Set in Provo, Utah, this queer teen romance centers a bisexual, Jewish high school senior, Tanner, who is closeted at school despite being out to his supporting family. Tanner and his best friend Autumn decide to sign up for a notoriously difficult class in their last semester- a seminar in which the students try to write the complete first draft of a novel. Their TA for the class is a college freshman from BYU, Sebastian, who took the seminar the year before and produced a novel that actually had legs. He signed a book deal and has his first fantasy novel due out in the following summer. Also, he's tall, handsome, kind, generous, and very very Mormon. Tanner falls for him immediately. I found the first 1/3 of this book very rushed; the insta-love didn't really work for me. But when I got deeper into the novel I realized the authors had speed-run a meet cute because what they actually wanted to write was an established relationship. Tanner and Sebastian go through multiple ups and downs, breakups and makeups, book releases, college acceptances, family and friendship conflicts. Despite the pacing issues, it's an affirming story of queer acceptance in the end which I did enjoy.  

This series is already getting more cute and more gay in book 2! Neighbors Nomoto and Kasuga continue to plan meals, shopping trips, and holidays together but now they are also beginning to share deeper feelings and memories from their lives. And also... Nomoto has her first lesbian crisis googling session. I'm rooting for these foodies! I hope they Uhaul in book 3. 

This book was written in 2017-2018, and I still often hear essays from it quoted, especially the opening piece "The I in the Internet". Some of the essays in here already feel a bit passed their sell-by date, but several of the ones I read after the most recent election still have teeth, especially "The Story of a Generation in Seven Scams", which made me furious, and "We Come from Old Virginia", examining rape culture on college campuses. I also enjoyed two two of the more personal/autobiographical pieces, "Reality TV Me" and "Ecstasy" quite a lot. Your mileage will vary with this book depending on what type of topics you care about, but I'm glad I finally picked up this collection. 

This manga follows a high school boy who's good at school, has a pack of friends, but no specific ambitions in life. A few comments by a charismatic art teacher challenge him to try and honestly express himself through art. A competitive streak pushes him to join the art club and begin actually applying himself. Along the way, the teacher and his fellow art club members explain many concrete basics of drawing from life, and how to apply to art colleges in Japan. These aspects of the story reminded me of the real-life manga creation information included in Bakuman. I like the idea of a manga series focused on fine art and the challenges and rewards of pursuing it. I did struggle with the fact that the drawing in this book is only okay. Some of the figure drawing of characters is downright bad, with bizarre pose choices. There are also some kind of confusing interactions between the characters early on- one member of the art club is either a cross-dresser or trans femme, and the way this character and the main character talked it felt like they were supposed to be childhood friends? I kept expecting a flashback to their earlier relationship that never came. So, we'll see if I end up reading more. Great concept, mid-level execution. 

This slow-burn lesbian comic is as cute as everyone has been saying. A woman who loves cooking elaborate meals, but lives alone, notices a female neighbor in the apartment complex carrying a huge amount of takeout food home. Impulsively, she invites her neighbor in for dinner. This begins a gentle routine of joint shopping, cooking, and meal planning together. Will this food-based friendship develop into something more? I will have to keep reading to find out! 

I was only vaguely aware of Youngmi Mayer from tiktok before picking up the audiobook of this blunt and honest memoir, read by the author. I think experiencing it as an audiobook greatly enhanced my experience- the sections in which the author's voice shook with emotion when describing, in particular, the hardships her family experienced during the Japanese occupation of Korea, meant the memories hit much harder than they might have if I was reading in print. Overall I was very impressed by Mayer's insights on her multi-cultural mixed-race childhood, how her parents' traumas impacted their ability to be present for their kids, and how that damage played out in her teens and early twenties. This book tackles a lot of heavy subjects including colonial violence, bullying, fat-shaming, eating disorders, drug use, suicide, and depression. The tone, which is almost aggressively matter-of-fact, with flashes of piercing insight and occasional jokes, kept me riveted. I do wish a late chapter on a brief queer relationship had been more thoughtful; that was one section that felt kind of half-baked and unnecessarily gender-binary. But overall I'd still recommend this memoir, especially for those looking for critical takes on the fault lines of both Korean and American culture. 

This book is accessible and fairly short, but provides a rich overview of the history of trans people in public in the United States from the 1850s until the first Trump administration. Stryker outlines the increasing awareness of trans people and trans issues; the rise and fall of many different organizations and publications over the past century; the building of and challenges to medical resources and healthcare access. Two overarching threads are the relationship of trans activists to the wider gay, bi, and lesbian liberation movements, and the views of trans people within feminist thought. There were many familiar people and places here (Marsha P Johnson, Silvia Rivera, Compton's Cafeteria, the GLBT Historical Center, Lou Sullivan, Brandon Teena) and also many who were new to me (Vanguard, Reed Erickson, Dr Harry Benjamin, the NTCU, Beth Elliot). Definitely recommend it as a great starting place on trans history- look for the revised 2018 edition, which also has a nice audiobook. 

This long, thoughtful, meditative comic unfolds the story of a family driven by creativity and invention, traits which have both saved and consumed their lives. The author's grandfather, Fredic, was a Jewish musician and conductor living in Vienna before WWII; his talent provided the connection he needed to flee to the US on the eve of war. He married and had two children before dying young. His son, Ray, became an inventor whose early experiments in machine learning and machine generated art and music, as well as various robotics, proceeded much of the invention we see today. In middle-age, Ray became obsessed with the idea of typing up all of his father's letters and journals and turning them into an AI chat-bot which he and his daughter could communicate with. Whether you find this meaningful or monstrous will depend a lot on your own personal relationship with AI. Honestly, I struggled to understand why someone would feel they could know a deceased loved one better by chatting with them through an algorithm (owned by an outside tech company, mediated by human and machine decisions) than by simply... reading the journals and letters. Ray's desire to create a digital simulacrum of his father, dead for fifty years, felt motivated by unprocessed childhood grief and folly. My understanding is that the majority of this book was written before our current Chat-GTP dominated era, so there is no discussion of how the majority of AI programs available today are built on stolen creative work and are already straining our energy grids and water resources. (Google recently proposed building seven new nuclear reactors, simply to power its AI). Please know that the comic does delve into more than this one topic; there are thoughts on the meaning of life, of health, death, immortality (through art or AI); on inherited family neurosis and memory. I think many people will find much to enjoy in this book. I simply found myself in such strong philosophical disagreement with so many of the ideas expressed by Ray that it was hard for me to focus on some of the other threads of the narrative. I would still recommend checking out the book if the themes seem interesting to you! 

Aya is a pretty, popular high school girl whose only unusual trait is her taste in retro western rock and indie music. Her love of this music leads her into a CD shop where she develops a bit of crush on the cute dark haired boy who works behind the counter. Little does she know that this "boy" is one and the same as the girl she sits next too in school! Mitsuki has always marched to the beat of her own drum; she's loved rock, dressed mostly in all black boys clothes, and struggled to find anyone who shares her interests her whole life. I LOVED the art in this comic, and I'm already so hooked on the sweet, nuanced friendship (or more?) between these little alternative teens. 

Erika has been called creepy in the past for her tendency of liking things Too Much, for getting crushes on people she doesn't even know, for building alters to her obsessions. She starts at a new high school for her senior year without much hope of making friends. Quickly, she falls for a tall, handsome boy, Christian, who is also in the drama club. In an attempt to get closer to him, Erika writes a whole one-act play with the hope he will star in it. What she didn't account for was how much time you end up spending with someone during rehearsals, and what it might be like to get to know your crush for real. I really enjoyed this pop culture-infused teen rom-com, the little kpop easter eggs, the clear aesthetic references of mid-90s and early-2000s manga. Silly and sweet and poignant! Can't wait to see what this author does next.