199 reviews by:

samdalefox

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challenging dark mysterious medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

This genre is right up my street. Unfortunately, this short story collection feels less compelling than others in the same arena. Van den Berg provides eerie commentary on violence against women and girls (VAWAG). She touches upon some important feminist points but the text felt disembodied from emotion, it wasn't intersectional at all, and the ideas weren't particularly advanced.
 
This collection provides more realistic feminist horror, it's less surreal than Kathryn Scanlan's 'The Dominant Animal' and more heteronormative than Carmen Maria Machado's 'Her body and other parties'. Not for me, but a good entry point for people new to the feminist movement looking for an entry point into reflective horror.

My score is an average taken of the individual rating.
*The ones with an asterisks by them are my favourites.

Last night 2/5
Slumberland 4/5* (loved the sub-story of the protagonist's neighbour's unsettling job)
Hill of hell 2/5
Cult of Mary 3/5
Lizards 3.5/5* (unsettling commentary of control and rape culture from a man's POV)
The pitch 2.5/5
Volcano house 2/5
Friends 3/5* (an unsettling story about female friendship!)
Karolina 3/5
Your second wife 2.5/5
I hold a Wolf by the ears 1/5

Average score = 2.5



Expand filter menu Content Warnings
adventurous dark mysterious tense fast-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

It's hard to know what to say without giving too much away. I really like another member's review so I'll copy that below. Overall, I loved it. A really imaginative and mysterious sci-fi story filled with intrigue and dread. The pace moved quickly, and although the audiobook kept me on tenterhooks because I couldn't skip ahead, I think I'd prefer to read this as a physical copy. I was compeltely sucked into the world of 'Area X'; I will definitely be continuing the southern reach trilogy. The reason this didn't quite reach 5 stars for me is that I found it jarring (in an odd way, not a  good way like some cliffhangers can be) that the plot dropped off so suddenly at the end. 

Themes that stood out to me:
  •  "All this useless knowledge", and "Some questions will ruin you if you're denied the answer long enough". The 'doesn't need or want to know everything' Vs the scienfitic nature of exploring and being human. The tempation of the unknown. The waste of life and accumalated knowledge from the explorers. There is beauty in the uncertain, things we cannot understand and will never be able to.
  •  I loved the writing dedicated to the beauty of nature, the beauty of solitude, and the peace found within exploration and losing yourself. Even the explorers not having a name didn't seem dehumanising in Area X, but liberating. 
  • I loved the unsettling nature of organic beings, e.g. the Biologist's
    luminesence
    , the
    doppelgangers
    , the moaner, the
    crawler
    the dying
    psychologist
    the writing on the wall
    "Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be..."
  • There were clear themes of climate change, observation vs interference, and creeping physical and mental boundaries.  Mirroring, assimilation, remaking, copying. I liked learning about the Biologist's childhood swimming pool and her rockpool work. 
  • I found the use of
    hypnotic suggestion
    intriguing.

Quoththegirl's review:

"The book is completely fascinating and unlike anything I've ever read. The tone is eerie and unsettling in a way that sneaks up on you; because the protagonist is so matter-of-fact, there's a delay before the disturbing nature of what she's relating registers with the reader. Full of mystery, much of it unresolved, although I imagine that's what subsequent books in the series are for. I don't even know how to describe this book in a meaningful way; it reminds me of how it feels to meet literature for the first time from a culture I don't know. Parts feel familiar or "normal," and then other parts are jarringly, shockingly unknown in the way they reveal a different perspective that I didn't know existed. Worth reading again, and I think I might almost like it better in hardcopy rather than audiobook. The narrator did a great job with the matter-of-fact tone, but I wanted to go back and reread parts and see it visually on the page to get the full impact." 

Expand filter menu Content Warnings
funny hopeful informative inspiring sad

A solid informative book, whilst talking about the devastating topic of the insect decline in the Anthropocene the way this is written is very simple to read and funny.

Things to make clear: This is not a instructional guide on 'gardening to save the planet'. Goulson does gives tips though and recommends another book called "How to make an Eco Garden" by John Walker. The Garden Jungle is split into chapters focussing on different wildlife creatures in a British garden (moths, worms, bees, invasive species etc.) and he explains why they are important within our ecosystem and what can be done to help them. I like that he includes footnotes with funny stories and explains (and cites) the most recent scientific research in the area. The books reads as more personal and annecdotal rather than academic, which I think makes it appealing to anyone with a garden and/or an interest in nature. I'd also warn people who've read other books by Dave Goulson that he's certainly recycled some material so you may have read parts of it before elsewhere. 

Overall, an easy, enjoyable, informative, helpful read. The reason I have not scored it higher is that I think Goulson comes across as a tiny bit niaive, out of touch, or maybe even flippant about the state of the climate crisis and the political solutions to it.. This could be an intentional tone of the book, in order to more helpfully engage people who wouldn't otherwise engage in something more doom and gloomy or openly activist, or it could be a feature of his obvious priviledge and age. Having a garden is a priviledge, and eating roadkill deserves a longer critical analysis than what he affords here. 

Expand filter menu Content Warnings
adventurous informative slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

Books this long need a reason to be this long. Lord of the Rings and Dune are epic stories barely contained within their tombs and their readers would still love to read more. Most long books (500+ pages) I've read this year definitely do not earn the time spent reading their length. The ends do not justify the means. The length is simply unecessary. Termination Shock is one of these books. I'm now put-off reading Stephenson's other book that I have sitting ready on my shelf; 'Seveneves' weighing in at a whopping 880 pages. Although I think this Termination Shock covers some new and important aspects to the climate crisis (geoengineering and capitalism), it was too long, not focused enough in its critiques, and overall is paints a sympathetic and optimistic view of this hideous future which I think is counter productive to the conflicting subtler messages conveyed throughout.

I'll bullet point out the themes below. Mostly I was confused because the themes seemed to point in one direction, a warning against geoengineering and the system/people that facilitated the climate crisis (capitalism - specifically where the power to bring about change sits and with whom, such as ex-colonial monarchs and extremely wealthy people, capitalist politicians, capitalist land owning giants and  the destructive technological extraction of natural resources) yet the story almost exclusively revolves around these people and shows them in a positive light. Maybe the 'happy ending' was meant to be cautionary tale saying that this is how things will go down, power imbalances will remain the same and the ones at the top will continue to determine our future and won't even notice or care? Maybe, but it didn't feel like that as a reader. I felt like the message could have been clearer and honestly that I've just wasted 23 hours of my life listening mostly to geopolitics regurgitation and an attempt to make me sympathise with a fucking Queen. 

Themes throughout
  • There was an explicit discussion about someone (globally, a people) will 'lose out' no matter what the method is to combat climate change. e.g the green rewilding approach or technological intervention geoengineering approach. The question was who/how to decide which are the right areas and people ot 'lose out' e.g. flooding or drought.
  • The book did highlight the devastating changes already happened to the enviornment and the related technological advances (unbearable heat and the use of 'Earthsuits' for example, extensive flooding etc.) but it glossed over the hardship and suffering of millions. Even Red's story with the feral pig felt far removed from the climate crisis.
  • There was a whole chapter confirming that the sulphur gun could never produce the same power of effect as volcano Mount Pinatubo that it is modelled off. Is this not commentary that the most powerful actor is always nature, not human intervention? It gives credibility to the green approach of rewilding (trees, peat bogs, ocean protection) rather than building machines to artifically do these tasks. There's another clear example of this later in the book where Eagles are demosntrated as superior to drones. Yet another example of organic nature being superior to man made imitations.
  • The book illustrated the pervasiveness of the industrial military complex through Lachs and Red. Using working class bodies, usually directionless men, for the motivations of higher powers.
  • Through describing the carnarge that deploying a pinch (EMP device) the book showcased the drastic limitations of depending upon interconnected technology (chips, internet). It demonstrated that over-reliantness on technology could lull people into a dangerous sense of complacency.
  • There was a pretty explicit criticism of current neoliberal American culture through Red's monologue about how Komanchis are now all Americans e.g. now they're out of control, crazy, love individualism othering others and violence. "This country's a mess"
  • There was an interesting philosophical question that wasn't explored. "Should you do the thing even if you can't keep control of it?" e.g. when TR asked should his grandfather have built the mine or not? The answer could be yes or no, perhaps the detail is in the method? I would have liked to have seen this discussed properly. 
  • There was an excellent scene where Saskia (trapped safe underground in the sulphur gun) light candles as an illustration of the direct threat of CO2 emissions in the climate emergency (the candles would burn up all of the CO2 in the room and they would suffocate so requires cooperation and agreement of the entire group to not burn the candles). Whilst at the same time, there were people above ground taking direct action though acting in their national or personal interests (India, America, individuals).
  • There was a huge amount of blurb on geopolitics and history. Boiled down, it comes to colonialism, and global communications (human cooperation) problems. 
  • Other forms of pollution were briefly touched upon such as noise pollution from the donic boom of the sulphur gun
  • Darinda touched upon the racism and classism that military uses for expendable people, such as Sikhs (Lachs) I found it sad that
    he died from radiation
    . Did he really believe in this cause? Did he do the right thing by his 5ks? Probably yes, since he did least harm to the lives he knew he had the ability to have an impact upon. I think we could have beenfitted from more insight into Lachs and less into Saskia. 
  • Bonus! I actually liked learning about performative warfare 



Expand filter menu Content Warnings
challenging inspiring mysterious reflective medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

This is the first John Wyndham book I've read and based off my enjoyment of 'Touble with Lichen' I would definitely try any of his other books (tip: there are lots of free ones on Libby and Audible). I've always found mid-20th century British sci-fi incredibly insightful. I tend to like the genre because I'm consistently awed by how accurate their predictions about the future are, how astute their observations about human (British capitalist) behaviour is, and the detailed fusion of 'hard' and 'soft' science. Wyndham does all of these things, and, impressively, showcases a remarkable grasp of (first and second wave) feminism and classism whilst he does so. This is top tier classic British feminist science fiction.

At first I found this book difficult to listen to because I was envious of the main character and identified with many aspects of her frustrations. (A smart woman who recevied a scholarship to study science at Cambridge, has a family who doesn't understand her, doesn't fit into the neat 'scientist' box, made an amazing discovery, and acted upon her discovery with purpose and continued curiosity for the benefit of people). Once I got over that aspect, I was transfixed by the separate arguments (and subsequent actions) put forward by the protagonists Diana Brackley and Francis Saxover in what social impact they think their discovery will entail. The only reason I didn't give this 5 stars in that I found the ending a little lacklustre. I didn't guess the
twist of Diana having faked her own death, though I found that rather clever and fitting with her character and beliefs
however, it felt like a more natural ending than the actual one written; which seemed a bit too neat and tidy. 

Expand filter menu Content Warnings
adventurous lighthearted tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

I enjoyed this installment more than the second one. I like that the book picks up exactly from where it was left previously. Forest of Secrets had lots more character development and side plots and it finally wrapped up the major ongoing storyline from the first book
of Tigerclaw being a traitor
. As usual the storyline is adventurous and moves quickly, there a useful recaps of what has happened previously in the saga (very useful for children and forgetful adults reading at a slower pace). Some new themes introduced or expanded upon in this book: 
  • "There's more to being a warrior than killing", ideas of hierachy, respect for others, lenience, selflessness
  • Warning against blind loyalty to authority or a leader (shown via Tigerclaw and his favourite warriors)
  • Ideas of engaging in mutal aid during day-to-day (elders) and crises (the flooding of riverclan territory)
  • Teaching kids not to eat unknown berries outside - they could be poisonous!
  • Disability ethics and realities in the wild, e.g. Cinderpaw's usefulness to the clan with her physical disability, the perceived earned retirement of the elders through their usefulness as warriors or Queens [child rearing]
  • The arbitrariness, emotions, and reasons linked to blood relations vs chosen relations (shown through Cloudkit, Fireheart, Yellowfang, Bluestar and her children) - My only frustration at the book here is the lack of recognition that in the wild intermingling would be encouraged to diversify the gene pool.
  • Ideas of human interference and disturbance of nature, e.g. the pollution of the river, the danger to life the thunderpath (roads) are without animal-friendly infrastructure facilitating crossing, climate change caused by human activity impacting the wildlife.

Expand filter menu Content Warnings

So far, this is my favourite poetry book I've read this year. It is an anthology containing poems from Black British poets and covers an astonishing range of styles and topics encapsulating the Black diaspora experience across Britain, many African countries, and several West Indies countries . Some I could relate to, some were enlightening and thoughtful, some were emotional, and of course some I didn't understand (being someone who stuggles with poetry generally).

I found it particularly interesting to see how the colour black is used differently in poetry written by Black poets. I've listed a couple of my favourite quotes from the introduction. I've then listed a full list of poets featured in the anthology and my favourite poem of theirs. There were only a handful I didn't really like any of their works included in this anthology. My favourite poets (whose poems published here all stood out to me in some way) are highlgihted with a star*.


"We live in a cultural landscape that regards visibility alone as a sign of change. If more Black poets are getting published, recieving institutional largesse, editing, performing and otherwise taking up space, this must mean the work is almost done. I contend that the work of these landmark volumes set out is merely in its infancy. The radicalism in these volumes was to show black life as normal rather than a deviation from the norm of whiteness."

"The ambition of the poems collected in these pages, are not the product of some overnight sensation [in response to the BLM movement] . They are the product of community, ingenuity, and persistence in the overwhelming pressures to the contrary".

  • Jason Allen-Paisant - birdsong
  • Raymond Antrobus - for cousin John 
  • Dean Atta - two black boys in paradise
  • Janette Ayachi - quick fire, slow burning 
  • Dzifa Benson - Ms hipson the tall Dutch woman, dreams of dancing with a man tall enough to make her feel delicate (excerpt from: Fair: natural born, man made, and fake.)
  • Malika Booker - points of this reckoning 
  • Eric Ngalle Charles - Mboa Mi: my country and a Song for freedom
  • India Ellams - the vanishing 
  • Samatar Elmi - Etymologies, "reduced to shades of echoes  between the wings of moths" 
  • Khadijah Ibrahiim - Herman avenue hand cart woman 
  • Keith Jarrett - nor the arrow that flies in the day
  • Anthony Joseph - "we has names that we moved through space like blades". Wire, god of Wallerfield.
  • Safia Kamaria Kinshasa - slow whine
  • Vanessa Kisuule - Auntihood
  • Rachel Long - neither tbh, probably your daddy ain't rich 
  • Adam Lowe - aftermath
  • Nick Makoha  - "those who lack the courage will always find a philosophy to justify it". None really, probably The long duration of a split second. 
  • Karen McCarthy Woolf - from, unsafe
  • Momtaza Mehri - a comparative history of fire
  • Bridget Minamore - golden shovel for my people
  • Selina Nwulu - Mango tree, and When the party is over
  • Gboyega Odubanjo - arrangements
  • Louisa Adjoa Parker - you're
  • Roger Robinson - gold , and Aba Shanti Soundsystem
  • Denise Saul - the room between us 
  • Kim Squirrel* - Walking home from school and Healing
  • Warsaw Shire - midnight in the foreign food isle 
  • Rommi Smith - none really, only one pallette  for a portrait of little Richard.
  • Yomi Sode* - on fatherhood: proximity to death, all of them! 
  • Degna Stone* - another tongue and, how to unpick the lies 
  • Keisha Thompson* - the concrete square off tib street in may, number 2020 (amazing)
  • Kandace Siobhan Walker - "what could be worse than social rejection? Dare you to ask the moon is she knows she's just a reflection." Eye contact
  • Warda Yassin - Treetop Hotel
  • Belinda Zhawi - Tchaikovsky's January, "this body is the only thing I own" 

 

Expand filter menu Content Warnings
funny lighthearted sad medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

I went into this book with the wrong expectations. I was expecting quick Irish humour and a village 'whodunnit' mystery, funny, tense, a nice break from my usual depressing reads. What I got was more a historical insight into the lives of rural Irish in the 1950s (poor, depressing, a sizable amount of time dedicated to discussing various animal and human dung) coloured by the bleak humour of the residents. The murders, despite being the driving force of the winding narrative of the plot, is definitely the 'B story', only really being discussed in the last 20% of the book. And even then there is little mystery or satisfaction in the stories around the murders. The book came to an odd conclusion by
focussing the blame (or more charitably, accountability) of the covered up murders onto the old solicitor
and I think the message trying to be conveyed was the benefits and dangers of small-town talk and 'perseverance of the peace'. 'The lies the mushroom pickers told' refers not just to the mushroom pickers themselves, but all of the characters mentioned in the book. But honestly, I'm not sure. I enjoyed a few bits, but overall, not for me.

Expand filter menu Content Warnings
adventurous lighthearted mysterious reflective fast-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

I decided to pick this up in order to expand my reading of African writers. I have read a couple of contemporary Nigerian authored novels, but I was recommended this as a classic since 'The Palm Wine Drinkard' was the the first African novel published in English outside of Africa and received much acclaim and criticism. I had no idea what to expect going into it, having no familiarity of Yoruba folk lore or culture.

Overall, I enjoyed it! The storyline is adventurous, surreal, and moved quickly, and it was refreshing to read about an (overly?) confident protagonist. It took me a while to get used to the style, it reads as quite simplistic and repetitive, I think it sounds better being told orally, like most fairytales/folktales.

I didn't understand the cultural significance/symbolism of all of the events and supernatural beings that the protagonist encountered, but I generally enjoyed reading about them and I think the purpose behind some of the tales may be to generate discussion. Certain events and beings stood out more than others.  My favourite beings were: the complete man who was also a Skull, the farmland owner of Wraith Island, the Spirit of Prey, and the visual imagery painted by the Red-Lady and the Red People.

The story became a little repetitive in the structure... travel onwards... encounter a new being... friend or foe?... use some juju or luck to escape and continue the journey. There was only a little direct text addressing how our drinkard felt in any one moment, and I felt the overall journey ended quite abruptly. However, I enjoyed the journey, I'm glad to have read this, and I would recommend to others.

informative slow-paced

This a free e-book published by verso. It contains a collection of essays from various authors in response to Andreas Malm's book "How to blow up a pipeline". I do not think you need to have read this book, or any of Malm's other works, to gain benefit from "Property will cost us the Earth". The level of discussion is definitely best suited to people who already have read some broad literature on eco-socialism, the climate crisis, and revolutionary tactics. Even with my own reading in this area, I still found some of the essays difficult to get through at times; being verbose and overly academic. However, I also learnt a great deal and many of the essays give unique perspectives I've not found in other literature, with several essays from Indigenous contributors from the Global South being exclusively translated into English.

The e-book is broadly structured as follows:
  1. Introduction
  2. Part 1 Global Struggle - essays from various activists in the global south, focussing on local activism againist capitalist extractivism
  3. Part 2 Debates in the movement - directed critique of "How to blow up a pipeline" and broader eco-socialism theory (typically authored by activists in the global north)
  4. Part 3 It is on utopia we now depend - More general essays perhaps leaning more towards hope and the future, also Malm offers his rebuttal here.

Read Part 1 for greater insight into the (frankly, amazing) activism already occuring in the Global South including Ecuador, Bolivia, USA, Canada, Uganda, and Mozambique. Here you learn of the devastating extractive practices, crimes against activists and the environment, and resistance tactics. These range from direct violent action againist property, to non-violent occupation, to political organisation, to legal interventions. 

Read Part 2 for pointed discussion on the pros and cons of Malm's work. Many commentators are from the global north and focus on the difference in activist strategies and their effectiveness exclusively in the global north. They look at organisations such as Ende Gelände and Extinction Rebellion. There is a wonderful quote in this section that sums up my frustration with these debates: 

This, paradoxically, is the problem with How to Blow Up a Pipeline. It answers a different question than its title poses—not how one could blow up a pipeline, but why one should. But “why” is an easy question to answer.

It is much harder, however, to make the case that doing so would lead to meaningful, and immediate, decarbonization. Instead of attempting it, Malm counters the moralistic case for nonviolence with a moralistic case for property destruction

Tbh I'm not a Malm fan, and I found myself laughing with delight at some of the criticisms levied againist him, in particular how he excludes indigeous people and miriad successful cases of property destruction. I believe part 2 was more of a slog because of this overmoralising and pontificating, a call to action rather than actually organising for action. The overall conclusions I grasped from this muddle of essays is that:

  1. Most activists from the Global North and the Global South agree that a diversity of tactics are required in order to resist Capitalism, climate collapse, and build a sustainable more equitable future.
  2. Most activists from the Global North and the Global South agree that solidarity and mutal aid between different activist groups across the globe are essential to achieve this goal.  Most pressing is the matter of organisation.

Read Part 3 if you read parts 1 and 2, I wouldn't recommend reading this section alone. Though it is certainly more bearable than Part 2. 

Overall, a slog, but worth it. It discusses the 'why' more than the 'how' of climate activism. However, the essays introduce plenty of important new names which encourage further reading in whoever's take you most particuarly resonate with.

___________________________________________________


Some favourite quotes:

"These are starkly posed debates, but they should be: any democratic movement should be contentious and difficult. In the words of civil rights luminaries Bernice Johnson Reagon and Ella Baker, if you feel comfortable working in your activist coalition, you’re not really working in a coalition. And this is a struggle in which we need everyone to be involved."

"His audience is the mainstream environmental movement, people who have never considered sabotage, or direct action, people who are outright against it. For such an audience, Malm’s book is an important intervention. But I also hope that his audience will understand that the climate movement should not act in a void, and that in order to achieve lasting gains, it must act in dynamic relation to frontline direct action. There they will find communities who uplift a diversity of tactics; act with ingenuity and humility; make systems to protect each other from repression; support escalating action with clarity, spontaneity and integrity; and most importantly, have the fortitude to face the aftermath together."

"There’s a deeper question here: How wide is the scope of human agency? Humanity has proved itself powerful enough to change the climate at a planetary level, to spark off chains of extinctions and to permeate wildernesses with microplastics. But this was inadvertent, even if the destruction has been prolonged by its beneficiaries. Whether human beings have the collective capacity to intentionally reverse this planetary effect isn’t clear."

"This is also a theory based on the idea that the movement, workers, and ordinary people don’t recognize the legitimacy of taking power into their own hands, which is exactly what capitalists do. There has been an ideological domestication of society, which proposes that the only loci for legitimacy are bourgeois institutions and formal liberal democracy."

"Malm and the collective are no doubt right that ecological and anti-fascist causes coalesce with every fraction of a degree of warming. Their hesitance in recommending a course of action, though, might be the last symptom of the political difficulty charted in the book: nobody is sure what balance of intransigence and realism is needed, or even which of the traditional methods of mobilization might motivate governments to act at the scale required, in the time required."

"Malm is not merely a green provocateur but an eco-Marxist: he insists that ecological rescue cannot occur without social emancipation. No great and decisive number of people can be expected to seek the salvation of the climate unless it simultaneously implies the betterment of their own lives. This is, of course, the insight that lies behind ideas of a Green New Deal: the proposition that ecological rescue of the planet could also entail economic rescue of the population at large." 

"Many Indigenous peoples value what is best described as kinship. Kinship codifies relationality between human and nonhuman life, such as the insect nations, water beings, wildlife nations and the land itself." 

"Identity plays a big role in the climate struggle, and it is important to know what your privilege and power are under a white supremacist colonial regime. Solidarity and alliance are essential to movement building and a movement’s maintenance. This includes solidarity with the Global South and the rest of the world fighting colonial empires, extractive industries and imperialists. Our liberation is tied to one another. What created the problem will never resolve it."

"The problem now is, rather, we’re going to have to do without certain things that have been taken for granted, particularly in the core capitalist economies. Your shops are full, with food from all over the world. That’s not going to be the case so much. You’re not going to find it as easy to travel about by air, if at all. Certain capitalist freedoms, specifically capitalist freedoms, have got to go. The right is going to find a way to say, “This is a project for taking stuff away from you.” How can we confront honestly the fact that, yes, we’re going to have to give up some things—in the same way for example that, as Gilroy points out, anti-slavery activists in the eighteenth century said, “We’re not going to eat sugar, because there is blood in your sugar; it’s made by slaves”—we’re going to have to give up some things just to survive. How can we do that without it being entirely a net loss? What is potentially attractive in the eco-future?"
 
"Malm does not ask how effective disruptions of fossil infrastructure will affect ordinary people through price rises on essential goods. And so, he does not pose the question of how to avoid resistances and ambivalences stemming there from."

"The tragedy of the present, for Malm, may be expressed with a paraphrase of a tired old adage: it is easier to imagine the end of human civilization than the end of the capitalist state. In short, Malm’s war communism isn’t a strategic proposal as much as an exercise of the imagination: just think of what we could do with the state if we somehow controlled it. This imaginary is, Malm argues, necessary: it is, and with this I agree, hard to imagine “an actual transition” without “some coercive authority” to forcibly end the extraction and burning of fossil fuels. "

"The land does not belong to anyone, we belong to it."