Take a photo of a barcode or cover
Starting at 5 stars, this book lost one star each for these things:
NOTE: I’m leaving the first negative pointer because after I read the whole book, I found an Author’s Note at the back, which I almost didn’t read, and found out that this is, indeed, a trilogy, and this is technically Book 2, but nowhere is that shared before that note at the back. Not on the cover, not in the blurb, not on the title page, or any of the front matter pages. And before anyone tells me it’s listed as a series on Goodreads, I didn’t see it on Goodreads, I saw it in physical form first and didn’t look at its Goodreads page before I started reading. Anyway, learning that, when I felt like I’d been thrust into the middle of a story (no wonder) was maddening. Then, at the end, there wasn’t a real conclusion, which made the story feel pointless. That is until I discovered—only through reading that Author’s Note—that there is another book to follow this one. Oh, wait. Is there really? Because Book 3 is not listed on Goodreads. In fact, Book 3 never happened. It doesn’t exist. (Book 1 was published in 2008, Book 2 in 2009.) That whole experience definitely ruined this story for me, a story I would’ve enjoyed far more if I had known it was part of a trilogy. Because this was part of my experience, I am leaving the first negative pointer as is.
- The prologue would’ve served us much better if it showed us everything from the three women’s past that set in motion what’s happening. As it is, the prologue only introduces the characters and their relationship with each other. It still could’ve done that while also showing us what we needed to know. Usually, I’m okay with not knowing something that the MC is trying to keep hidden. Or knowing it and knowing the MC is hiding it from other characters. Instead, readers are kept in the dark and there’s several mentions of “what they did” without a hint. And then we know someone had been accused of murder, but we’re not given any more information until the characters sit down to discuss it. The suspense and mystery those things were supposed to create didn’t work for me, especially since we’re just told about everything through conversations. There really wasn’t any build up to make it truly suspenseful and the reveal was a letdown. In many ways, this book could’ve started much sooner. Or had a prequel, because I definitely would’ve liked to have read everything that took place beforehand, like Kell and Sheriff Calder forming a romantic relationship and the murder charges and court proceedings, etc. I felt like I had missed out on a lot and was tossed into the middle of a story. (Jokes on me, I guess, since there was a book before this one, which I do want to read.)
- I’m okay with insta-attraction, which was definitely there, and I’m okay with insta-love for short stories and novellas, but usually the insta-love is declared at the end of the short story/novella. This is a decent-sized novel (371 pages), and in Chapter 8 (out of a 31 chapters), there’s a line from Caleb’s POV. “He realized he could fall in love with her for that alone.” Yes, the word “could” is there, so he’s technically not saying he loves her already, but for me personally any mention of love at this point is too soon for a novel of this size, before the half-way point, and for these characters: a cool, detached woman and an FBI agent who is deep undercover. They had met the day before and hadn’t been around each other much (being in a shootout and watching a man die, aside), so how quickly they developed feelings for each other that were more than attraction threw me off. Considering the characters and plot and length of the story, I would’ve preferred any feelings beyond attraction to have taken a bit longer to build. Also considering how their feelings started so soon, the sudden backpedaling (denial and rejection) and how the inevitable sex scene was postponed to the end of the book was also maddening. I guess you could say that while the characters intrigued me, how their relationship was written did not.
- All the head-hopping. This is common among older romances (although this was published in 2009) and certain bestsellers, but it trips me up every time. There was a lot of head-hopping from character to character in single scenes, as much as several on one page. As a writer and editor, I had a hard time getting used to it.
- The fast pace and action in the beginning kept me reading. However, that fast pace went away and I found myself bored through much of the story, but not enough to stop reading. However, again, it didn’t really pick up until the second-to-last chapter when some excitement happened. But the ending that wasn’t fully resolved felt pointless. And now I know it’ll remain unresolved because after 12 years, Book 3 is not happening.
This book regained one star each for:
- Interesting characters and hooking me in Chapter One during Fin’s scene.
- Being well-written (despite all the head hopping).
3 Stars
Each story is the perfect length of 200 words for a nice quick reading snack for readers who don't have much time to read. Out of the three parts (Vampires, Werewolves, and Zombies), I enjoyed the vampire stories the most. At the same time, I thought the zombie stories were the most unique, and felt bad for werewolves and everything they have to deal with (bonding to their mate, the transformation, etc). Overall, I enjoyed this collection of stories. I recommend it to vampire lovers, werewolf lovers, and zombie lovers.
When They Call You a Terrorist (Young Adult Edition): A Story of Black Lives Matter and the Power to Change the World
asha bandele, Patrisse Khan-Cullors
challenging
emotional
hopeful
informative
reflective
tense
A little background: I bailed on reading Twilight after the first page. (Sorry, Twihards). Out of boredom and morbid curiosity, I recently watched all the movies (after seeing someone share her live reactions in her IG stories to reading the first book), so I thought reading a parody was just the thing for me.
This book is cringe-worthy and Belle is incredibly dumb, which *is* the point. I found myself snorting at several things. Yes, I actually snorted out loud several times. And even chuckled a couple of times. I enjoyed reading and catching on to the little digs at the books/movies. There could've been way more, though. A few things did not make sense to me-at all-and were just plain weird, but I did appreciate this parody for what it was trying to do/did.
One of my favorite lines was: "I was finally about to ask him if he liked me for me or for my paper cuts..."
I'm not sure I can figure out a rating for this, so I'll leave that blank.
This is a great story about a multi-generational family and how what your parents and grandparents go through (especially if they lived during times of war and in a war-torn country) could impact later generations. I didn’t know much about the Vietnam War and Vietnamese history. I appreciate this graphic novel for sharing stories about people who lived these experiences.
I was watching season two of Pose when I remembered that I owned a copy of this book. I appreciated a look into what it’s like for young people with HIV/AIDS. Emmy was four when she was diagnosed as HIV-positive. Now she’s thirteen. She experiences all the phases of grief throughout this story after losing her mom to AIDS.
This book was published in 2009. I want to point out the use of the phrase “Indian style” for sitting cross-legged and a conversation between the main character and her mom’s best friend (Lisa) about an “Indian name” for Lisa’s baby being “Chief Fist to Face” because of how the baby sits. As well as: “He was born to be a chief.” These are white characters saying these things, which makes it problematic.
This book was published in 2009. I want to point out the use of the phrase “Indian style” for sitting cross-legged and a conversation between the main character and her mom’s best friend (Lisa) about an “Indian name” for Lisa’s baby being “Chief Fist to Face” because of how the baby sits. As well as: “He was born to be a chief.” These are white characters saying these things, which makes it problematic.
dark
emotional
tense
I read this right after reading the novel in verse. This was very good, but I definitely recommend the novel because it’s beautiful and heartbreaking and chilling all at once. The illustrations for the graphic novel are amazing, though, exactly what I pictured but also very dark and bold.
dark
emotional
tense
Plot or Character Driven:
Character
Strong character development:
Yes
Flaws of characters a main focus:
Yes
Wow. This is powerful. Full of grief and heartache. From the blurb: “Sixty seconds. Seven floors. Three rules. One gun.” What happens to Will on that elevator as he goes down, down, down gave me chills. Multiple times. And that ending! This story is written in verse, and I read it in one sitting.
Side note: Jason Reynolds’ bio is the best bio ever.