ringofkeyz's Reviews (147)

hopeful inspiring medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Complicated
emotional reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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emotional reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No

would've been rated a lot higher if there was no incest.

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informative reflective slow-paced

"That is why I taught my children how to garden. So they would still have a mother to love them even after I am gone." 
dark tense fast-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Flaws of characters a main focus: Yes

it's a train wreck you can't look away from that's caused by the train conductor's own delusion and self-aggrandizement. 

ms. rebecca f. kuang, you have done it again. 

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adventurous emotional tense slow-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

bhumika, my beloved <3

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emotional reflective slow-paced
Plot or Character Driven: Character
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

I think this book has single-handedly changed my opinion on second person narration.

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What really stuck out to me throughout this book was the use of both rhythm and silence as a motif; particularly, the importance of silence and downbeats within a rhythmic pattern. Nelson continuously highlights that these fillable silences are moments were the characters find the most opportunity: the ability to breathe, the ability to be their most authentic. 

I'm like, dancing into the space the drums leave [...] where that silence lies, that huge silence, those moments and spaces the drums are asking you to fill. I dance to breathe but often I dance until I'm breathless [...] and I can feel all of me, all those parts of me I can't always feel, I don't feel like I'm allowed to. [...] I make a little world for myself, and I live.

But you are home, amongst the melody, slipping into percussive breaks, breathing easy.

What is even more poignant is that these breaks in the rhythm are always in reference to Black music, predominantly jazz and hip hop. The characters find their most authentic selves in art that was made by people who understand their human experience. This directly contrasts the moments in which our narrator feels most stifled and unable to breathe: when he is being perceived by white people - most often white people in power, such as the police - and being judged at surface level rather than being truly seen (another theme of the novel). He is most able to express his joy and connect with his own art when he is surrounded by other expressions of Blackness.

I guess I'm always trying to make things which are reflective of Black music, which, to me, is some of the greatest expression of Blackness - that ability to capture and portray a rhythm. So maybe motion is the wrong word, rhythm is better.

And this motif carries through to the end, where the narrator and his girlfriend are reflected in Roy DeCarava's Couple Dancing; a photo where Nelson describes the two figures as "pressed close, rhythm captured in the stillness." Once again, reiterating that the characters are able to find this quiet, this stillness where they can breathe, in the presence of the other.

Favourite Quotes:
You would soon learn that love made you worry, but it also made you beautiful. Love made you Black, as in, you were most coloured when in her presence.

But when you hear music, and something, something takes you, closes your eyes, moves your feet, hips, shoulders, bobs your head, reaches inwards, invites you to do the same, leads you, if only for a moment, towards something else which has no name, needs no name, do you question it? Or do you dance, even when you don't know the song?


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emotional funny hopeful reflective medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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lighthearted fast-paced
Plot or Character Driven: A mix
Flaws of characters a main focus: Yes

just picked up the book to tide me over until the PWHL season starts next Saturday
hopeful reflective sad medium-paced
Plot or Character Driven: Character
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

Once again, the Catholic Church is always at the scene of the crime. 

Though it's a fictionalized story, it still gave poignant insight into the history of the Magdalene Laundries in Ireland. After reading this book, I want to learn more about these institutions and how this suffering came to be: how the Irish government and the Catholic Church both allowed and orchestrated these happenings. 

It's interesting reading about the failings and cruelties of the Roman Catholic Church. Interesting to me because for all the 8 years I spent at a Roman Catholic school, I never knew this happened. Organizations that commit reprehensible sins never want to admit what they're capable of, and I think this books sheds light on that fact very well. Even more so, Keegan does a great job at pointing out the hypocrisy of the Church: highlighting Catholic values of forgiveness and loving your neighbour through the character of Furlong and juxtaposing that wth the actions of Mother Superior and her convent. 

What I loved most about this book was through that juxtaposition, Keegan never looks down upon the religion. The criticism lies solely with the organization. And she uses Furlong as an example of showing what true Catholic values look like when acted upon.

QUOTE THAT WILL STAY WITH ME:
“What most tormented him was not so much how she’d been left in the coal shed or the stance of the Mother Superior; the worst was how the girl had been handled while he was present and how he’d allowed that and had not asked about her baby – the one thing she had asked him to do – and how he had taken the money and left her there at the table with nothing before her and the breast milk leaking under the little cardigan and staining her blouse, and how he’d gone on, like a hypocrite, to Mass.”


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