199 reviews by:

samdalefox

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adventurous funny fast-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: No

This was strange to read immediately after the first book. We don't hear from Kaaro until maybe 60% of the way into the book, instead we focus on Aminat and other characters. Which again by itself isn't an issue, but the way it was written was too bitty with too much exposition with surface level characterisation.

I wanted more insight into Aminat rather than just 'Kick-ass girl agent' and I wanted much more from Oyin Da (bicycle girl) who completely lacked air time and had zero to perhaps inconsistent character development. I stand by what I said in my Rosewater review, I think it actually might work better if written as an epic book with a more serious tone, it would give it the ability to dive deeper into all the side characters and give much more coherent world building. Insurrection felt like a filler book where Thompson had too many ideas he wanted to squeeze in. The insurrection itself takes second place to the introduction and resolution of the antagonist
the giant alien plant
, which seemed a convenient plot device. As before things wrapped up too quickly at the end in the last 70 pages. I'm going to read the final instalment but I don't hold out hope that it will be better than what was written here. The BIG question (
the moral, logistical, and cultural aspects of the Homian colonisation on Earth
) have received little attention so I hope this is focused on exclusively in the final book because it has the potential to be really interesting!

Expand filter menu Content Warnings
adventurous funny mysterious fast-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

This is a difficult one for me to rate. On the one hand, I love the premise and the Afro-futurism sci-fi elements. But on the other hand, the writing doesn't seem to do the story justice. The elements I found disappointing such as; the abrupt ending, the exposition dumps, the protagonist's misogyny, these aren't actually bad things in themselves, it was how they were written. I actually think that instead of being written as an accessible, fast paced, broad appeal book, the story would have benefitted from a more detailed, denser world building, along the lines of previous epics like Dune. This would give time and space to all the various character the story follows and perhaps make it easier to jump between time periods. I'm going to read the rest of the series to see how it develops as I really do think all the elements for an amazing story are there!
challenging hopeful informative inspiring reflective

I may be more qualified than most to review this book since I work in Clinical Trial Disclosure and Transparency doing the very work in the pharmaceutical industry that Goldacre focuses on here; disclosing clinical trial results to the public. In fact the discipline I work in has developed considerably as a direct result of this book. Entire laws, registries, standard operating procedures, and the culture around transparency have changed. I joined industry in 2015, 3 years after its publication. There are the old guard that remember the 'fuss' this book caused and have ill feelings towards the author, then there are the new guard such as myself that feel this was an important and welcomed turning point and support his assertions.

I could write an essay but will keep it short. This book was at the time, and remains today, incredibly important. All the salient points about the various factors limiting the ability to practice good quality medicine such as: poorly designed and analysed clinical trials, transparency of clinical trials, lack of RWE, publication bias, the purpose and effects of marketing etc. are spot on. In 2025 they remain as relevant as ever. Some chapters are long, but they had sub divisions within them which I think are helpful. I also deeply appreciate the summary list at the end of each chapter specifically calling out what the reader can do to help the situation. I think this is so important to give agency back to the people.

I docked 0.5 stars for two reasons; first there were a few obvious factual errors which I found surprising in such a well researched book with copious substantiated evidence. (One easy one: AstraZeneca was referred to as a Swiss company, when it is British-Swedish.) Secondly I think Goldacre repeated himself and often fell into a self indulgent ramble that I see men do on podcasts who like to antagonise others. He himself in the book did say that he enjoys that role, I just don't think the reader benefits from large swathes of it. The facts and impact are severe enough, the text could have benefitted from an editor cutting these bits down. I found i could skip entire paragraphs as it was a rehashing of the same points and moral outrage as before.

Overall - a little dated now but only because of the enormous impact this book has had on legislation and industry operations. I am yet to see the same level of impact within general practice. The main points of the book remain relevant and I recommend this to the public, patients, health care professionals, and pharmaceutical industry professionals. 
slow-paced

I'm not clear what this essay was attempting to achieve. The writing is incredibly dense and convoluted (even 'Sesquipedalian'; I looked up the word especially for Szendy), it is not easy or enjoyable to read at all. The central idea or argument was not clear to me.

The author meanders between topics but lacks brevity and a central narrative, thesis, or even chain of thought to keep us interested and tethered. We slowly wade through the unrelenting wall of text to cover all sorts, from the history of the image, to 'transmorphing', the environmental impact of images, anthropocentricism, mimicry, slow motion, 'escaping the frame', aerostatic imagery, simulacrum, all the way to satellites. All of these topics have the potential to be interesting but Szendy replaces utility and inquiry with pretentiousness, evidenced by the plethora of new terms he blithely coins. The final slap in the face is that he spends a good beginning portion of the book talking about his uncle, who is incredibly interesting to be fair, but spends far less time exploring Susan Sontag's work, who was the first person to even propose an 'ecology of images'.  He does address her stance, but it's buried within the essay, it would make more sense to use this as an entry point.

The whole structure and tone of the essay was bizarre and self-indulgent. Parts were interesting but I was frustrated by a quarter of the way through and things did not improve. Szendy does highlight some interesting ideas which may fit within a well-rounded definition of an ecology of images, but this essay was so horrible to read that I have no idea whether this was achieved. I'm not convinced it was.


reflective

Despite enjoying Camus's fictional and philosophical works, I found this disappointing and uneven. I was looking forward to a overtly political piece of writing from him. but found this lacking. 

I found some parts engaging and relevant, but remained surface level. Other parts seemed dubious and unsubstantiated at best (like the casual assumption/idea that at one point in time art was made for art's sake alone; this screams ignorance and or blinkered privilege to me, but whatever) and outright incoherent as a line of thought at worst. It's a nice short read for creatives but better for sound bites rather than any critical or deep thought.
adventurous challenging emotional funny lighthearted reflective slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

It had me hooked in the first third but steadily lost me as the the book progressed. I get the impression this is a story that gives really good insight into the complexities of Korean-American immigrants and 2nd-3rd generations navigating their place in society. Despite not being American-Korean myself, I believe these are accurate reflections through the writing and characterisation. No-one fell into a stereotype; all characters were morally grey and were relatively well fleshed out for how many people the narrative followed. 

All of the above is great, but the constant switching between characters did eventually wear me down as I was spending less and less time with the character I was most interested in; Casey, and there were several threads left hanging I would have liked to have seen explored a little further. By the end I was tired, not invested, and felt nothing further outstanding to reflect on. And to be brutally honest, I found it hard to get behind the wealth disparity described from a jaded-2025 point of view. Full scholarship?... Owning houses?!...

Expand filter menu Content Warnings
informative medium-paced

This as succinct, clear, and as unbiased of an attempt at a comprehensive history of the Palestine-Israel conflict as is possible. The book is short and each chapter is split into 20 year periods, with the exception of one 10 year period. It starts from the Ottoman Empire (1800s) and goes up to modern day (early 2000s).

The book covers all of the major milestones and international figures involved in the conflict. Bunton tried to give a balanced view without stating the moral superiority of any particular viewpoint; stating only the facts of events and viewpoints of figures and movements where stated. Bunton also gives graphs and excerpts of letters/treaties etc. to support the text. The few sources that I checked seemed of good quality and were reliable. I think the language he uses is largely accessible and most people will only need to google a few words in order to read this. I would recommend this to anyone completely new to the area that needs a quick, but comprehensive, overview. This will help orient you when discussing particular aspects in more details.

I docked 0.5 stars because I think Bunton wimped out a little by committing discussion of the economic factors at play (e.g., capitalism through colonialism), but that could just be my personal bias. 
challenging informative reflective slow-paced

This is a short essay-form rehash of Malm's PhD thesis which was republished in 'Fossil Capital: The Rise of Steam Power and the Roots of Global Warming'. It is relevant, it is a useful perspective to take that desrves further enquiry, but my god I found it hard to read; I genuinely dislike the way Malm writes. 

So much of this short book was author-centered. Lot's of 'I' sentences, personal history ancedotes etc. Frankly, I don't want to hear a string of these, I want to hear about the subject matter the book promises - the relation between the destruction of Palestine and the destruction of the climate. 

Malm does actually touch upon that, but only in sporadic intervals inbetween lengthy sections of history and personal dialogue that both could be condensed, along with other bits of analysis like the morality of armed conflict and the use of technology in resistance, plus rebuttals to criticisms of his work which were so poorly written he shouldn't have bothered. Malm consistently self admittedly states that his essay barely scratches the surface and is a light commentary analysis using limited English sources since he does not speak Arabic. In which case, he should treat it as such, and point to more robust analyses by other academics or sit down and spend some more time of it himself. 
"How do we think through the relationship between these two processes? It is with this question the following pages are largely concerned, but they merely scratch the surface. There is nothing here in the way of exhaustive inquiry. The text seeks to approach Palestine as a microcosm of larger processes, focusing on a historical moment in 1840 that I believe has particular importance. Still, the story of what happened then is only told with brevity. There are troves of primary and secondary sources – not least in Arabic – that would have to be plumbed for the whole picture to emerge. Work on other projects has prevented me from giving more than a rough (and lightly referenced) account."

On to the good bits! Malm convincingly traces the parallels and dependencies between petro-states and Israel in maintaining soft power and hard economic power through fossil capital in the middle east through the destruction of Palestine and Palestinians. He presents a solid timeline and good quality sources evidencing the UK's (then later the USA's) plan to use Israel as a colony to maintain its power. This history is given from the pivotal battle of Akka in 1840 with the use of steam boats to the present day. Malm charts the letters between key political figures Palmerston, Shaftesbury, and the other Churchill that explicitly states their intentions to move Jews to the 'empty' land to further the empire's interests. "This, then, was the moment of conception for two interrelated principles: one, no people exists in Palestine; two, the land must be taken with the force of technology running on fossil fuels. As for the former, contemporary Zionists debate who first came up with the slogan ‘a land without a people for a people without a land’, but there is a consensus that it happened around the year 1840." This source in particular was eye-opening to discover:
"Fifty-seven years before the first Zionist congress, seventy-seven years before the Balfour declaration, 107 years before the partition plan, the chief architect of the British Empire near the summit of its power here laid down the formula for the colonisation of Palestine. For some reason, this particular document appears to have never been cited in the entire historiography.

53. Broadlands Archive: Lord Palmerston to Lord Ponsonby, 25 November 1840, GC/PO/755-769."

Malm also touches upon his newly coined term ‘paupericide’ which I think sums up the connection neatly:
"...the relentless expansion of fossil fuel infrastructure beyond all boundaries for a liveable planet. The initial purpose of the act is not to kill anyone per se. The goal of extracting coal or oil or gas is to make money. Once it becomes fully established that this form of money-making actually kills multitudes, however, the absence of intention begins to fill up. As a corollary of the basic insights of climate science, the knowledge is now more or less universally spread: fossil fuels kill people, randomly, blindly, indiscriminately, with a heavy concentration on poor people in the Global South; and they kill in greater numbers the longer business as usual continues... Mass casualties are then an ideologically and mentally processed, de facto accepted result of capital accumulation."

In the last quarter of the main essay Malm finally writes about the touchpoints between the genocide and climate crisis beyond the historical political modes of destruction, such as parallels between victims, e.g., both Palestinian lives affected by imperial genocide and global south lives affected by climate change have no perceived value globally. Though I still found this writing lacking depth. I've included pertinent quotes below.

"More than 5 per cent of annual CO2 emissions stem from the militaries around the world. We often talk about flying and how bad it is for the climate, and it is bad, but civil aviation accounts for about 3 per cent of the total. And the 5 per cent that comes from militaries precede actual war: these are peacetime emissions, made in the process of maintaining the logistical apparatuses and fighting capacities of armies before they go to war."

"Ecocide here fuses with genocide in a manner never seen before. Bosnia was not a less habitable land after 1995 than before 1992. Rwandan soil and water and air went relatively unscathed through the slaughter of hundreds of thousands of Tutsis. But will people ever be able to live again in Gaza?"

"Destruction and construction are interpenetrating opposites that presuppose one another: the destruction of the planet is the construction of fossil fuel infrastructure; the destruction of Palestine is the construction of racial colonies – or as Theodor Herzl put it in 1896: ‘If I wish to substitute a new building for an old one, I must demolish before I construct.’ Limiting, stopping, reversing the destruction of Palestine and the planet therefore require, as a logically unassailable condition, the destruction of fossil fuel infrastructure and racial colonies – not necessarily their physical destruction; but necessarily their decommissioning and repurposing, in the cases where that is possible, and where not, on the path to their abolition, yes, their physical destruction."

"Perhaps we can then specify this as the first technogenocide. A technogenocide would be defined as a genocide that is 1) executed by means of the most advanced military technology, and 2) at least party animated by the drive to restore it's supremacy after a humiliatingly successful challenge."

"We are grappling with a structural deficit of climate subjectivity and a structural surplus of objective forces of destruction; and perhaps the imbalance is nowhere as extreme as in the Middle East. (Latin America is far richer on the subjective side.)"

"Nelson Mandela - Choose peace, rather than confrontation – except in cases where we cannot proceed, where we cannot move forward. Then, if the only alternative is violence, we will use violence."
challenging informative medium-paced

This is a short, succint, book split into manageable chapters. It does what the title says. 'The present essay is an attempt to analyse what made it impossible for a majority of the leaders, and many among the elites, in Western countries, to grasp the meaning of these two series of events [Operation Al-Aqsa Flood and Israel's response] and recognize the ethical responsibility they entailed.'

I think the book is written clearly enough that most people will be able to engage with it without having to have any formal study of moral philosophy or a thorough understanding of Israel-Palestine history. Having said that, I did have to look up a few words and political events. So maybe this is best suited to lay-people with an active interest. 

The essay covers the relevant arguments with effective anylsis and appears reasonably balanced and well referenced. There were a couple of points of view I hadn't heard before which was nice surprise. The reason this is 4 stars, not 5 is because I think  there were three pretty big topics not touched upon sufficiently: 1) the morality of guilt, 2) missing analysis about the specific confinement of armed resistance, and 3) economic arguments linked to capitalism/empire. The other verso publication "The Destruction of Palestine Is the Destruction of the Earth" does explore the economic/empire topic in more depth so is good supplementary reading, but is more poorly written in my opinion.

Some of the topics covered in the book: the language used to describe events, inequity between Israelis and Palestinians, revisionism, the interpretation of terrorism, the legal definition of genocide, the changed official and unofficial definitions of Antisemitism, strategic philosemitism, the arms industry and war economy, Islamophobia , the changed position of PLO, freedom of speech, censorship and self censorship, critical expression, necessary conditions for reconcilliation.

Further resources:
  • 1948 UN Convention on the Prevention and Punishment of the Crime of Genocide
  • Reports from The UN Special Rapporteur on the Situation of Human Rights in the Palestinian Occupied Territories, Francesca Albanese
  • Holocaust Remembrance Alliance working definition, of antisemitism: ‘antisemitism is a certain perception of Jews which may be expressed as hatred towards Jews’, ... ‘criticism of Israel similar to that levelled against any other country cannot be regarded as antisemitic’.
  • The Jerusalem Declaration on Antisemitism, 2020

Quotes

"The notion of consent probably requires some clarification. There are two distinct dimensions to it. The first is passive: not opposing a project, whose realization is thereby facilitated. The second is active: approving that project, whose realization is thus supported."

"Faced with this refusal of history, it must be recalled that to understand is not necessarily to condone, and that one can attempt to analyse an act even though one condemns it."

"Palestinian resistance is in a catch: when it uses violence it is oppressed, and when it uses diplomatic negotiations it is ignored."

"The point is not to use history to relativize the violence of political organizations classified as terrorist by Western nations, yesterday or today. It is, rather, to conceive that they might be seen differently elsewhere in the world, and that their very status can change over time depending on the balance of forces they have succeeded in establishing in international relations."

"Words matter, especially when they have historical resonance, political meaning and legal implications"

"This querying of the number of dead is a double punishment for the victims of war. Their life has been taken; their death is denied."

"Barbara Cassin has identified the three conditions of success that had to come together to make the transition from war to reconciliation, and thereby deal with hatred: ‘a policy of remembrance, a policy of justice, and a policy of speech’."

informative reflective medium-paced

I suspect that for gamers this book will be uninformative and perhaps even boring. For non-gamers or very casual gamers (like myself) I think this book is excellent and a terrific entry-level introduction into the world. 

The book is organised into logically progressing sections which I've given a brief overview of the topics covered below; no spoilers. 

  • Introduction
  • Tutorial - What videogames are, their importance, and how they fit into our culture
  • Level I - History of development, narratology, ludology, political & civic impact, persuasive games
  • Level II - Immeterial labour, free speech, the importance of mods, social capital, recuperation,  software modes of production, relational aesthetics, comparison with fine art industry examples
  • Level III - Further examples of art and politics being used for material political goals, self criticism/evaluation in the gaming industry, social theory, intellectual property
  • Level IV - unions, hardware modes of production, game development, publication, finance and income models, global south workers' labour conditions, climate change & e-waste pollution, instability of the world wide web, and AI (briefly)
  • Conclusion 

Pros - Did successfully makes the case for the cultural and political importance of videogames as a means of information dissemination/sharing, persuasion/propaganda platform, skill forming, escapism, and community building. She also successfully highlgihts the uniqueness of videogames compared to other art forms and evaluates them critically e.g., "Videogames occupy an odd space; they are the most influential and profitable entertainment strand there is, but at the same time they are exempt from any serious cultural criticism". The biggest strength of the book in my opinion is the breadth, Did covers a lot of ground concisely.

Cons - The double edged sword of covering a lot of ground is that the book lacked deep dives into particular case studies.There were also times where the author contradicted herself, particularly in reference the potential of games to serve as a space for organising. Did argues that games are an underutilsied space for fostering solidarty and left wing movements, as already being done successfully by the right wing, but then says things like 'games are mirrors' and it's hard to convert people through the game itself since "The (cultural) interests advanced are usually ones reflecting what already exists; real political victories are harder to achieve and involve real risk" unless she argues, the games are surprisingly placed or advanced through the gaming commnuities. 

The biggest weakness of the book is the lack of focus and deep exploration of the hardware means of production, and alternative systems to replace the current exploitative one. Did literally asks the right questions, then fails to provide any semblence of answers: 
"What would a mass version of such manufacturing ethics look like? How could we have computer operating systems and other software that would somehow not perpetuate capitalist practices? These are momentous questions without easy answers; the aim must be to shift gaming and many other digital practices away from their participation in the whirlpool of harm."

..."The scale of the problem only creates a wealth of openings for involvement. If, in the making of a pencil, there exist numerous parts of production and hence numerous points for sabotage, in games and their cursed hardware, there are that many more! The avenues for impact, revision and subversion are ample, and many are revelling in them."

At the start of the book Did says "I long for a day when political games don’t stop at merely critiquing the status quo but provide tools for destabilising it." In this goal Did failed. Her book (a tool itself) did not provide deep enough anlaysis or alternative suggestions to begin destabilising the status quo. And yes books can do this, Walter Rodney's How 'Europe Underdeveloped Africa' is a good example. Did CONSTANTLY refers to the importance of focussing on the hardware mode of production: "The crucial difference must be at the level of the mode of production, as always." and then gave us half a chapter of nothing.


Overall

If you're new to the gaming industry this is an excellent book to read as it covers a lot of ground. In the introduction Did states that "...this book will crystallise a list of aspects to pay attention to when evaluating and scrutinising a videogame for its social efficacy", to that end I think she succeeded. There are also plenty of examples given and good quality references to substantiate her claims. I knocked this down to 4/5 stars for two reasons. First, the depth of writing was often lacking. It would have been nice to see a couple of case studies where Did more deeply explored one area. Second, the final chapter was disappointing. This is my most common critique of left-wing literature. We so often make grand statements about how the world NEEDS to change but then say shyly but we don't really know how to do it or what it will look like. Did brought up a few very solid examples of work ongoing right now (global unionisation, Namibia banning exports of raw materials, the USA introducing legislation regarding hardware manufacture that will introduce competition to the global south...) yet these were not explored and Did provided no unique ideas of her own. Did clearly has a lot of passion and expertise in the gaming field, what we desperately need is leadership in imagination. Please try to imagine alternatives and sketch them out for us. After being told for so long that 'There Is No Alternative', it would be powerful for readers to actually picture an imagined, thought out alternative as a credible alternative. This is a distinctly new phenomonon, left-wing writers from last century frequently tried to describe utopias. Let's bring that back! 


Quotes

"In order to imagine a new kind of politics in videogames and in the way they are marketed, perceived and critiqued, we must first reflect on the modes of production of gaming. Videogames are the future of art, entertainment, sports, and community organising, no matter how reluctant some people are to accept it. They are shaping the world around us culturally, economically, linguistically, aesthetically and politically. Our mission, then, is not to opt out, ignoring this gargantuan industry and its effects on the people we love and the people we fear, but to start taking the industry very seriously. Only by injecting fresh, progressive energy into the gaming world can we truly enjoy this invigorating, sensually unmatched medium and its liberatory attributes."

"For anyone who wishes to be called progressive, politics must maintain an open-ended and experimental edge, where attempts are made at reimagining the world beyond the current circumstance. Games are uniquely placed to offer this, by requiring interaction and participation and being themselves ‘places’ where new rules can play out"
  
"Theodor Adorno would remind us here that much of entertainment is a ritual in which the subjugated celebrate their subjection."

"Workers with discretionary leisure income pay to be entertained, to be compensated for the boredom of their working lives. Collectively hallucinating and preoccupied with survival instead of overthrowing the structures that engender our suffering, we are stuck in pockets of culture as the only space we have any chance of controlling."

"Cultural theorist Walter Benjamin warned that it is not enough to pass something off as having ‘revolutionary content’ while still utilising contemporary relations to production."

"The late academic Mark Fisher wrote extensively about the narrowing of culture and, by extension, pop culture, and his findings can most certainly be applied to videogames. Under a consolidation of political systems (i.e., semi-democratic state market economies), the boundaries for citizen expression are predefined, reducing the plurality of cultural expression as well."

"Crudely speaking, this is art for the sake of its own spectacle and the artist’s material gain, rather than for a change of heart."

[In reference to unions]... "They are often seen by game workers as a service rather than a space for solidarity or for building a movement."

"And while people from ever more diverse demographics are developing more varied games, this centralisation is still likely to shrink the choice of games overall. Bigger and bigger companies are busy working on a smaller catalogue of old intellectual property assets, or even on a single, financially evergreen game. At the same time, most app stores are steadily removing old games from their digital shelves. Other IP never sees the light of day – projects are discontinued mid-production, and the IP is bought so that another company cannot profit from it. This echoes the wastefulness currently rampant in the film industry, where big-budget projects are scrapped before release."

"Industry insiders must agitate for change, but that we also need more direct action, protests and substantial grassroots pressure to turn things around."

"Culture now abandons aspirations to innovation and puts itself in the corner of conformism and profitability."

"This arena is bursting with politics – from the code written, to the theme portrayed, to the human cost of the objects on which games are played. Nothing short of an international worker-led takeover of this industry will suffice to save it, and the planet, from its own greedy, destructive tendencies. Resistance will be fierce – from a brutal last squeeze of the existing extractive practices, to a debasement of the workforce, to attempts to whitewash status-quo gaming and depoliticise union-busting. For the people embedded in the industry, this change must take place to salvage what is to be enjoyed here, not to take it away.

And what can players do to help the people in the industry win the battle for the soul of gaming? Some solutions for more ethical consumption, of course, come to mind – check the source of a game’s materials, the conditions in its factories and the sustainability of its components. Upon purchasing a videogame, consider seeking out information about its makers and their record of treatment of the game’s devs"

"Raymond Williams, ‘to be truly radical is to make hope possible rather than despair convincing'."

"The ethical scale will not tilt towards equity if we do not employ force."