Big incel energy from the main character. Immediately no. I wanted tk love this one but I couldn’t stand another second with the protagonist. 

The Witchwood Knot is everything I’ve come to expect from Olivia Atwater’s writing. It’s at once heartfelt, cunning, and cozy in all the best ways. While this is the beginning of a new Faerie Tale era, it builds off of the world and characters we’ve come to know in the Regency series. I lobe interconnected universes like this. However, with that in mind, I wouldn’t recommend starting here. I think to fully grasp the scoop of this world, you’ve got to read the first trilogy. That way you know the history and the landscape of the world. Each story is technically a standalone about a different couple, but they’re all building toward larger stories, it seems. 

Of Atwater’s Faerie Tale world, Winifred my be one of my favorite heroines yet, next to Dora. She’s clever, cunning, and willing to do what she needs to do in order to survive a world of faeries and monsters. She has a traumatic past, but seeing her reclaim her own desire was amazing. 

This is a delightfully gothic tale, with all the classic trappings of the genre. The mysterious, dilapidated manor, the gothic father/monster duology, and an atmospheric sense of isolation. Atwater combines this flawlessly with her existing world. It’s creepy, it’s heartfelt, and it’s a great time. While I occasionally found myself a bit confused, I felt that by the end I had all the answers I needed. I can’t wait for the next book!

Thank you to NetGalley and the publisher for a digital ARC of this book. This is my honest review. 

It’s just not capturing my interest. It also seems like it’s pulling from indigenous cultures, which has me side-eyeing it, although it’s not my place to speak on that. 

If someone whose taste I trust convinced me it was worth a read, I might be convinced to retry it with a physical copy.