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dark
mysterious
tense
fast-paced
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
(Oh past self. Your earnestness slays me.)
I found Red Harvest enjoyable up until the last quarter of it when a plot twist completely threw me off. I won’t reveal much of the action, though, because the greatest strength of Red Harvest lies on its unpredictability. Also, the twist does get resolved elegantly at the end. I actually became more satisfied when I did a quick re-read and marveled at Hammett’s excellent plotting.
Red Harvest is told in first-person by the Continental Op, a nameless detective and a recurring character in many of Hammett’s stories. He stumbles into the mining town of Personville when a newspaperman contacted him for a job. The Op never finds out the nature of the job, though, as his client is murdered before they could even talk. The story then gets out of control as the Op searches for his client’s killer and he himself is sucked into the spiral of violence and corruption that gave the place its nickname "Poisonville."
What’s neat about the plot is that it’s actually a series of four mini-mysteries. Every time the Op succeeds in solving one of them, a bigger one gets thrown at him. Adding to the chaos is a cast of morally suspect characters trying to kill, pay, or trick him, sometimes all at the same time. All he could depend on is his cunning and his own personal brand of morality. The dialogue is top-class as well, smooth and sharp, exactly the way I like it. The Op’s voice is witty enough that it uplifted a certainly depressing portrait of the American small town, but cynical enough to remain believable. I just wish people still talk like that, all clipped and sexy.
My final verdict: this novel is pretty good. I just wish I wasn’t befuddled by that plot twist from the left field.
I found Red Harvest enjoyable up until the last quarter of it when a plot twist completely threw me off. I won’t reveal much of the action, though, because the greatest strength of Red Harvest lies on its unpredictability. Also, the twist does get resolved elegantly at the end. I actually became more satisfied when I did a quick re-read and marveled at Hammett’s excellent plotting.
Red Harvest is told in first-person by the Continental Op, a nameless detective and a recurring character in many of Hammett’s stories. He stumbles into the mining town of Personville when a newspaperman contacted him for a job. The Op never finds out the nature of the job, though, as his client is murdered before they could even talk. The story then gets out of control as the Op searches for his client’s killer and he himself is sucked into the spiral of violence and corruption that gave the place its nickname "Poisonville."
What’s neat about the plot is that it’s actually a series of four mini-mysteries. Every time the Op succeeds in solving one of them, a bigger one gets thrown at him. Adding to the chaos is a cast of morally suspect characters trying to kill, pay, or trick him, sometimes all at the same time. All he could depend on is his cunning and his own personal brand of morality. The dialogue is top-class as well, smooth and sharp, exactly the way I like it. The Op’s voice is witty enough that it uplifted a certainly depressing portrait of the American small town, but cynical enough to remain believable. I just wish people still talk like that, all clipped and sexy.
My final verdict: this novel is pretty good. I just wish I wasn’t befuddled by that plot twist from the left field.
funny
lighthearted
mysterious
medium-paced
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
No
mysterious
reflective
tense
slow-paced
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
The rare noir story that isn't all about nihilism, despite its dark edges. Mosley knows the parameters of a hardboiled mystery world so well that he is able to reframe it to accommodate a detective that is as much in peril in a white world as in the underworld. The language is also topnotch.
funny
lighthearted
mysterious
medium-paced
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
funny
lighthearted
mysterious
medium-paced
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
funny
lighthearted
mysterious
medium-paced
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
emotional
hopeful
reflective
slow-paced
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
I cried at the end. :(
funny
lighthearted
mysterious
medium-paced
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
lighthearted
mysterious
reflective
medium-paced
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
funny
lighthearted
mysterious
medium-paced
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No