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readwatchdrinkcoffee's Reviews (382)
A powerful and engrossing mystery thriller, Pretty Girls is one of the scariest books I have ever read. Packed with complex characters, disturbingly dark themes, and a number of unforgettable twists, this is a book that will literally get your heart racing.
I’ve struggled to get into the Karin Slaughter books that I’ve read so far, but I found Pretty Girls incredibly easy to get stuck into. The premise is set up really well, with many of the first chapters opening up so many questions and twists in the plot that your intrigue will quickly take over.
What will make this book stick in your head, though, is the sense of fear (but also of sheer repulsiveness) that eats away at you throughout. Everybody loves a thriller, but we are so used to reading about murder and abuse and feeling comfortable with the lack of gruesome details. But Slaughter does not hold back. Pretty Girls is an incredibly dark and graphic book, detailing the murder scenes with excruciating detail. It is very violent and gory and feels very much like a horror story for the most part.
The violent and gruesome details don’t come off as unnecessary, however, as you can feel Slaughter’s anger about the reality of such a story, about how this kind of crime happens in real life and very often goes unsolved. Having two strong, female leads working together to find justice for their sister, as well, this urges you all the more to want Claire and Lydia to carry on and succeed.
The scenes detailing their investigations are brilliantly gripping. There’s a scene around the middle section of the book when the two enter an abandoned house that put me so on edge that it prevented me from getting to sleep that night. It is such an intense and complex thriller that it constantly leaves you with so much more to find out. It really will keep you guessing until the very end, as well, whilst also ensuring that you’re too scared to stop reading because there is almost definitely something scarier and more disturbing to come in the next chapter.
Exploring many personal issues and relationships, Pretty Girls isn’t just about a story about the horrors in life; it is also a story about grief and forgiveness. Forgiveness is the only thing that can bring these characters together, whether they find out the answers to their sister’s death or not. With so much depth to it, Pretty Girls is an incredibly easy book to fly through, even though it is a heavy book to read both in tone and weight.
What’s so impressive about it is how well Slaughter creates her characters. There’s so much more to each of the characters that we are introduced to and they are all developed exceptionally well. Not only do we learn a lot about the relationship between these two sisters, but we are also gradually given details about their relationships with their mother and father which are also very impacting, as we see how their family fell apart in the first place.
Sadly, the book doesn’t end as well as it begins. Because of how much that happens in the setup and investigation, there didn’t seem enough time to properly tie the story up, so the final chapters do appear a little rushed in comparison. But that is my only criticism. Other than that, Pretty Girls is a fantastic mystery thriller to get stuck into.
If you love thrillers but are getting bored with the over-used formula that we are seeing so often of in thriller today, then Karin Slaughter’s books are a refreshing read and this is a perfect place to start.
I’ve struggled to get into the Karin Slaughter books that I’ve read so far, but I found Pretty Girls incredibly easy to get stuck into. The premise is set up really well, with many of the first chapters opening up so many questions and twists in the plot that your intrigue will quickly take over.
What will make this book stick in your head, though, is the sense of fear (but also of sheer repulsiveness) that eats away at you throughout. Everybody loves a thriller, but we are so used to reading about murder and abuse and feeling comfortable with the lack of gruesome details. But Slaughter does not hold back. Pretty Girls is an incredibly dark and graphic book, detailing the murder scenes with excruciating detail. It is very violent and gory and feels very much like a horror story for the most part.
The violent and gruesome details don’t come off as unnecessary, however, as you can feel Slaughter’s anger about the reality of such a story, about how this kind of crime happens in real life and very often goes unsolved. Having two strong, female leads working together to find justice for their sister, as well, this urges you all the more to want Claire and Lydia to carry on and succeed.
The scenes detailing their investigations are brilliantly gripping. There’s a scene around the middle section of the book when the two enter an abandoned house that put me so on edge that it prevented me from getting to sleep that night. It is such an intense and complex thriller that it constantly leaves you with so much more to find out. It really will keep you guessing until the very end, as well, whilst also ensuring that you’re too scared to stop reading because there is almost definitely something scarier and more disturbing to come in the next chapter.
Exploring many personal issues and relationships, Pretty Girls isn’t just about a story about the horrors in life; it is also a story about grief and forgiveness. Forgiveness is the only thing that can bring these characters together, whether they find out the answers to their sister’s death or not. With so much depth to it, Pretty Girls is an incredibly easy book to fly through, even though it is a heavy book to read both in tone and weight.
What’s so impressive about it is how well Slaughter creates her characters. There’s so much more to each of the characters that we are introduced to and they are all developed exceptionally well. Not only do we learn a lot about the relationship between these two sisters, but we are also gradually given details about their relationships with their mother and father which are also very impacting, as we see how their family fell apart in the first place.
Sadly, the book doesn’t end as well as it begins. Because of how much that happens in the setup and investigation, there didn’t seem enough time to properly tie the story up, so the final chapters do appear a little rushed in comparison. But that is my only criticism. Other than that, Pretty Girls is a fantastic mystery thriller to get stuck into.
If you love thrillers but are getting bored with the over-used formula that we are seeing so often of in thriller today, then Karin Slaughter’s books are a refreshing read and this is a perfect place to start.
This was the first C.L. Taylor book that I ever read (and I very quickly bought her other releases straight afterwards) but it was also one of the first thrillers that I properly got into. I was living in Bristol at that time, so I was excited to find an author who lived down the road from me. Little did I know that C.L. Taylor’s The Missing would send me on a thriller frenzy and that I would soon be buying her books as soon as they were released. I haven’t done that for a book before (not since Harry Potter, anyway!) so it was amazing to find an author who I was actually a fan of. And if you like thrillers, then C.L. Taylor is definitely an author that you want to get stuck into.
With the story set in Bristol, as well, Taylor brilliantly describes the settings around her, allowing you to picture every scene as if you were Claire herself, tracking down her son around the streets of Bedminster. I could actually imagine her sitting in her car as she wrote this, envisioning Billy just as Claire did, allowing the story to develop in her head as she used these settings to spark inspiration.
The Missing is admittedly a very easy read, but Taylor uses such brilliant detail that she still manages to create a rich mystery that has obviously been well researched. The flow of the story is maintained perfectly, never slowing down and always keeping you guessing. You are made to re-evaluate everything that you thought you knew as there are so many lies between this dysfunctional family that the story will make you question every single person.
Not only does Taylor explore the family dynamics with a great depth, she also brilliantly captures the emotions of a stressed, desperate mother who is in a state of limbo, as Claire tries to hold on to the hope that her missing son is still alive. She is an easy character to emphasise with and leads this thriller fantastically. As Claire persuades you to believe in her mother’s instincts, her hope also influences which other characters you trust.
With the addition of some well-used narrative devices, including a chatroom conversation between two unidentified users, the intertwined stories give you two different perspectives of Billy’s life. As they gradually come together, nothing will prepare you for the big reveal at the end.
The Missing will forever remain the book that began my love of thrillers and I can’t wait to see C.L. Taylor upcoming releases as her populated will undoubtedly take over.
With the story set in Bristol, as well, Taylor brilliantly describes the settings around her, allowing you to picture every scene as if you were Claire herself, tracking down her son around the streets of Bedminster. I could actually imagine her sitting in her car as she wrote this, envisioning Billy just as Claire did, allowing the story to develop in her head as she used these settings to spark inspiration.
The Missing is admittedly a very easy read, but Taylor uses such brilliant detail that she still manages to create a rich mystery that has obviously been well researched. The flow of the story is maintained perfectly, never slowing down and always keeping you guessing. You are made to re-evaluate everything that you thought you knew as there are so many lies between this dysfunctional family that the story will make you question every single person.
Not only does Taylor explore the family dynamics with a great depth, she also brilliantly captures the emotions of a stressed, desperate mother who is in a state of limbo, as Claire tries to hold on to the hope that her missing son is still alive. She is an easy character to emphasise with and leads this thriller fantastically. As Claire persuades you to believe in her mother’s instincts, her hope also influences which other characters you trust.
With the addition of some well-used narrative devices, including a chatroom conversation between two unidentified users, the intertwined stories give you two different perspectives of Billy’s life. As they gradually come together, nothing will prepare you for the big reveal at the end.
The Missing will forever remain the book that began my love of thrillers and I can’t wait to see C.L. Taylor upcoming releases as her populated will undoubtedly take over.