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heartbrekker's Reviews (797)
Will I ever stop crying?
No, probably not.
The Burning God is a masterpiece.
A strategy-war masterpiece and another finale to rip my soul in half.
There's a lot of pain throughout this series. That's one of the first things people reference about TPW. Though this was different on so many levels, especially at the end.
Rin has truly gone through hell and back to achieve her goals and help those she deems worthy across the series, and it's culmination in this finale was INTENSE. It's melancholic and traumatic to watch her win and fail numerous times because she starts to lose bits and pieces from herself.
I'd argue this is a very truthful depiction of the aftermath in a Civil War. It's a good depiction for new rulers. It's certainly a damn honest depiction of colonization.
The whole last hundred pages were some of the most painful sections to read for a lot of reasons, but I cannot list them since they include spoilers. Maybe I'll come back to this review later to scream and cry about my spoilery thoughts, but for now I'm going to be a sob-induced, vague mess.
All I have left to say is again, this is another finale where the ending only has one trajectory, and while I did not forsee exactly what comes to fruition.. It made sense, but it was a knife to the heart. I'm so thankful to Rebecca for writing this incredible trilogy. It may have been a doozy to my heart, but it will always hold a high place in my heart/ head. She deserves SO many rewards!
TW: Extreme famine, animal brutality, torture, racism, paranoia, drowning, suicide, claustrophobia, relationship abuse, starvation, colonialism, and significant war scenes/ themes.
No, probably not.
The Burning God is a masterpiece.
A strategy-war masterpiece and another finale to rip my soul in half.
There's a lot of pain throughout this series. That's one of the first things people reference about TPW. Though this was different on so many levels, especially at the end.
Rin has truly gone through hell and back to achieve her goals and help those she deems worthy across the series, and it's culmination in this finale was INTENSE. It's melancholic and traumatic to watch her win and fail numerous times because she starts to lose bits and pieces from herself.
I'd argue this is a very truthful depiction of the aftermath in a Civil War. It's a good depiction for new rulers. It's certainly a damn honest depiction of colonization.
The whole last hundred pages were some of the most painful sections to read for a lot of reasons, but I cannot list them since they include spoilers. Maybe I'll come back to this review later to scream and cry about my spoilery thoughts, but for now I'm going to be a sob-induced, vague mess.
All I have left to say is again, this is another finale where the ending only has one trajectory, and while I did not forsee exactly what comes to fruition.. It made sense, but it was a knife to the heart. I'm so thankful to Rebecca for writing this incredible trilogy. It may have been a doozy to my heart, but it will always hold a high place in my heart/ head. She deserves SO many rewards!
TW: Extreme famine, animal brutality, torture, racism, paranoia, drowning, suicide, claustrophobia, relationship abuse, starvation, colonialism, and significant war scenes/ themes.
2.5
“The faeries are always looking for something to devour. They find the sadness in souls particularly tasty, and when they happen upon them, they will do whatever they can to get it.”
I had a whimsical and intriguing time with this novel. Though I didn’t expect the route it was going to take at all, which I think was both a positive and negative for me.
Nannerl is the older sister of Wolfgang Mozart, and this follows her journey as a young women trying to comprehend the fact that she can never do what her brother will, compose and play. She dreams of composing, personally, but alas, she is restricted because of her gender.
Meanwhile Nannerl and Wolfgang create a world called the Kingdom of Back during their childhood, and it slowly starts to become a reality in their lives. Along with this revelation Nannerl meets a faerie who sends her on missions with the prospect that he can help her not be forgotten.
KOB is a story about family, dreams, and the strifes of societal expectations. Society has suppressed a great talent, Nannerl, all because of her gender. Marie does a good job trying to rectify this injustice on Nannerl, and I enjoyed Nannerl having a realistic desire to be more. She wanted her dreams so badly that she was willing to overlook obstacles and outcomes that would be less favorable if she wasn't so focused on what she wants. She was very real in that way.
In my opinion, KOB writing seemed to be more simplistic than her other books. There’s definitely a lyrical tone to the sentences, but the style felt different to me.
Nannerl was the only truly developed character, and I wish we could’ve gotten more from the outer characters. Wolfgang is obviously very important, but a part of me wishes the story focused more on their older years as teens rather than younger since they’re five years in age difference. Wolfgang was a child 90% of the book, and I just wanted more from their relationship. Marie and a lot of scholars discuss the impact of their relationship when they were sending letters to one another, and I guess maybe I hoped that would come into play. Relationships are so different between childhood and adulthood, and I wanted both. Maybe it’s not even this but just a desire for more overall. I feel as if something was missing cause the story is short, and I can’t quite put my finger on what.
TW: Child abuse (it isn't anything too intense/ brutal with violence but the Mozart children are overworked severely by their father)
“The faeries are always looking for something to devour. They find the sadness in souls particularly tasty, and when they happen upon them, they will do whatever they can to get it.”
I had a whimsical and intriguing time with this novel. Though I didn’t expect the route it was going to take at all, which I think was both a positive and negative for me.
Nannerl is the older sister of Wolfgang Mozart, and this follows her journey as a young women trying to comprehend the fact that she can never do what her brother will, compose and play. She dreams of composing, personally, but alas, she is restricted because of her gender.
Meanwhile Nannerl and Wolfgang create a world called the Kingdom of Back during their childhood, and it slowly starts to become a reality in their lives. Along with this revelation Nannerl meets a faerie who sends her on missions with the prospect that he can help her not be forgotten.
KOB is a story about family, dreams, and the strifes of societal expectations. Society has suppressed a great talent, Nannerl, all because of her gender. Marie does a good job trying to rectify this injustice on Nannerl, and I enjoyed Nannerl having a realistic desire to be more. She wanted her dreams so badly that she was willing to overlook obstacles and outcomes that would be less favorable if she wasn't so focused on what she wants. She was very real in that way.
In my opinion, KOB writing seemed to be more simplistic than her other books. There’s definitely a lyrical tone to the sentences, but the style felt different to me.
Nannerl was the only truly developed character, and I wish we could’ve gotten more from the outer characters. Wolfgang is obviously very important, but a part of me wishes the story focused more on their older years as teens rather than younger since they’re five years in age difference. Wolfgang was a child 90% of the book, and I just wanted more from their relationship. Marie and a lot of scholars discuss the impact of their relationship when they were sending letters to one another, and I guess maybe I hoped that would come into play. Relationships are so different between childhood and adulthood, and I wanted both. Maybe it’s not even this but just a desire for more overall. I feel as if something was missing cause the story is short, and I can’t quite put my finger on what.
TW: Child abuse (it isn't anything too intense/ brutal with violence but the Mozart children are overworked severely by their father)
Lightbringer was epic.
I'm surprised to see so many different opinions on this finale because I feel as if Claire chose the only ending possible for this book..? Throughout all of my reads I've watched this world tear these two women apart, and I actively discuss the fact that this book is very much about the toxicity in society towards women.
A society telling a young girl how to live, breathe, and act is horrible and traumatizing for SO many reasons. Rielle suffered enough as a child when she accidentally killed her mother, but this only further progresses as she grows older. It's like Elsa with the whole "conceal don't feel." Anyway, a society telling young women they will either be the salvation of their kingdom or doom is only further pressure. Rielle and Eliana have dealt with these intense, destructive influences throughout the course of the series, and it peaks in this finale.
For starters, I cannot understand any of these reviews sending curse words and hate to Claire for giving them an ending they deemed bad. You're allowed to have opinions, feels, etc. but to call Claire names and act so childishly is bullying and hateful. Be mature and respectful.
Moreover, to all the people wanting Corien and Rielle together... Did you miss the manipulation? The abuse? THE CHILD SLAVERY?! Did we read the same book? Rielle knows at that moment that seeing those children harmed is beyond her limit. I completely understand liking him a bit for the bad boy aesthetic in Furyborn, but after Lightbringer especially you should be on one side and one side only. Even the trickery against him and other angels is no reason to mentally enslave children. Rielle has a few moments of clarity within this finale, and each time she runs for the hills away from Corien. It is only through his charismatic and manipulative words that she goes back with him. Her mind is so clouded half the time that she cannot coherently make decisions! He's so bad!!!
Now I understand Rielle's different emotions once she's fully touched the Empirium/ seen this childhood version of herself representing the Empirium. She's tasted so much godly power at that point that her human self is starting to wither away because the power is intense and screaming in her head. It wants to be let out, so of course, Rielle would be inclined to aid the angels because that only intensifies her abilities. Now that's a completely separate side of this story.. but anytime someone says Corien and Rielle should have been together..
I just have to dry heave a bit.
Also I don't know where people are seeing Furyborn described as a grim-dark YA fantasy, but in ALL my book scouring for this beloved trilogy, I cannot find this descriptor. If you want grim dark fantasies where the villains win then read some adult fantasy because YA doesn't really do that a lot. This trilogy is certainly a darker one in the genre, and we saw that through Corien's manipulations to both Rielle and Eliana. Eliana's POV is called boring, but then she has some of the darkest points in this finale.. She's ruthlessly abused by Corien to a point where she considers suicide. If that isn't dark then I don't know what y'all want.
Overall, this review list on GR has made me a bit sick to my stomach. I'm astounded by the reviews of some people on here.
The title Lightbringer speaks for itself. Light shall triumph all, and I'm so glad Claire decided to give us this version. Rielle and Eliana went through too much for this to end in tyranny and destruction.
I'm surprised to see so many different opinions on this finale because I feel as if Claire chose the only ending possible for this book..? Throughout all of my reads I've watched this world tear these two women apart, and I actively discuss the fact that this book is very much about the toxicity in society towards women.
A society telling a young girl how to live, breathe, and act is horrible and traumatizing for SO many reasons. Rielle suffered enough as a child when she accidentally killed her mother, but this only further progresses as she grows older. It's like Elsa with the whole "conceal don't feel." Anyway, a society telling young women they will either be the salvation of their kingdom or doom is only further pressure. Rielle and Eliana have dealt with these intense, destructive influences throughout the course of the series, and it peaks in this finale.
For starters, I cannot understand any of these reviews sending curse words and hate to Claire for giving them an ending they deemed bad. You're allowed to have opinions, feels, etc. but to call Claire names and act so childishly is bullying and hateful. Be mature and respectful.
Moreover, to all the people wanting Corien and Rielle together... Did you miss the manipulation? The abuse? THE CHILD SLAVERY?! Did we read the same book? Rielle knows at that moment that seeing those children harmed is beyond her limit. I completely understand liking him a bit for the bad boy aesthetic in Furyborn, but after Lightbringer especially you should be on one side and one side only. Even the trickery against him and other angels is no reason to mentally enslave children. Rielle has a few moments of clarity within this finale, and each time she runs for the hills away from Corien. It is only through his charismatic and manipulative words that she goes back with him. Her mind is so clouded half the time that she cannot coherently make decisions! He's so bad!!!
Now I understand Rielle's different emotions once she's fully touched the Empirium/ seen this childhood version of herself representing the Empirium. She's tasted so much godly power at that point that her human self is starting to wither away because the power is intense and screaming in her head. It wants to be let out, so of course, Rielle would be inclined to aid the angels because that only intensifies her abilities. Now that's a completely separate side of this story.. but anytime someone says Corien and Rielle should have been together..
I just have to dry heave a bit.
Also I don't know where people are seeing Furyborn described as a grim-dark YA fantasy, but in ALL my book scouring for this beloved trilogy, I cannot find this descriptor. If you want grim dark fantasies where the villains win then read some adult fantasy because YA doesn't really do that a lot. This trilogy is certainly a darker one in the genre, and we saw that through Corien's manipulations to both Rielle and Eliana. Eliana's POV is called boring, but then she has some of the darkest points in this finale.. She's ruthlessly abused by Corien to a point where she considers suicide. If that isn't dark then I don't know what y'all want.
Overall, this review list on GR has made me a bit sick to my stomach. I'm astounded by the reviews of some people on here.
The title Lightbringer speaks for itself. Light shall triumph all, and I'm so glad Claire decided to give us this version. Rielle and Eliana went through too much for this to end in tyranny and destruction.
Sometimes you come across books that don’t fit into your reading taste and that’s okay. These Violent Delights just happened to be that for me. The writing style/ pace is slow and not the kind that intrigues me. I felt no connection to the characters either. This is by no means a bad story, but it feels like a lot of stories I've read before just slightly altered.
After The Dark Artifices I started to wonder if the Shadowhunter universe was still a series for me. I have grown up so much, and now heavily read Adult fiction over YA, so I was on the brink of halting my continuation. BUT Edwardian England came along, and ya girl knew she needed to at least TRY.
The good news is that I absolutely adored this storyline. It felt like I was back in my nostalgic period of TID in my middle school years (I'm now 21), and I could not, for the life of me, put down this book!
Maybe it's the historical aspect to the story that draws me in along with this new cast of characters. I'll always say it is incredible that Clare continues her books, and we can connect the world from all these different viewpoints. It's genius and well done in this new trilogy.
Now one of the main reasons I did enjoy this book so much is because the new plot is very exciting to me. From Cordelia to James to Lucie to Anna. I am hooked, lined, and sunk for them all. I cannot wait to see where their stories go, flourish, etc. I'm so excited!
Plus, I'm writing this review months after the release, but OH MY GOODNESS Chain of Iron looks STUNNING. We love a good moth symbolism.
The good news is that I absolutely adored this storyline. It felt like I was back in my nostalgic period of TID in my middle school years (I'm now 21), and I could not, for the life of me, put down this book!
Maybe it's the historical aspect to the story that draws me in along with this new cast of characters. I'll always say it is incredible that Clare continues her books, and we can connect the world from all these different viewpoints. It's genius and well done in this new trilogy.
Now one of the main reasons I did enjoy this book so much is because the new plot is very exciting to me. From Cordelia to James to Lucie to Anna. I am hooked, lined, and sunk for them all. I cannot wait to see where their stories go, flourish, etc. I'm so excited!
Plus, I'm writing this review months after the release, but OH MY GOODNESS Chain of Iron looks STUNNING. We love a good moth symbolism.
Bloodydamn was this a good book!!!
I forgot how much I loved this world until I stepped back into it with Iron Gold! I forgot how much I loved these characters until I read their sarcastic jokes.
Something that nobody ever seems to comment on in the Red Rising world is that the family dynamic especially in Morning Star and now IG is truly fantastic. They're all unrelated by blood but that doesn't matter to them because they share this unbreakable bond, creating their own kind of family. It's so beautiful- just seeing interactions between the survivors of MS and now in IG. It left me a blubbering mess of nostalgia.
Now since this is the fourth book in the series, I'm not going into too much detail because I don't want to spoil the first three books for anyone but-
IG takes place about 10 years after the events of MS, and I've never read a story with that factor before. You can really see the changes of the characters because so many of them have different opinions from what they once were. I mean obviously these characters go from 23 to 33 years old, which you'd expect changes in personality and such. It felt really realistic (or as much as a sci-fi can be considered realistic for character attitudes). Though of course many characters are still their lovable selves- a specific family is 110% their hysterical selves and I love them to death!
The new POV's were really interesting to me. Ephraim especially seemed so random at first, but once you discover his connection to previous characters, he really became a perfect POV to read. Significantly at the end- I was left with this absolute obsession to only read his POV because it was so good. The same goes with Lyria. Once her part in the story really took off, I was left in awe at how much I loved her POV.
These POV's seemed like huge underdogs, but at the end, I was honestly rooting for their POV's over the other two.
All in all, this book was everything I wanted it to be. Pierce Brown has one of my favorite writing styles, and he again certainly lived up to his expectations of creating chaos when all seemed to be going smoothly.
The places he took the plot STILL amaze me. It's one of those books that you can't stop thinking about for days because you're just screaming "WHAT?!" inside your head.
Also side note: Pierce Brown has the best or is among the top best in terms of writing military tactics and scenes in his books (or in my opinion). I'm astounding every time- ASTOUNDED.
I forgot how much I loved this world until I stepped back into it with Iron Gold! I forgot how much I loved these characters until I read their sarcastic jokes.
Something that nobody ever seems to comment on in the Red Rising world is that the family dynamic especially in Morning Star and now IG is truly fantastic. They're all unrelated by blood but that doesn't matter to them because they share this unbreakable bond, creating their own kind of family. It's so beautiful- just seeing interactions between the survivors of MS and now in IG. It left me a blubbering mess of nostalgia.
Now since this is the fourth book in the series, I'm not going into too much detail because I don't want to spoil the first three books for anyone but-
IG takes place about 10 years after the events of MS, and I've never read a story with that factor before. You can really see the changes of the characters because so many of them have different opinions from what they once were. I mean obviously these characters go from 23 to 33 years old, which you'd expect changes in personality and such. It felt really realistic (or as much as a sci-fi can be considered realistic for character attitudes). Though of course many characters are still their lovable selves- a specific family is 110% their hysterical selves and I love them to death!
The new POV's were really interesting to me. Ephraim especially seemed so random at first, but once you discover his connection to previous characters, he really became a perfect POV to read. Significantly at the end- I was left with this absolute obsession to only read his POV because it was so good. The same goes with Lyria. Once her part in the story really took off, I was left in awe at how much I loved her POV.
These POV's seemed like huge underdogs, but at the end, I was honestly rooting for their POV's over the other two.
All in all, this book was everything I wanted it to be. Pierce Brown has one of my favorite writing styles, and he again certainly lived up to his expectations of creating chaos when all seemed to be going smoothly.
The places he took the plot STILL amaze me. It's one of those books that you can't stop thinking about for days because you're just screaming "WHAT?!" inside your head.
Also side note: Pierce Brown has the best or is among the top best in terms of writing military tactics and scenes in his books (or in my opinion). I'm astounding every time- ASTOUNDED.