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mariebrunelm's Reviews (478)
adventurous
challenging
dark
emotional
reflective
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I have loved the conclusion of The Farseer Trilogy from the first time I've read it (even though the ending has always feel rushed), but I'm not the same person I was some ten years ago when I first read it. Still, the book has grown with me, and my understanding and love for it has only deepened. I do think Robin Hobb mainly strings together an account of Fitz's brushes with death, but she does so with heart-wrenching prose and meaningful conversations that ring ever so true.
TW : mention of stillbirth.
TW : mention of stillbirth.
Graphic: Addiction, Rape, Sexual violence, Torture, Blood, Grief, Murder, Fire/Fire injury, Injury/Injury detail
adventurous
funny
lighthearted
mysterious
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
A super cute manga with an Apprentice witch, mysterious witches & wizards and beautiful drawings? Yes, please! This is a fun, slightly childish manga about a girl learning that everyone can do magic. It seems to be rather popular at my library, where I borrowed it!
Minor: Bullying
adventurous
dark
reflective
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
Cette courte novella nous raconte un futur extraordinaire et pourtant simple. Terrifiée par la menace de l'explosion du soleil et sa transformation en géante rouge, l'humanité a décidé d'émigrer... En emportant sa planète avec elle. Liu Cixin compose quelques chapitres très efficaces, racontés froidement, pour explorer les conséquences à la fois humaines, environnementales et, dans une moindre mesure, technologiques de cette décision. La distance que le narrateur prend par rapport à sa propre histoire m'aurait dérangée dans un récit plus long, mais ici elle est finalement adaptée. Je suis désormais curieuse d'en voir l'adaptation par Netflix !
Minor: Suicide attempt, War
adventurous
challenging
dark
mysterious
reflective
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Graphic: Death, Violence, Colonisation, War
challenging
dark
mysterious
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This book felt like two in one. On the one hand it was a fascinating, fantastical story about a young woman joining a school not completely of her own free will, but finding her true self there. On the other, there was a panel of insufferable high schools students riddled with societal injonctions and prejudices. It made me quite uncomfortable, reminding me of my own high school years. I wish that the characters had been more nuanced to echo the beautiful complexity of the main part of the novel, which is about this strange institute and what it teaches. That side of the story had a dream-like quality. It was quite compelling!
PS: there wasn't a shred of representation but I don't know how inclusive Russia is in general so I won't make assumptions.
TW not included below: slut-shaming *and* virginity-shaming (I told you it was about mean teenagers...)
PS: there wasn't a shred of representation but I don't know how inclusive Russia is in general so I won't make assumptions.
TW not included below: slut-shaming *and* virginity-shaming (I told you it was about mean teenagers...)
Graphic: Toxic relationship
Moderate: Sexual violence, Suicide attempt
adventurous
mysterious
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Yes
This is one of those books that touches on really important topics but in a way that I didn't really enjoy. City of the Beasts celebrates the Amazon forest and keeps raising alarm on how it's treated and how it needs to be saved, which is sadly still relevant nearly 20 years after it was published. To do so, the author writes a YA / middle-grade adventure novel about a 15-year-old Californian boy with an excentric grand-mother who turns out to be some sort of Chosen One and to save the local inhabitants. This is an instance of the White Savior trope, in which a white foreigner saves grateful locals, to the point that he's initiated into their secrets. It didn't sit right with me.
As far as the writing style is concerned, the narration was so detached (too much in the "tell", not enough in the "show") that I had no empathy for the characters and didn't really buy into what I was reading. There was also the fact that in France, this book is published as an adult book when to me, it felt very middle-grade. There were lots of repetitions, and the characters were very cliché.
I really wanted to love this book, so I was all the more frustrated. This is probably because ever since I noticed City of the Beasts years and years ago, I built an image of it in my head that I was bound to miss when reading the actual book. I can't help but think that in the twenty years since this book was published, middle-grade has evolved and isn't written in the same way. The middle-grade books I've read recently were witty and fun when this one sounded rather preachy and a little condenscending towards the inhabitants of the Amazon forest.
As far as the writing style is concerned, the narration was so detached (too much in the "tell", not enough in the "show") that I had no empathy for the characters and didn't really buy into what I was reading. There was also the fact that in France, this book is published as an adult book when to me, it felt very middle-grade. There were lots of repetitions, and the characters were very cliché.
I really wanted to love this book, so I was all the more frustrated. This is probably because ever since I noticed City of the Beasts years and years ago, I built an image of it in my head that I was bound to miss when reading the actual book. I can't help but think that in the twenty years since this book was published, middle-grade has evolved and isn't written in the same way. The middle-grade books I've read recently were witty and fun when this one sounded rather preachy and a little condenscending towards the inhabitants of the Amazon forest.
Graphic: Death, Genocide, Gun violence, Cultural appropriation, Colonisation
adventurous
challenging
mysterious
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
In France, Clark's two novellas are published in the same book. First of all, I want to congratulate Mathilde Montier, the translator, who did a fantastic job, especially on the first one, transposing the characters' unique way of speaking and Clark's lush prose.
The first story, The Black God's Drums, takes us to a New Orleans buffetted by storms, in which a young orphan witnesses a conversation that leads her to all sorts of trouble, including the threat of a black god's anger. In A Dead Djinn in Cairo, a lady detective encounters an unusual corpse and mystical symbols hiding a complex and metaphysical conspiration.
Both stories unfold very detailed worlds rich in imagery, in an alternate history that deals the cards of humanity in a new and fascinating way. Both are set around the turn of the century and feature female characters with strong voices. THe first one, in New Orleans, took me a little while to get used to the intricate world-building. The second one swept me off my feet instantly and I would gladly have read a lot more (which I should be able to do in The Haunting of Tram Car 015 and A Master of Djinn one day).
The first story, The Black God's Drums, takes us to a New Orleans buffetted by storms, in which a young orphan witnesses a conversation that leads her to all sorts of trouble, including the threat of a black god's anger. In A Dead Djinn in Cairo, a lady detective encounters an unusual corpse and mystical symbols hiding a complex and metaphysical conspiration.
Both stories unfold very detailed worlds rich in imagery, in an alternate history that deals the cards of humanity in a new and fascinating way. Both are set around the turn of the century and feature female characters with strong voices. THe first one, in New Orleans, took me a little while to get used to the intricate world-building. The second one swept me off my feet instantly and I would gladly have read a lot more (which I should be able to do in The Haunting of Tram Car 015 and A Master of Djinn one day).
adventurous
emotional
inspiring
reflective
fast-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
I discovered Mary Robinette Kowal thanks to a short story masterclass that was hugely helpful to my writing. I hadn't read anything by her yet, so when my local library added this collectino to their shelves, I borrowed it in a heartbeat. The collection is set after Kowal's trilogy starting with The Calculating Stars, but it can be read on its own. The stories are efficient, clever, and some are surprisingly moving for such short pieces. They mostly take place on Mars in the 1970s, after humanity colonised the planet, so in a way they could be considered alternate histories. This collection could work well for people who are not familiar with sci-fi, since they're concerned with humans rather than technology
Graphic: Terminal illness
adventurous
hopeful
lighthearted
mysterious
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Kiki's Delivery Service meets Terry Pratchett in this French middle-grade fantasy featuring a magical grandmother who's lost her memory, a young Black boy discovering his powers and a clever witch in disguise.
This book was really enchanting. That being said, when the prologue brings together baking and magical books, it's sure to catch my attention. I had lots of fun following Charly's adventures, and was genuinely surprised by some of the revelations which brought a lot of depth to the story. Bonus point for a wonderfully diverse cast!
This book was really enchanting. That being said, when the prologue brings together baking and magical books, it's sure to catch my attention. I had lots of fun following Charly's adventures, and was genuinely surprised by some of the revelations which brought a lot of depth to the story. Bonus point for a wonderfully diverse cast!
Graphic: Child death
adventurous
emotional
funny
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
The 5th volume in the Murderbot Diaries delivers like the previous episodes. This one is actually much bigger, at 400 pages, but Martha Wells manages to keep the rhythm of her novellas and provides climaxes at regular intervals to keep interest high. Our favourite cyborg faces bigger and bigger challenges, some of them being of the emotional kind. I was sometimes lost amidst the details of the plot, but the overall progression of the story was always clear. There were some great ideas in this volume, plot twists which were both unexpected and completely in keeping with the atmosphere of this series.
Graphic: Gun violence, Medical content
Minor: Grief, Murder, Colonisation