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I try very hard to keep my eyes open so that I can look at my beloved.
I mean life or, as Dostoevsky termed it, "the little things that make up life." Life is not really studied by the writer but lived by him. We may say that writers live inside their material. They suffer, think, enjoy themselves, take part in the life around them. Every day leaves its mark. And the heart remembers.
"The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism." He looked at the ceiling for a moment, his face almost troubled. "Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?" he said. "It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, 'more like deer than human being.' To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn."
He was a man of black and white.
And she was color. All the color he had.
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ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career
Jonathan Melber, Heather Darcy Bhandari
And indeed I know not whether, at the time, it was not for him rather than myself that I blushed; for, since he and I are one, I so identify myself with him, that I feel his degradation, his failings, and transgressions as my own: I blush for him, I fear for him; I repent for him, weep, pray, and feel for him as for myself; but I cannot act for him; and hence I must be, and I am, debased, contaminated by the union, both in my own eyes and in the actual truth. I am so determined to love him, so intensely anxious to excuse his errors, that I am continually dwelling upon them, and labouring to extenuate the loosest of his principles and the worst of his practices, till I am familiarised with vice, and almost a partaker in his sins. Things that formerly shocked and disgusted me, now seem only natural. I know them to be wrong, because reason and God's word declare them to be so; but I am gradually losing that instinctive horror and repulsion which were given me by nature, or instilled into me by the precepts and example of my aunt. Perhaps then I was too severe in my judgments, for I abhorred the sinner as well as the sin; now I flatter myself I am more charitable and considerate; but am I not becoming more indifferent and insensate too? Fool that I was, to dream that I had strength and purity enough to save myself and him! Such vain presumption would be rightly served, if I should perish with him in the gulf from which I sought to save him! Yet, God preserve me from it, and him too! Yes, poor Arthur, I will still hope and pray for you; and though I write as if you were some abandoned wretch, past hope and past reprieve, it is only my anxious fears, my strong desires that make me do so; one who loved you less would be less bitter, less dissatisfied.
When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which, yet, we cannot, or will not wholly crush, we often, naturally, seek relief in poetry—and often find it too—whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and, therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.