I'm not sure if this title hit as hard as some of the other Rick Riordan Presents books. That's to be expected of course, as there are different writers and genres at play here and they're all going to have their own style. This one does something interesting, tying together Korean culture and mythology with a sci-fi setting. Very rarely do I think I see fantastical elements in space, such as ghosts and shapeshifters, but I think it's done well here. It's evenly balanced so you don't have too much of one or too little of another. It's also nice to see a mythology represented that I don't see too often, which is really what this imprint is here for. 

Min is an...interesting lead. She goes through the story with few repercussions or consequences, saying that it's unfair for foxes to be treated as liars and manipulators, but has no qualms about using her powers to Charm people. I think these contradictions make sense for a thirteen year old, one that's prone to being somewhat impulsive. But I think things just came a little too easily for her. There were a few too many conveniences that sort of pulled me out of the story and I think the gaining and using the magical macguffin was a little too clean. 

The normalized nonbinary representation was a neat integration and it's always great to see in fiction for youths.

Paranormal girl gangs in fiction have always hit a certain sweet spot with me. It might be the camaraderie, it could be the tendency to use supernatural powers for sweet revenge on those that had wronged them, either way this element made the book all the more entertaining. There were points where I still didn't really buy the friendships between the girls, there were still too many moments of the bullies hanging onto their old ways even after some empathizing character development, but they, that's just teenagers for you.

The witchy aspects take more of a precedence than the living dead ones as there is some focus on the specifics of rituals, their consequences, all giving off a vibe similar to The Craft. We even have a biker gang full of older witches and really it can't get much better than that. I don't know enough about the Wiccan religion to say if it was an accurate or flattering portrayal, since not all Wiccans define themselves as witches or vice versa, so just take that as you will.

If you've seen a good amount of murder mysteries, you'll probably get the twist right away. At some point it just becomes a process of elimination to figure out who the killer is, and that becomes very simple when the cast itself isn't too large. Still, it didn't detract from the intensity of the reveal or the follow up. In fact, the spiral we see the killer go down was very much 0-60 in nothing flat. At least that does something for the creep factor.

Listened to the audiobook as a way to remember what happened in the series before I start on the final book. I think I enjoyed it about as much as I did the first time around and that final gut punch at the end was still so effective. There is so much creativity in this series, especially in the worldbuilding and characterization of the seraphim and chimera. Taylor's worlds always feel so expansive, even if we remain more on Earth at this point in the series than the more fantastical ones. If anything, I think the romance aspect didn't really do much for me, since it comes on a little too quick, or maybe it was just a case of me zoning out while listening. Either way, still a solid start to an immersive, engaging series.

Darcie Little Badger's writing style has really grown since Elatsoe, going from a simple, but effective structure to something that feels more lyrical, more set into itself. I think I was a little more swept away by this one, as the world building felt more defined. The Reflecting World is such an interesting setting, filled with animal people, monsters, and spirits, some good, some bad, some ambiguous. I think Oli's chapters stood out the most to me because I've always been fascinated by indigenous animal tales. It was neat to see a world inspired by those stories, as well as how it interweaves with the modern world. Nina and Oli's perspectives are balanced quite well, even if it takes quite some time for the two to overlap. 

The book gives a great example of the precarious domino effect that climate change sets off, how it only starts with a fluctuation in temperature, then leading to an increase in dangerous storms and the destruction of habitats, which in turn effects the species living therein. It goes to great lengths to show how delicate that cycle is and how disastrous the outcomes can be. Little Badger makes the topic incredibly accessible to readers unfamiliar with the specifics of the issue, as well as ensuring that it doesn't come off too heavy handed.

In terms of pacing, the climax seems a little all over the place, starting and stopping in intensity only to ramp back up again before another inevitable fizzle.

We're told of a big bad named Nightmare very early on and how dangerous he is to the animal people, only to never actually see him. Instead, we only see one of his goons who really doesn't live up to the lingering menace of his boss.

. It mostly feels like a lot of build up with very little payoff, though the book isn't exactly set out to deliver an epic adventure. It's a little more laid back than that, dealing more with the personal growth of the main characters than setting out to defeat a dastardly foe. The focus is on the little changes we endure to make way for the big ones, whether it's trying to find your own way in the world or to help a loved one.

I tend to rush through books in verse, but this is one I really wanted to settle with. Atta has such a rich voice that shines through Michael. You can feel every emotion, each heartbreak, each shining moment of confidence or pride. Even with so little words, every moment leaves an impact. Though I wasn't able to personally relate with the material through its exploration of racial issues or identity, I still found those moments and discussions incredibly valuable and enlightening. 

However, what I was able to latch onto was the book's take on a queer experience. Atta portrays Michael's queerness through such a wide spectrum, whether going from being incredibly comfortable to navigating his gender expression and sexuality to fearing coming out to people he's known for years. Atta also captures other aspects of queer identity formation through the supporting characters, like internalized homophobia. I found it refreshing that Michael didn't go through a period of self hatred, but that Atta still approached those feelings through the other characters. It allowed for multiple queer experiences to be shown and validated and illustrated that everyone's journey to understanding themselves often takes different paths. 

What word I would ultimately use to describe this book is powerful. Not only in its words and effects, but also what it gives the reader. It instills in them that they are the ones with the power over who they are and how they choose to express it. You have the power to live in a way that's best for you, not for anyone else. There is no power or freedom in compromising who you are for other's acceptance. 

For a manga based on a mobile game, I think the transition between formats has worked incredibly well here. The story is condensed in a way that makes sense for the plot, pacing, and newcomers and the incorporation of a proper main character with his own backstory and personality is actually an improvement on the source material. As someone who loves the game, one of its downsides is how you, the player, interact with the story and the characters. Even though your presence initially is what gets the story going, you almost feel sort of needless as it goes on and everyone talks around you more than to you. Instead, the manga gives Yu more weight and tangibility, which is necessary when going from an interactive game to a physical book that hinges on having personable, engaging leads.

The art is absolutely spot on, to the point where I had to double check whether Yana Toboso was doing it. Sumire Kowono does a wonderful job of matching Toboso's style, while also giving the world a new sort of dimension. It allows us to see these characters be more expressive and dynamic in comparison to their limited character models in the game. I'm really looking forward to seeing certain story beats played out in manga form, now that we can truly see the magic and power of the characters in action. 

I would say this manga is perfect for those that are curious about the story elements of the game, but are not suited to its mechanics, such as constantly grinding to level up character cards that is necessary for you to progress. 

Who knew a ragtag group of kids from Hell could be so dang endearing? The book gives a whole new meaning to "suburban hell," which funny enough ends up looking no too dissimilar from those on Earth. 

Mal and his friends are destined for big things. What those things are exactly is a bit cryptic at first, as we don't really get the technicalities until the last third of the book, despite it being written in Mal's voice. It doesn't feel like a grand reveal or like a mystery solved, just information that wasn't given to us earlier. The plotting of events in the story seem chaotic at times, retreading story beats and going down certain paths that don't really circle back to anything. It could have used maybe just one more round of editing to chop off the excess to help with pacing, but it gets back on track fairly quickly.

I'm always down for different interpretations of hellish beings or give a little shake up to any religious mythos. Here we have angels that reside in Hell to secure the evil forces within and protect the balance of reality. They're not demonic, devilish, or evil in any way, they just happen to live where the work is. It's a very middle-grade friendly version of Hell, detailing the various rings and which sins belong to which ring. We only ever see the more residential side, complete with diners, comic book shops, and movie theaters, so no need to worry about kiddies bearing witness to eternal torment before they can crack open some Alighieri.

The story itself is a very fun ride, full of magic and Halloween-type shenanigans as the kids find themselves on Earth, trying to thwart an escapee from the Pit looking to manipulate the people of Salem. It's spooky enough to satisfy anyone looking for an exciting fall read that may not scare their socks off, but will definitely get them in the mood for the season. The cover alone should snatch any passer-by's attention, and really, who can resist a bright red cover with three mischief makers on it? 

While it definitely felt plodding at times, I ultimately had fun with it and will continue with the next book in the series in the hopes that Mal's feelings of bi-panic will be followed through.

While coated in a constant state of melancholy and near hopelessness, Lee Mandelo's novella is a fascinating take on parasocial relationships and the emotionless nature of scientific study. Sean is a complicated, desperate, and at times unlikable lead, the whole story fueled by her selfish actions and lack of taking accountability. There was never a time where I outright disliked her, though, as I found it easier to pity her as she spirals more and more into loneliness and an odd sense of isolation, despite her connection with the wolf Kate. From the beginning, we see that her relationships are already on the verge of collapsing, as she doesn't have any friendships beyond her work life and her marriage is falling apart at a rapid pace. The link that she has with Kate is the only one she has any semblance of control over, only because she chooses so. 

At several points in the story, characters remind Sean that she is neglecting other methods of connection, that everything else in her life is falling by the wayside without any kind of acknowledgment of how others' feel. Riya, her wife, said it best when she says "Sometimes I'm not sure you see anyone else besides yourself as a person." Every action Sean makes is to satisfy an immediate emotional need, even in actions meant to benefit Kate, as her possessiveness of the wolf comes from a false sense of ownership due to their one-sided connection. I enjoy watching messy characters be messy, so Sean's journey was especially interesting to me.

In the end, both parties end up hurt by the experiment, one that had been obsessively clinging to it since the beginning, the other with no knowledge that such a pact even existed. It's a hard ending, but a necessary one.

Looking at other reviews, I have to say that I wasn't as unsatisfied with where the book left off concerning Sean and Riya's relantionship. Given where it was going, how unwilling Sean seemed to be about the idea of moving overseas, how she jumped at the chance for a way to give into those immediate emotional needs again with the book deal without any input from her partner, it's easy to predict what would happen if the book were a few pages longer. Sure, Sean gets a somewhat neat resolution to her experience, but at a very big cost that's probably been a long time coming.

Sing No Evil's commitment to the metal aesthetic is what makes this comic stand out among other musically influenced graphic novels. I was already familiar with J.P. Ahonen, being a fan of his Belzebubs series, so I knew going in that I would love the art style. The characters are wonderfully expressive and the humor really comes out in their reactions, though my favorite bits are when the band really "gets into the zone" during their performances. There is a polished quality to the art, very clean and neat linework with a down to earth color palette. The colors get you into the mood for a fall read, perfect for the darker undertones of the story.

Speaking of, it almost seems like there are two plots constantly conflicting in the narrative, one about a band that is struggling to find their audience while dealing with issues from their interpersonal relationships, and the other about nefarious cannibalistic monsters brainwashing music lovers through possibly satanic jams. The two rarely meet harmoniously in the middle, with the latter plot only really taking hold until the last third of the comic, which is in desperate need for a weighty climax. I would have loved some more hints of the antagonists spread out throughout the story, just to make it more even. 

I think what the comic does exceptionally well is showcasing the feeling of you're going absolutely nowhere, that there's something keeping you from being on the hinges of success and your relationships start going by the wayside because of it. It's a scary spiral, one that Aksel feels especially prone to. The character dynamics sell this aspect, as we see friendships become strained and loved ones go by the wayside all in the pursuit of a dream that may go unrealized. It's a hefty price, but it's not that always has to be paid.

An absolute must read for fans of Megan Whalen Turner's Queen's Thief series. Seriously, I have no idea whether Sage and Gen would either be good friends or constantly be at each other's throats. I have a weakness for protagonists that always seem to try their luck with a bit of snark or cleverness, ultimately getting themselves into trouble that they always somehow know how to get out of. Sage perfectly falls into that category, being the bane of almost everyone around him. And yet, he is a character you can admire for his resourcefulness and ability to think ten steps ahead. His narration immediately comes off as unreliable, though that only makes his every action all the more interesting.

I was surprised to see this book labeled as a young adult, due to the simplistic, yet accessible writing style which gives it a very middle grade sort of vibe. I suppose it's mainly due to Sage being fifteen, but it think it has enough appeal for both age groups.