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hfjarmer's Reviews (394)
This is, without a doubt, the best book I’ve read all year. Nestled perfectly within my favorite genre—“books about mentally unstable, unlikable women”—it’s a small genre, but it exists. Sorrow and Bliss is one of those books that depressed me from the sheer fact that I will never be this good of a writer. The writing is like an exposed nerve—raw, poignant, and laced with humor in all the right places. Meg Mason masterfully captures the experience of living with an unnamed “thing” that feels like it's lurking beneath your skin, controlling your mind like Plankton in that one *SpongeBob* episode.
The main character, Martha, is so vividly portrayed that the novel almost reads like an actual memoir rather than fiction. Mason brings to light the power of a label—the liberating sensation of naming the thing that has tormented you for years—yet she never actually names Martha’s illness. This approach highlights the complexity of mental illness, with its overlapping symptoms and the endless quest for the right diagnosis, the right treatment, the elusive sense of being "set straight."
I've come across some negative reviews of this book, mostly centered around Martha’s unlikability. I get it—she is a genuinely unlikable character/person. But I think that’s the point. Martha is a testament to the depths that mental health struggles can drag you to. "Being mentally ill doesn’t mean you get to be a bad person," people say. And they’re right. But it also doesn’t mean that you won’t be a bad person at times. When you’re so consumed by self-destruction that you hurt others and yourself without a second thought, you feel the need to punish and be punished. This is where the brilliant line from Martha’s mother comes into play—drawing the line between being a victim and being accountable for your own life. At some point, you have to pull yourself together and realize that things aren’t happening *to* you; they’re happening *for* you, as Mason so aptly puts it.
Martha’s journey is a powerful testament to the struggle of being controlled by your own mind, that helpless feeling of drowning. Despite the unwavering love and support she receives from her family and husband, she ultimately has to be the one to pull herself out of the darkness. She has to want to live, both literally and figuratively.
I could talk about this book for hours. The writing is genuinely funny at times, and Ingrid’s character might just be my favorite. Mason adds little details throughout the book that were so perfect that I was actively thinking “how does she come up with this?” Everything about this book was a *chef’s kiss*—a solid 6/5 for me, and I’m so glad I read it. That said, this book isn’t for everyone. If you hated *Eleanor Oliphant Is Completely Fine*, *My Year of Rest and Relaxation*, *The Guest*, or anything similar, then consider this your warning—*Sorrow and Bliss* might not be for you and I don’t want to hear it.
The main character, Martha, is so vividly portrayed that the novel almost reads like an actual memoir rather than fiction. Mason brings to light the power of a label—the liberating sensation of naming the thing that has tormented you for years—yet she never actually names Martha’s illness. This approach highlights the complexity of mental illness, with its overlapping symptoms and the endless quest for the right diagnosis, the right treatment, the elusive sense of being "set straight."
I've come across some negative reviews of this book, mostly centered around Martha’s unlikability. I get it—she is a genuinely unlikable character/person. But I think that’s the point. Martha is a testament to the depths that mental health struggles can drag you to. "Being mentally ill doesn’t mean you get to be a bad person," people say. And they’re right. But it also doesn’t mean that you won’t be a bad person at times. When you’re so consumed by self-destruction that you hurt others and yourself without a second thought, you feel the need to punish and be punished. This is where the brilliant line from Martha’s mother comes into play—drawing the line between being a victim and being accountable for your own life. At some point, you have to pull yourself together and realize that things aren’t happening *to* you; they’re happening *for* you, as Mason so aptly puts it.
Martha’s journey is a powerful testament to the struggle of being controlled by your own mind, that helpless feeling of drowning. Despite the unwavering love and support she receives from her family and husband, she ultimately has to be the one to pull herself out of the darkness. She has to want to live, both literally and figuratively.
I could talk about this book for hours. The writing is genuinely funny at times, and Ingrid’s character might just be my favorite. Mason adds little details throughout the book that were so perfect that I was actively thinking “how does she come up with this?” Everything about this book was a *chef’s kiss*—a solid 6/5 for me, and I’m so glad I read it. That said, this book isn’t for everyone. If you hated *Eleanor Oliphant Is Completely Fine*, *My Year of Rest and Relaxation*, *The Guest*, or anything similar, then consider this your warning—*Sorrow and Bliss* might not be for you and I don’t want to hear it.
Sexual assault vibes in the first 10%
The main character saying “I’m not a rapist” as he is basically assaulting her is still not a good time???
The main character saying “I’m not a rapist” as he is basically assaulting her is still not a good time???
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
funny
informative
lighthearted
fast-paced
Shannon Reed’s Why We Read is a lighthearted and thoughtful celebration of what it means to be a lifelong, capital-R Reader. Each essay is titled with a new reason for why we read, but the contents serve as Reed’s personal reflections, making the book feel both personal and relatable. In sharing her own experiences, she naturally answers the broader question of why we read, showing how books shape, entertain, and expand our worldviews.
One of the standout essays discusses the (honestly somewhat controversial, these days) idea of letting people read what they enjoy rather than using books as a status symbol or an act of ego. Reed strips away the pretentiousness often attached to literature, embracing reading as both a tool and a joy—one that can educate just as much as it can provide pleasure. As an avid reader myself, I saw so much of my own experiences reflected in her words, particularly in how she writes about reading as a kid - I ran circles around my classmates in the Pizza Hut challenge. I was surprised by some of the criticism about her style because I found it engaging and approachable. It was refreshing to read about reading from the perspective of a literary professor who doesn’t just harp on the classics. Ultimately, Why We Read is a warm, inviting book that celebrates the simple, but profound joy of being a reader.
One of the standout essays discusses the (honestly somewhat controversial, these days) idea of letting people read what they enjoy rather than using books as a status symbol or an act of ego. Reed strips away the pretentiousness often attached to literature, embracing reading as both a tool and a joy—one that can educate just as much as it can provide pleasure. As an avid reader myself, I saw so much of my own experiences reflected in her words, particularly in how she writes about reading as a kid - I ran circles around my classmates in the Pizza Hut challenge. I was surprised by some of the criticism about her style because I found it engaging and approachable. It was refreshing to read about reading from the perspective of a literary professor who doesn’t just harp on the classics. Ultimately, Why We Read is a warm, inviting book that celebrates the simple, but profound joy of being a reader.
hopeful
informative
inspiring
reflective
fast-paced
A quick, clear and digestible introduction to opposing tyrannical rule. Lists actionable points which you can begin immediately and with a relatively low barrier to entry. A must read in these times.
informative
inspiring
medium-paced
This lovely little book explores the importance of community and, more specifically, engaging in a circular, "gift" economy. Kimmerer's work brings to attention the foundational Native ideology that everything from the earth is a gift to be treated with the utmost reverence and respect. In this latest work, the author of "Braiding Sweetgrass" explores the intersection between this Native doctrine and our capitalist economy. She argues that with a definition of economics that inherently focuses on scarcity and demand comes a societal "mindset that is based on commodification of goods and services." Instead, Kimmerer advocates for (and I'm quite inclined to agree with her) a shift from the scarcity mindset to a gift/circular economy, which reframes goods not as scare commodities but as gifts of abundance to be valued and shared.
She introduces the reader to the concept of biomimicry - " the practice of observing the living world and taking inspiration for human ways of living" - which provides a fascinating departure from our current capitalistic mindset, one that, as the title suggests, fosters abundance and reciprocity in our world. She uses the example of the serviceberry tree, whose fruit nourishes birds, who then spread its seeds. In this reciprocal cycle, everything has its place, and everyone's needs are met through acts of giving
"The threat of real scarcity on the horizon is brought to us by unbridled capitalism. Extraction and consumption outstrip the capacity of the Earth to replenish what we have taken. An economy based on the impossibility of ever expanding growth leads us into nightmare scenarios."
This brief but profound book encourages us to rethink our relationship with the Earth and with one another. It’s an inspiring call to build communities rooted in giving, mutual respect, and trust. Highly recommended for anyone seeking a more meaningful and sustainable way of living.
She introduces the reader to the concept of biomimicry - " the practice of observing the living world and taking inspiration for human ways of living" - which provides a fascinating departure from our current capitalistic mindset, one that, as the title suggests, fosters abundance and reciprocity in our world. She uses the example of the serviceberry tree, whose fruit nourishes birds, who then spread its seeds. In this reciprocal cycle, everything has its place, and everyone's needs are met through acts of giving
"The threat of real scarcity on the horizon is brought to us by unbridled capitalism. Extraction and consumption outstrip the capacity of the Earth to replenish what we have taken. An economy based on the impossibility of ever expanding growth leads us into nightmare scenarios."
This brief but profound book encourages us to rethink our relationship with the Earth and with one another. It’s an inspiring call to build communities rooted in giving, mutual respect, and trust. Highly recommended for anyone seeking a more meaningful and sustainable way of living.