I really enjoyed this book. It was very outside of my comfort zone but finishing it as a general election was called has really helped me accept other people's "fun" around politics. The layers of research with commentary are really balanced so that you understand where Phoenix is without losing appreciation for a spectrum of political fandom. Very cool. The audiobook is very fun and easy listening and my husband kept asking me to replay sections so he could enjoy it too. 

Note: Phoenix and I are acquaintances. 

This is an extremely minimalist and arty collection. It really touched on how depression feels but in an expressive and restrained way. I found the experience of sitting with these poems very affecting and I will think about the collection often. 

I really enjoyed having the audiobook version of Them! It definitely gives a different sense of what things and which words matter most to the author/performer as she explores contemporary life for a trans woman. Overall, you get ths cool sense of different voices and energies throughout. There's anger and humour in an intensely "poetic" collection. I found the commentary on work and neo-liberalism hit me the most. Would definitely like to look at a print copy as I did miss some sections. However, she reads the collection with so much vivacity that I didn't mind. It's zesty and clever.

Remember, Remember is a timely, moving, and compelling historical YA novel. For fans of Babel, The Confessions of Frannie Langton, and Noughts and Crosses, escaped slave Delphine and her brother Vincent get caught up in a landmark lawsuit for the rights of Black citizens in 18th C. London. The situation pushes Delphie to see rebellion and resistance in a new way as she plots to reshape British society and the empire. 

Somehow, this book is extremely modern in feel, including some excellent queer representation, without feeling out of step with its late 1700s setting. I cried, twice, at two very different point which is fairly unusual for me. There are also some elements of romance and of campness that won't appeal to everyone, but they balance some extremely difficult subject matter including racist violence and torture in among. I hope this will be come a new YA classic. My book of the year so far! 

I loved How Not to Drown in a Glass of Water. I found it surprising - formatted through these first person accounts while the main character navigates a government programme - and funny and heartbreaking. Angie Cruz makes all the characters vivid while showing them through the eyes of our messy protagonist. I thought the book tackled the challenges of migration, of "worthiness", of motherhood, of intergenerational trauma, and of love really well. The book does cover parental abuse and some may find parts of the book too sympathetic in these contexts. However, I don't think Cruz implies that any action by any character is "justified".

I will be using sections to teach on the musical In The Heights in my classes. So happy to have read it. 

This is a review in two parts. I enjoyed listening to The Ministry of Time because I like contemporary romance and spy novels including ministries. I suspended disbelief and went with it. I warmed to lots of the characters we met along the way. The writing is very readable. I was interested in what might happen. In mood, I'd situate it as "If Ali Hazlewood wrote Dr Who fan fiction".  However, Ali Hazlewood's books are much more evenly paced than this is.

The minute I thought about it for more than a second, the whole thing fell apart. The characters are (generally) likeable and fun. The romance is fairly sweet. The intrigue is there although not as substantially developed as I'd expected but I was surprised by The Twist when it came. If you are into proper time travel, this book does not deal with it well at all. If you are looking for truly complex characters, I don't think this is for you either. The book hasn't quite committed to what it is and it gets torn between romance, workplace drama, lost characters in a new world, time travel, rompy thriller, and adventure story. In general, the characters are all as they seem to be and they also explain to you how they exist beyond stereotypes and character tropes repeatedly in the book.

I didn't like the writing of Simellia, a minor character who I initially loved, who talked a lot about being Black and about racism.

I was hopeful that the early, and promising scenes, were going to lead to some sort of romance but she is largely written out of the middle of the plot.

The emphasis on Simellia's race was also uncomfortable as the author highlights instances of racism (including out of time slurs) a lot in the book while also seeming to sympathise with one of her main characters who begins as a racist, is revealed to have participated in slave trafficking, and briefly exoticises her. Some of the other explorations of the author's own hertiage, and experiences of being racialised, were richer. I am personally very tired of the new trend of writing historical characters who have interacted with the slave trade and them all being sorry and rueful about their participation. I think we have to accept that some of these people weren't good guys and that it's not interesting to rehabilitate them or to "love them despite what they may have done". In a fantasy universe, we can ask for more.