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rickjones's Reviews (1.66k)
adventurous
dark
emotional
tense
medium-paced
adventurous
emotional
fast-paced
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This book was like a rollercoaster ride. I loved following along with the characters' highs and lows, and feeling both empathy and anger towards them in the process. Their voices on the page sounded so organic that it felt as if I'd been familiar with the group all my life. Each character had an interesting perspective of events, and even when they disagreed on which actions had actually transpired, I always felt like I could believe that their intentions and emotions were true. Many of the passages in this book tugged at my heart, and felt sadly relatable.
The copy of this book that I read was borrowed from my younger sister, who underlined and drew hearts around some statements about womanhood and love and Daisy's refusal to be used or made into a muse. I love that through reading it, I got to learn more about perspectives she valued. We both look forward to watching the series adapting this title, and I highly recommend reading the book beforehand. The unique storytelling method and the skillfully written words the characters utilize to both hide behind and open themselves up are worth the time and effort it takes to read them. I began reading this book immediately after waking up at seven this morning, and didn't put it down until I finished it in the mid-afternoon. It's really that engaging.
The copy of this book that I read was borrowed from my younger sister, who underlined and drew hearts around some statements about womanhood and love and Daisy's refusal to be used or made into a muse. I love that through reading it, I got to learn more about perspectives she valued. We both look forward to watching the series adapting this title, and I highly recommend reading the book beforehand. The unique storytelling method and the skillfully written words the characters utilize to both hide behind and open themselves up are worth the time and effort it takes to read them. I began reading this book immediately after waking up at seven this morning, and didn't put it down until I finished it in the mid-afternoon. It's really that engaging.
Graphic: Addiction, Adult/minor relationship, Alcoholism, Death, Drug abuse, Drug use, Infidelity, Toxic relationship, Grief, Abortion, Pregnancy, Alcohol
Moderate: Chronic illness, Sexism, Death of parent
Minor: Eating disorder, Sexual assault, Car accident, Fire/Fire injury, Abandonment
challenging
dark
emotional
sad
tense
fast-paced
First of all, the entire 'using a person with the ability to see the future in order to predict crimes' idea is exactly the same as it was in Minority Report, all the way down to the ethics debate and realization that the future has alternate possibilities that aren't being seen.
James Rhodes is pretty much murdered by Thanos immediately, destroying the opportunities he was given of being Secretary of Defense and later possibly running for President. His death seemed feeble and empty, only to swiftly push along the plot of Tony Stark being against using Ulysses as a tool. Offing a respected man of color so quickly for angst seems incredibly offensive in my opinion, but unfortunately if a writer's concept isn't original they have to stir up a reason for people to pay attention to their story somehow.
Only a few issues later Bruce Banner is also murdered for Tony angst, and the sheer amount of injustice involved in his death has left me feeling drained and depressed all day. I understand being worried about the vision Ulysses had, however, showing up at his home with around thirty people ready to arrest and turn against him if needed is not only a horrible way to treat someone, but it is obtuse. Obviously anybody would be furious when put in that situation like that, but the second Bruce starts to get angry Clint Barton shoots him, twice.
Clint then claims in court that he was given the materials to put the Hulk down if needed, since Bruce was worried he could not hold him in much longer. However, Bruce's exact words were to use the arrowhead 'if I Hulk out again'. Not 'if I become angry at a normal level shoot me in the face on my own front lawn'. Clint also claims that he could see Bruce's eyes start to turn green, but since the art in the comics does not show this, the reader can decide for themselves whether they believe him or not. Bruce's murder is applauded by the general public, since they only see him as the Hulk, and Clint is acquitted from any criminal charges for murdering a hero and a friend in a fashion that could also be seen as assisted suicide.
Obviously I'm bias since Bruce is my favorite Marvel hero, but writing his life as ending so unfairly for dramatic push feels like an insult to his character and everything he's been through during his narrative. Since he's an abuse survivor who has to struggle against his own anger, self loathing and destructive part of himself, he is somebody who other people who've experienced mistreatment and are left with negative attributes can relate with. Having him be betrayed by and murdered by his friends is a disparage towards people who saw a part of themselves in him, since there aren't many characters in media who have his traits and also a highly stigmatized mental illness but are still seen as heroic and caring people in total.
The rest of the comic wasn’t great or groundbreaking, more characters were traumatized and hurt, more people felt betrayed and the whole situation just created a wound so big that it would be unrealistic to pretend all the characters involved are fine now that it’s been over a year later.
Of course I recognize that comics and other media are often made to entice people into buying them through more spectacle than substance, but getting rid of two popular heroes who people of color and people who are mentally ill can feel empowered by leaves a really bad taste in my mouth. Maybe if this story was more original and exciting by itself characters wouldn't have to die in order to sell it, but I guess asking for professional writers to produce decent plots is just too much.
Edit: Today I found this article calling out the racism in murdering Rhodey for a dramatic push, as well as racism found in Marvel comics as a whole. While I'm nowhere near an influential reviewer I do want to spread these words around as much as I can for others to see.
adventurous
inspiring
lighthearted
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This is a very sweet book. Throughout it, the values of curiosity, dedication, community, friendship and kindness are highlighted. Cici is also taught later in the story that it's important to balance her intrigue into people's lives with respect towards them, and towards those she relies on for help solving her mysteries. Learning to improve your empathy for others and admit when you were wrong is an important skill for anyone to practice, and one that may be especially new for young readers. I appreciated that while there are times Cici's mother doesn't understand how meaningful her daughter's adventures are to her, she's never portrayed as the villain in her story. The first volume ends with Cici realizing that to have a good relationship with her mother, she must put effort in too.
I also enjoyed how this book was formatted with Cici's journal pages to begin the comic and intersect with it. Cici's writing and art was very entertaining, and gave us more insight into who she was as a character. I look forward to reading the second volume once it becomes available at my library.
I also enjoyed how this book was formatted with Cici's journal pages to begin the comic and intersect with it. Cici's writing and art was very entertaining, and gave us more insight into who she was as a character. I look forward to reading the second volume once it becomes available at my library.
Minor: Animal death, Grief, War
dark
emotional
mysterious
reflective
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This is a really odd story, but one I practically fell into, as I read it in the course of one evening, only pausing to eat dinner. After finishing it, I'm left with a kind of melancholy emptiness. The most striking theme in this story to me is one of grief, both for youthful ignorance lost, and for realizing you never found the words to unlock your family members, the same people who sat alongside you and spoke to you daily for years upon years, and never really got to know the most important pieces to them, until suddenly you had run out of time. As confused as this book made me feel during some chapters, I think those are pains most of us can relate to, although we wish we didn't.
Moderate: Body horror, Infidelity, Medical content, Dementia, Death of parent, Toxic friendship
Minor: Eating disorder, Sexual content, Alcohol
emotional
hopeful
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Wow... this book was a rewarding read, but also a sad one. Nova shone as the principle character, as her behaviors and thoughts and deep love of space and her sister made her feel like a real girl. Her emotions and frustrations and worries were easy to empathize with and understand, and I can imagine young readers of this title will feel the same.
It's so important that this story highlighted how small differences in how Francine, Billy and Joanie treat Nova, like speaking to her with the same cadence they would to anyone else, are meaningful signs of respect. Though many years have passed since 1986, there are people who still talk to tweens, teens and even adults with speech difficulties as if they're infantile, or make little effort to communicate with them at all. Throughout this book, readers are taught and reminded that ableism is often the heaviest weight on people with disabilities. Nova has a rich imagination and passionate knowledge of space to uplift her, along with the love of her sister, but the low expectations of her social worker and teachers restrict her learning and expression. Her story thankfully does not revolve around her having to "overcome" her autism and apraxia of speech. Rather, what she must overcome is the ableism of those who are meant to guide her and teach her, and she is never tasked with doing this alone. This possible introduction to the social model of disability is essential for young readers to understand and internalize, so they can learn to stand up for themselves and their disabled peers. The back of the book wisely includes more information and resources for readers to understand autism and intellectual disabilities, and how terminology and treatment of disabled people in the real world has changed since Nova's story occured.
I have little doubt that young readers on the autism spectrum will feel understood by this book, and that their allistic peers who read it will feel a greater understanding towards them. I was happy to learn that the book's author is autistic as well, and added some of their own behaviors to Nova's story. Self advocacy is important to the autistic community and to myself, but there aren't many published stories about autism by autistic writers. This is the only one I know of for a juvenile audience at the moment. I highly recommend this book to other readers, and especially to teachers, who could positively influence students by adding it to their classrooms or school reading list.
It's so important that this story highlighted how small differences in how Francine, Billy and Joanie treat Nova, like speaking to her with the same cadence they would to anyone else, are meaningful signs of respect. Though many years have passed since 1986, there are people who still talk to tweens, teens and even adults with speech difficulties as if they're infantile, or make little effort to communicate with them at all. Throughout this book, readers are taught and reminded that ableism is often the heaviest weight on people with disabilities. Nova has a rich imagination and passionate knowledge of space to uplift her, along with the love of her sister, but the low expectations of her social worker and teachers restrict her learning and expression. Her story thankfully does not revolve around her having to "overcome" her autism and apraxia of speech. Rather, what she must overcome is the ableism of those who are meant to guide her and teach her, and she is never tasked with doing this alone. This possible introduction to the social model of disability is essential for young readers to understand and internalize, so they can learn to stand up for themselves and their disabled peers. The back of the book wisely includes more information and resources for readers to understand autism and intellectual disabilities, and how terminology and treatment of disabled people in the real world has changed since Nova's story occured.
I have little doubt that young readers on the autism spectrum will feel understood by this book, and that their allistic peers who read it will feel a greater understanding towards them. I was happy to learn that the book's author is autistic as well, and added some of their own behaviors to Nova's story. Self advocacy is important to the autistic community and to myself, but there aren't many published stories about autism by autistic writers. This is the only one I know of for a juvenile audience at the moment. I highly recommend this book to other readers, and especially to teachers, who could positively influence students by adding it to their classrooms or school reading list.
Graphic: Ableism, Bullying, Child death, Death, Grief, Car accident, Abandonment
Moderate: Confinement, Self harm, Fire/Fire injury
Minor: Blood, Medical content, Death of parent, Alcohol