fawzul's Reviews (144)

reflective tense medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

It feels impossible not to be swayed by Baltasar's prose and the richness of her lines. It is clear she is a poet. There is a dissonance from the Boulder that one can easily recognise  — of what it means to be a woman, to be a mother, to be selfish but recognise it too. 
dark mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: N/A
Flaws of characters a main focus: No
mysterious reflective relaxing tense medium-paced
challenging dark mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: N/A
Flaws of characters a main focus: No
challenging reflective tense medium-paced
adventurous funny lighthearted relaxing medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
challenging reflective tense medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I was right when I told a friend this book seemed like one that would change my life. Naga offers us a mirror where one is allowed to see their reflection without any distortion. We are unsure if Cairo is the Cairo Naga speaks of or if Egypt is what she says it is. But we cannot trust our own judgement either. If there is a voyeur inside of us, it is only because it is there. 

An act of translation happens in three acts, between the American, the boy of Shubrakheit and the reader. There is always something that is lost but we are still tied to one another. There is love and passion that quickly sours into pity and vengeance and still they cannot pull away from one another. 

What is power? How does one even weild it when they know better? How does one begin the act of translation when it goes beyond sentences? Each point of view switches with a question that asks the reader to ask of themselves, questioning what it means to speak, to be and exist. 

Naga offers her genius through a meta landscape that is only heightened in the third act when everything comes together — in a creative workshop class based in the US. We find out the writer is Noor, herself, who does not say a word as her words are pried from her fingers and we understand this is a story just like every other. 

There is much we can say about being othered, even if we are a part of them. But how much can we say? How much of it will be understood before they are taken away from us?

Easily, a five out of five. This book offers something that is rarely ever seen. 
challenging hopeful reflective medium-paced

A book I know I'll come back to many times in the future. Elliot speaks about a grief that is recognisable and can be found in one deep inside. It is a reminder too of hope, of love, of its play in our survival and what it is that we owe to one another. 
challenging emotional inspiring medium-paced
challenging reflective medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated