gxuosi's Reviews (390)

dark mysterious reflective tense fast-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

this was hallucinogenic, nonlinear, multi-pov headache as we spiral down into the bunker leaving every rational thought behind on the way down. what a fucking trip.

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reflective slow-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

reading this book felt like eating sand. 291 pages of nothing happening interspersed with gunfire and long monologues about the government. malencia’s bag of holding and the presidential gun closet… her infinite perfect access to every tool she’s ever going to need. and don’t get me started on how every single PoC character was either killed off, maimed and removed from the plot, or was described as being untrustworthy, vicious, cut throat through the WHOLE series. what a miserable fucking ending to a series i liked.

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emotional mysterious tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

hi again, it's me chronic middle book lover. boy this whole book sure is just a bridge from book 1 to the finale. but by GOD is the characterization we get out of cia worth it. middle books are always full of transient plans, despondent pining, and inner turmoil and i LOVE THAT SHIT.

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adventurous mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

bro i just love this series soooo bad. i know it got so much shit a whole decade ago cause complaints of it being a rip off of a bunch of other series, but those series were inspired and based on other things too. everything inspired by something else and i’ve always felt that this story had enough unique elements that the complaints were unfounded—especially now in an era of mass produced romantasy lmfaooooo

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House of Cotton

Monica Brashears

DID NOT FINISH: 70%

dnf at 70%. between the raucous rancid sex in the mulch with strange men, the rotting haunting grandmother begging magnolia to meet her aborted baby in some weird pro-life guilt fest, and now magnolia coming up with compliments and positive things to say about her rapist—i’m done with this god awful book. the book description did this book a million favors by leaving out 80% of the plot and not warning the reader at all about any of the content of the book. i beg you to read a comprehensive list of trigger warnings over on storygraph before you read this damned book. 

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emotional funny mysterious reflective sad fast-paced
Plot or Character Driven: N/A
Strong character development: N/A
Loveable characters: N/A
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

melissa lozada-oliva i love your work but this was just not it. it didn’t crest the summersault into surrealist horror or stick the landing back into poetry.

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dark emotional mysterious sad medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

thank you to tin house and natalia theodoridou from who i received an ARC in exchange for an honest review.

“sour cherry” is a surrealist descent through the branches of a family tree that evokes a true gothic horror from the prose-like lines to the atmospheric weight of a ghost filled mansion. theodoridou, through women that go unnamed and our all knowing narrator telling a fairy tale, maps the lives of the men in a lordly family and the pestilence that clings to their bones, leeches out into the world around them. the men seemingly carry an unnatural curse that springs up decay from their very existence down to birthing stones, festering hardwood floors, throats full of forests, and women wasting away into nothingness. “sour cherry” uses allegory and symbolism to seek to answer what makes a man a man and what makes men monsters? built around the ever cyclic nature of domestic violence, theodoridou opens the discussion of the entrapment the unnamed women experience at the hands of the man who manages to make them stay.

this book was captivating and all consuming. the atmospheric setting and format drew me in and didn’t let go. the format and narrator’s voice were also unique and i haven’t read another book formatted like this before. i felt that the pacing was at times a bit too stunted or whip-quick, with seemingly pointless diversions into subplots for which there are no answers—but this did not decrease my enjoyment or understanding of the story. “sour cherry” nestles neatly alongside the similarly surrealist generational trauma stories “the invisible hotel”by yeji y. ham and “woodworm” by layla martínez—if you liked those, read this and if you like this read those!

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dark emotional informative reflective sad fast-paced

i dig up the company owners’s corpses, reanimate them, and beat them to death.

Expand filter menu Content Warnings
adventurous mysterious tense fast-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

this book was a struggle for me to finish. there was nothing really wrong with it either. i just could not get through this. the 4 povs were tough and none of them were written in a unique voice so i felt lost in the rambling inner turmoil. genuinely pissed at how it ended.

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challenging emotional mysterious reflective sad slow-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

*plays the beginning of hide and seek by imogen heap*

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