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emotional
hopeful
inspiring
sad
fast-paced
Loveable characters:
Yes
adventurous
dark
mysterious
tense
Some parts did not age well. Yikes. It’s slow, but the end really picks up.
emotional
hopeful
inspiring
reflective
sad
fast-paced
Flaws of characters a main focus:
Yes
This is such a good read. The writing is magnificent and the themes explored will break your heart. It gave me nostalgia for a life I’ve never even lived. It was a tad bit overly dramatic and maudlin for me. Like, some parts were written for the sole purpose of making the reader cry. Other than that, I loved it and will remember this book for a while.
Graphic: Mass/school shootings
dark
mysterious
sad
tense
fast-paced
Plot or Character Driven:
Plot
Okaaay Ashley Flowers! This is a pretty solid, fast-paced thriller that had lots of great red herring moments. The ending was very abrupt and I saw the “twist” but it’s overall a propulsive read.
Graphic: Dementia
Moderate: Child abuse, Child death, Death
adventurous
emotional
hopeful
inspiring
mysterious
sad
tense
medium-paced
Loveable characters:
Yes
Something about Harrow’s writing distracts me constantly, but I overall enjoyed this book. It’s a little slow to start but then picks up and becomes a really satisfying alternative history. There’s a lot of badass f-yeah moments that will have you cheering on Juniper, Bella, and Agnes.
dark
emotional
funny
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
I LOVED this. It’s sad, slightly unhinged, and just the right amount of creepy. Knowing Lydia’s true nature while the other characters don’t also makes parts of the story absurdly funny, too.
The exploration of identity through body and food is so well done. Lydia is half vampire and half Japanese half Malaysian. She constantly feels disconnected from a part of herself because she never met her human dad, nor can she connect to food in a meaningful way. Kohda uses the vampire trope as a metaphor for cultural identity and the feeling of not belonging or being “good enough” that I think a lot of people who have mixed cultural backgrounds feel (I know I do).
CW: disordered eating, descriptions of food, SA in the workplace, light body horror of the vampire variety
The exploration of identity through body and food is so well done. Lydia is half vampire and half Japanese half Malaysian. She constantly feels disconnected from a part of herself because she never met her human dad, nor can she connect to food in a meaningful way. Kohda uses the vampire trope as a metaphor for cultural identity and the feeling of not belonging or being “good enough” that I think a lot of people who have mixed cultural backgrounds feel (I know I do).
CW: disordered eating, descriptions of food, SA in the workplace, light body horror of the vampire variety
Moderate: Body horror, Eating disorder, Sexual harassment
I just wasn’t feeling this one. The chemistry between our two main characters felt forced, even though they had known each other as kids. And the plot devices to move the story along were so contrived and didn’t make any logical sense. Not my thing.