-fact.
The collection contains floral folktales from different countries, like Greece, Persia, Nepal, Israel, Scotland, China, Scandinavia, etc. Not surprisingly, quite a few stories are from Greek mythology (I know a couple of them), and some from Germany and all of Europe.
There’s a story from India (Hinduism), though not for the flower I expected. I’m familiar with the base story, though not its association with the flower (and a change in a part of the tale, which is bound to happen with so many retellings floating around). Either way, this flower now has a greater significance to me!
The book ends with a short summary and a few references for more information. There’s a short note of caution about allergies at the end, which I think should be at the beginning.
To summarize, Floral Folklore is a worthy read that should be consumed in smaller installments to enjoy each tale to the fullest. Grab this one even if you are not into rituals and practices.
Thank you, NetGalley and Quarto Publishing (Leaping Hare Press), for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #FloralFolklore
***
PSA: This book is not for kids as I assumed earlier. It’s general nonfiction about plants and nature suitable for YA and adults who like this kind of thing.
dark
hopeful
slow-paced
2.7 stars
One Liner: Umm… tries too hard
Jan 1918: Laura Iven is an efficient field nurse even after an explosion left her wounded. Back home in Halifax, Canada, she continues to volunteer at a local hospital. However, the news of her brother’s death in war results in too many questions and not enough answers. Laura decides to travel to Belgium as a volunteer at a hospital to find out the truth.
Nov 1917: Freddie Iven thinks he is dead until he realizes he is alive, but the clock is ticking fast. He and a German soldier (the enemy), Hans Winter, have survived. However, life is uncertain and dangerous with the war around them. What happens when the new acquaintances have to decide their next step?
With the brother and sister haunted by the ghosts of the past and present, can they find a way to save others and themselves?
The story comes in the third-person POV of Laura and Freddie (Wilfred) in alternate timelines (1918 and 1917).
My Thoughts:
After many recommendations for the author’s famous trilogy, I was delighted to see a standalone work by her. It’s easier to read a single book than three (that too big ones). Alas, the result is disappointing.
The bare bones are intriguing- World War 1, PTSD, soldiers, nurses, healing, hope, and a touch of paranormal. What’s not to like? But why is the book like this?
Laura should have been a terrific character. She is an efficient nurse, someone capable, assertive, decisive, and determined. The character is exactly the kind I like to read. Yet, there wasn’t a single instance I could empathize with her.
Freddie gets more of my support. He also has some intense emotions to display. His vulnerability has the pull to connect with the readers. Winter is decent, too, in a grumpy, wounded hero kind of way (he is not a hero here).
The desolate and bleak side of war comes across very well and is the highlight of the book. Can’t say it’s something new, but still, the desired impact is achieved.
Now, I love paranormal touches in books. But this one almost went over my head. I’m not a Christian, nor do I know much about the theories like ‘end of the world’ or the Book of Revelation. I could guess who the fiddler was, but there’s nothing new/ unique about the concept. (Moreover, my go-to expert on the topic has yet to read the book, so I couldn’t ask and spoil it for her.)
There’s some love inserted in the last section. Not sure whose idea it was, but the book would have been better without it. Or, the concept could have been explored in detail. Healing is different from trauma bonding. And can we please respect platonic friendships for what they are without forcefully turning them into romantic tracks? Also, given the period, the lack of self-exploration on certain aspects is unrealistic.
The ending is hopeful. But then, everything so easily falls into place! In fact, the same happens almost throughout for Laura. She puts in 1x effort, and others clear the path for the rest.
The author’s note helped me understand a few things. It reminded me of when I spent extra time and care on a project in college because the topic was a favorite. However, the final result was an average piece and not something I could call my best in any manner. I gave it a lot more than what was necessary.
To summarize, The Warm Hands of Ghosts has its moments but fails to impress as a package. The slow pacing doesn't help either. Maybe readers with more knowledge about religious concepts will understand and like it better.
Thank you, NetGalley and Random House Publishing (Del Ray), for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #TheWarmHandsOfGhosts
***
P.S.: I skimmed a few reviews after drafting mine. Apparently, the chapter titles are biblical quotes from the Book of Revelation.
Graphic: War, Injury/Injury detail
Moderate: Violence
mysterious
reflective
medium-paced
There are countless retellings of Tristan and Yseult (Isolde), though I wasn’t aware of the story until I saw the book. This is a poetic retelling with a different focus.
Based on my quick search on the net, it seems many retellings deal with the forbidden and doomed love between Tristan and Isolde. While this narrative poem also tackles the same topic, it brings a fresh perspective and presents the tale in a unique manner.
The book begins with a preface by the author where he provides a brief insight into the story, his version, and the inspiration for his poem. The poem, he says, is highly inspired by Richard Wagner’s Tristan und Isolde (opera) - not the content but the music. While I haven’t heard/ seen the opera, the poem indeed emphasizes sound effects through words.
The narrative verse is neatly divided into three parts, which are further categorized into chapters. The titles hint at the events in the respective sections.
As the poet said, there is no mention of the word ‘love’ anywhere in the poem. Yet, we cannot help but feel the longing between the two main characters during the brief period they spend together. Yseult is nursing almost dead Tristan back to life in secret. This binds them in an unexplainable bond.
The narrative used enjambment to achieve the disjointed and fragmented rhythm. The rhythm changes often to align with the events. Sometimes, we get broken sentences, sometimes sharp orders, and mellowed longing at other times. There are alliterations and random rhymes, not deliberate but more to suit the context. The same goes for repetition.
These are my favorite lines from the book -
For course of days and short short nights
The healer and her haul are bound.
The poem starts on the sea with Tristan on the waves, his duel, and injury. It progresses to Yseult finding an unconscious Trsitan, healing him, the role of Brangenn, the maid, the interaction between the lead couple, and finally, their separation. There’s even a two-page chapter in Stream of Consciousness, the fever dream of Tristan, written with no punctuation or capitalization.
It can take a while to get used to the style, but once you understand, the words flow faster and better. It will help if you have a basic idea about the original story since the style doesn’t have space to offer a lot of detail or backstory.
To summarize, Tristan/ Yseult is a creative and innovative retelling from a different perspective. It is a sound-based poem rather than a lyrical one, so go with the right expectations.
My thanks to Anna (Random Things Tours) and the author for the eARC. This review is voluntary and contains my honest opinion about the book.
mysterious
slow-paced
3 stars
One Liner: Good mystery drowns in a vague setting
Eccentric investigator Ana Dolabra is asked to solve the case of the mysterious death of an Imperial officer in the Empire. The dead man is now a tree or has a tree growing from his dead body.
Dinios Kol, Ana’s new assistant and an engraver with ever-lasting memory, goes to the scene to collect information for his superior. As they find more details, it’s clear that the death is not an independent incident. With what seems to be a threat to the Empire itself, Ana and Din have to find the culprit before it’s too late.
The story comes in the first-person POV of Dinios Kol.
My Thoughts:
The premise is wonderful, and the combination of mystery and fantasy made me curious.
The mystery is the best part of the book. I like how complex and layered it is. Ana (despite everything) has turbo-charged grey cells that work 24*7. Din is solid and balances out the equation well. While some readers may find Din bland, I like that it is his personality. He is supposed to be that way. Imagine him being like Ana. That would be super annoying. Din is good the way he is.
The revelation also comes in stages. Even though we get lengthy dialogues with explanations, these are followed by fast-paced action scenes to balance the narrative.
Some secondary characters are promising. I quite liked meeting them. It’ll be nice to see them in the future books. The names are typical fantasy stuff- made up by throwing together random alphabets. Not an issue since I do the same, lol.
When I read fantasy, I tend to go with the flow and see where the story takes me. However, that approach didn’t help here. I still have little to no idea about the setting. On a side note, shouldn’t this be a dystopian fantasy? That way, I can tick off a reading challenge prompt!
Man, the pacing is slow. There is a lot of detail about the setting, which sadly doesn’t translate to an imaginable output. I’m someone who finds it easy to visualize settings and scenes. Yet I couldn’t see beyond the outlines. (Translation- it needs better editing)
Ana tries hard to be Sherlock but doesn’t get close. Maybe the character was just herself, we’d have better luck. There’s potential buried under all that swearing and cursing. Saying the F-word a million times doesn’t make anyone cool or whatever.
Still, I admit I chuckled a few times, even when danger was looming over. The monsters (which are just as vague but super duper huge) tend to come out at random.
The first chapter is terrific. The subsequent ones, not as much, make it hard to sustain interest after the initial burst of intrigue. Luckily, the last section is solid, which pushed the rating from 2 to 3 stars.
A special mention about the cover for this edition. At first glance, I thought the red part was a cracked bowl with some bluish fumes around it. Then I realized I was wrong. The bigger red portion is the sky with a red sun (or whatever the Empire has). The crack is a breach in the sea wall. The haze is detailed, with steps, exotic plants, and the main characters. There’s a cup on the side and a couple of lanterns on the opposite corners. The design is brilliant once you start reading the book.
To summarize, The Tainted Cup is a layered mystery set in a fantasy world. It would make a great read with some strict editing and clearer world-building. If I read book #2, it’ll be for Din.
Thank you, NetGallet and Hodder & Stoughton (Hodderscape), for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #TheTainedCup
lighthearted
mysterious
relaxing
fast-paced
4 Stars
One Liner: A heartwarming read!
Nonna Maria’s long-time friend, Captain Murino of the Ischian caribineri, is in danger due to the cases he solved before coming to this tiny island. Nonna Maria is determined to save him, just as he is determined to keep her safe from the ruthless men.
Meanwhile, Rita, the granddaughter of Nonna Maria’s friend, comes to her for help. Her late grandfather gave her a map of lost treasure in the caves on the other end of the island. She needs help to find the treasure, and Nonna Maria knows many others want to grab the treasure first.
How will our dear old lady handle the cases while cooking, feeding dear ones, and making new friends?
The story comes in the omnipresent third-person POV.
My Thoughts:
Well, it’s not often that a mystery book gets called heartwarming. However, with Nonna Maria as the star lead, this can’t be anything less sweet despite all the action, mystery, and danger.
The book should work as a standalone. I’m yet to read the first book, but liked the second and enjoyed this (third). It is not a whodunit but more of a howdunit. We are told who the criminal is in advance. Now, the question is how will we get to the confrontation and what happens next.
The writing is easy to read and flows at a steady pace. The short chapters are highly convenient. There’s more ‘tell’ than ‘show’, but it works for the plot. A good author knows what to show and what to tell. Moreover, there are subtle bits of humor- not where you laugh out loud but smile or chuckle a little.
Of course, there are plenty of dishes mentioned throughout. While I don’t eat most of them, I still enjoyed the descriptions and the characters having a hearty meal.
The island of Ischia is easy to visualize. The alleys, the stone walls, the old castle, the caves, and locals with bittersweet history, everything enriches the plot. In fact, it is a core character in the book.
There are two tracks (as you see in the premise). That means we have two sets of characters to meet. Yet, it doesn’t get the least bit confusing. Even with someone knowing someone or being another relative, it is easy enough to follow the developments.
There’s no lead for the next book, but I hope the series continues. I’m sure many people will need Nonna Maria’s help.
The book ends with a sweet author’s note and leaves the reader with a smile.
To summarize, Nonna Maria and the Case of the Lost Treasure is a sweet cozy mystery set on a beautiful island and has some memorable characters. Pick it up if you want a relaxing mystery and have a couple of hours of free time.
Thank you, NetGallet and Random House Publishing Group- Bantam, for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #NonnaMariaAndTheCaseOfTheLostTreasure
dark
reflective
sad
medium-paced
3.8 Stars
One Liner: Dark and stark but a worthy read
1889, Liverpool
Constance Sullivan is a twenty-six-year-old widow of William Sullivan. She is brought to trial for poisoning her husband. As her lawyer tries to prove her innocence, we see what happened between the closed doors and the changing relationships between the couple and other family members.
Is Constance innocent or guilty? What will the jury decide? What’s the truth?
The story comes in Constance Sullivan’s third-person POV in the present tense.
My Thoughts:
The book starts with Constance being arrested for her husband’s death and goes back and forth between the trial and the past events that led to this situation. Despite the non-linear narration, there is no confusion anywhere.
The writing is strong and flows well. I wasn’t expecting this, so it took me a while to get into the mood. Once I did, I liked it better. The pacing is a little uneven, but works.
The court scenes are my favorite, and I wish we had more of those. Apparently, back then, the accused wasn’t allowed to talk, so we don’t see Constance speaking. Sir Charles, her lawyer, makes a strong impression.
That said, there is no gothic house. While the place is called oppressive, it has no role in the plot. They could be living in any rich house, and the story would have been the same. At the most, the Gothic elements would be the constant gloom and twisted nature of the characters.
Constance is, of course, a flawed character. We are told she is too naïve and trusts the wrong people, which destroys her life. While some of it may be true, I wouldn’t call her innocent. Instead, her actions, thoughts, decisions, etc., show she is the center of her world. She is self-absorbed and has a narrow perspective that starts and ends with her. Anything beyond that is an inconvenience that is to be ignored. Even after all the years, the changed version of her is not that different from the original. She still makes the same mistakes in a roundabout way. Let me emphasize that this doesn’t make it okay for the injustice she faced. Also, the author makes us root for her despite these flaws, which is quality writing.
The ending becomes a bit OTT, which isn’t great. However, I do like the intentions behind this. It does provide a sort of closure and a sense of hope for the MC, which is something I want from the books I read.
There’s a detailed author’s note at the end, providing insights into the actual case and the areas that have been fictionalized. This is useful in understanding and comparing both versions. A list of references is provided. We also get book club questions for discussions.
This is a dark book with almost zero light-hearted moments. It’s not something to relax with and has triggers for domestic abuse, infidelity, self-harm (multiple scenes), and animal death.
To summarize, The Arsenic Eater's Wife is a well-written story inspired by real events. It holds a mirror to the injustices and inequalities women faced (and continue to face) in society. Do check the triggers (listed above) before you read.
Thank you, Bloodhound Books, for the eARC. This review is voluntary and contains my honest opinion about the book.
Graphic: Drug abuse, Self harm
Moderate: Domestic abuse, Infidelity, Vomit
Minor: Animal death
adventurous
dark
hopeful
mysterious
fast-paced
3.5 stars
One Liner: Fast-paced and entertaining
1895, Paris
Zelie Dutta is not a witch, even if she is accused of being one. However, a chance encounter brings her face-to-face with Jules, a sewer cleaner boy who found a gold locket. This locket once held the (in)famous Snakestone, the one Zelie needs to find her father.
However, the quest is far from easy, with a dangerous brother society wanting the same magical stone. Time is running out, and Zelie has to use all their talents to stay alive and find her father. Can she do it?
The story comes in Zelie (mostly) and Jules’ third-person POV.
My Thoughts:
How can I resist a book that has Indian characters? And, of course, the vibrant cover grabbed my attention. This one connects colonial India and France (Paris) with magic, science, mystery, adventure, and loads of danger.
The narration is fast-paced, so much so that we don’t get time to breathe before Zelie is off on another adventure. This suits her character, as she is a bundle of energy, ready to jump, leap, and rush (for different reasons). However, there isn’t much time for anything else, be it character development or detailed world-building.
The book starts with Zelie being called a witch. We see how the fellow maids in the house are wary of her for belonging to another race and most importantly, because her eyes are of a different color. Zelie has heterochromia, where the color of each eye is different.
Jules is a sewer boy, twelve years or so. He is not eager to help Zelie but agrees eventually. There were instances when I liked Jules more than our MC. He is balanced and not prone to impulses like her. However, I didn’t find any mention of Zelie’s age. She should be around the same or a year younger, based on my calculation. It’s hard to imagine the characters in such instances.
In a way, I like that Zelie is not perfect. She is judgmental, stubborn, reckless, and not someone who will listen to good advice. Despite that, I feel many young readers will connect to her determination to find her father and the risks she takes in the process. Her love for her family comes across very clearly. She is kind, which works in her favor.
The overall content is darkish but nothing too scary. There’s no time to feel scared with the girl racing off to a bigger danger. Sigh!
The book deals with themes like trust, friendships, family, greed (for fame and money), privilege, differences between rich and poor, the lack of pockets in women’s wear, etc. And oh, it puts forward an important question - why do men’s dresses have buttons in the front and when women have to deal with buttons at the back? So unfair, right?
Each chapter comes with a title, hinting at what’s to come. Some of these are spoilers, too. It won’t be a problem for all, but some readers won’t like it.
To summarize, Secrets of the Snakestone is an entertaining adventure set in the dark side of Paris. Despite the flaws, the book is a good read and should keep young ones hooked.
The Kindle version is okay, but the formatting is the best in the PDF.
Thank you, NetGalley and Nosy Crow, for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #SecretsOfTheSnakestone
Minor: Animal death, Death of parent
lighthearted
mysterious
fast-paced
2.5 Stars (outliner)
One Liner: Good premise, not-so-good execution
1892, Boston
Ruby Irving is the daughter of a Nevada tycoon, a rich man with new money. Despite her education and money, not many like her or her family. After all, she doesn’t belong to the English aristocracy. Ruby doesn’t seem to mind.
However, when her groom jilts her on the wedding day and refuses to say his vows, Ruby is in the limelight for the wrong reason. As if that’s not enough, George, the ex-groom, is found dead (murdered). Ruby’s Pa is the prime suspect since he was heard threatening to kill the man.
With the police making up their minds and not doing the needful, Ruby decides to investigate and save her Pa from being framed for murder.
The story comes from Ruby’s first-person POV.
My Thoughts:
I’m always up for a cozy mystery, so when this was available for request, I didn’t think much. Also, it would have been my first mystery series set in the Gilded Age. Unfortunately, the results are not great.
Given the page count and that this is still the first in the series, there isn’t much character development for anyone, including Ruby. I’m okay with it to an extent since we get an idea of what they are. That’s enough for the plot.
What I Like:
This is a small book with 199 pages and has a steady pace. You can finish it in a single sitting (1.30 to 2 hours max).
The story starts with the wedding and the groom refusing to say ‘I do’. Even the death occurs soon afterward.
We get the backstory and information in bits and pieces to prevent an info dump. This helps sustain the pace and keep the readers interested.
Ruby starts out well. Her parents are rather endearing. I like the scenes where she is proud of them, as she should be.
What Didn’t Work for Me:
Well, the mystery has potential but has not been explored. Ruby starts sleuthing, which becomes half-baked in the second half. The resolution is not a result of her efforts but a chance plot development.
We are told Ruby is a smart girl, a math-loving, practical person who doesn’t believe in romance and stuff. However, somewhere along the way, she ends up with tingling(s) for more than one person. The shift from being a no-nonsense heiress to this for the sake of sustaining the mystery messes up her arc.
Ruby isn’t that different from the snobs she claims to dislike. While this can be a deliberate character flaw, it doesn’t reflect well on a girl who tends to feel ashamed of her parents when they so clearly love her and give her what she wants.
With the narrative in the first-person, the story could have been real good, especially the climax. However, the readers are left to assume that everything has been sorted when we jump to the epilogue after the killer is revealed (to us). This works in short stories, not in novels. We don’t need detailed explanations, but a paragraph or two is necessary.
To summarize, A Most Murderous Wedding is a quick cozy mystery with some lighthearted moments and depicts the social situations and flaws well. However, it is pretty much an average read.
I’m an outliner here, so check out other reviews before you decide.
Thank you, NetGalley and Somerset Park Press, for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #AMostMurderousWedding
***
P.S.: I think I’m more annoyed due to my high expectations. The author has written many books and has a decent average rating. Maybe this one isn’t her best. I’ll read something from her previous works to get a better idea.
challenging
slow-paced
2.2 Stars
One Liner: Got good bones but lacks in execution (think of a vada fried on high heat- the outside looks nice and crispy, but the insides are raw)
Widower Mukesh lives a quiet and simple life in the London Borough of Ealing after his wife’s death. He has a fixed routine, which includes worrying about his granddaughter Priya.
Aleisha is a surly teen who works in a library for summer but with no particular love for the place or books. However, things start to change when she notices a reading list in the return book and decides to check out the books on the list.
As the lonely old Mukesh and the teen Aleisha’s paths cross in the library, they find a chance to heal and hope again.
The story comes in the third-person POV of Mukesh and Aleisha. It also has POVs of Aidan and a few other characters.
My Thoughts:
What’s not to like when reading a book about books and a library? Well, quite a lot, as this book shows. The premise is heartwarming. We have a dysfunctional family. Grief, mourning, some mental illness, troubled relationships, etc. However, the book fails to bring everything together and create compelling characters.
The 70+ Mukesh is probably the only one I could understand to an extent. I could see his struggling dynamics with the three daughters. They have busy lives, and he is an item on their checklist. Let’s say I’ve been seeing Mukesh’s daughters in real life, which made me empathize with his situation. His attempts to connect with his granddaughter Priya are worth mentioning. However, other aspects of Mukesh are disjointed and don’t make complete sense.
I still can’t connect to Aleisha. Not because she is a teen, but because her storyline and family details are so vague and unclear, even after being told the same thing multiple times. What we have is loads of fluff and zero content in this track. What’s with the mom? What happened? Why? I won’t say more coz I am super annoyed with how this is handled.
I did guess the twist or tragic event. There were signs to hint at it. But I don’t like what happened afterward. That’s not a way to fix everything under the sun and should never be a magical solution. Imagine saying you go off, and it’ll help others find solutions to their problems. Ugh!
We get random POVs from other characters, which come together at the end. I could guess this, too, since there’s only one logical thread connecting everything. However, none of them are developed. TBH, removing them would make no difference to the plot. The same goes for Zac.
The save library track is the weakest among the already weak stuff. All it needed was a sudden inspiration fueled by the twist. Distasteful, IMO. How is it that none working in the library, even the boss got that idea if they are desperate to save the place? It’s not like the solution is out of the box or incredible.
While the book-based discussions seem nice, they aren’t inspiring or heartwarming. I’m not sure about that take on Elizabeth and Darcy’s relationship. Lizzie being mean to attract the love interest? Huh… what?
Finally, the pacing… oh, so slow. It took me 3.5 days to read a 380-page book. By the last day, I just wanted this to end so that I could move on to another read.
To summarize, The Reading List could have been a heartwarming book, but ends up as something I had to finish for the sake of it (a BoTM read).
Moderate: Death, Mental illness
Minor: Suicide
reflective
medium-paced
3.5 Stars (Outliner opinion)
One Liner: Heartwarming and hopeful (but missing something)
1989, Germany
Helena and Katrin are best friends living in East Germany. The country is in turmoil with the Berlin Wall diving both sides and people torn apart or wanting to take any risk for a better life. Helana has to come to terms with the changes and make decisions that could affect her and others. How does the sociopolitical situation affect the citizens’ lives, and how does music help Helena?
The story comes in poetic verse narration from Helena’s POV.
My Thoughts:
First things first… The book is set in 1989. It is Not historical fiction… Grr!
I quite enjoy novels in verse. Though, TBH, I read the poems like prose to avoid being distracted by the uneven rhythm. Both options didn’t work here. The content is pretty much sentences broken into lines of random length. While it works in some places, it doesn’t in others.
Presenting a complex theme like this in verse isn’t easy. As you can see, the results are mixed for me. It took a while (almost half the book) to get into the flow. I could feel the impact only in the last quarter.
Helena is an introverted sixteen-year-old, sheltered but also aware of the situation, a little rebellious without ignoring safety concerns. Most importantly, music and her best friend Katrin are very important to her (parents, too, of course).
While the entire book has a sense of melancholy and uncertainty, there are glimpses of hope and certainty that come from stubborn determination.
Despite the supposed intensity of emotions and the situation, I couldn’t connect to the character or the setting. I feel it would have worked better if the story was in proper prose with some poems interwoven into the narrative. The scenes where Helena feels music in nature and her love for music read well in poetry. The rest of it would benefit from a better structure.
Nevertheless, the ending is quite nice, hopeful, and heartwarming. The last section is the strongest, IMO.
There’s a detailed author’s note with more information (and reference links) about the context- the real nonviolent marches, the role of music, and the results. There’s some personal information, too (unrelated to the story). My heartfelt condolences to her.
To summarize, Song of Freedom, Song of Dreams deals with beautiful and important themes from a critical part of the world’s history. It’s the presentation that didn’t appeal much to me.
I am very much on the outliner island (the only 3-star when it was posted), so please check the other reviews before you decide.
Thank you, NetGalley and Andrews McMeel Publishing, for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #SongofFreedomSongofDreams