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charlottesometimes

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challenging mysterious slow-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated
adventurous mysterious slow-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
funny reflective tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: N/A
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated
emotional funny hopeful reflective medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
reflective slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: No
hopeful slow-paced
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes
lighthearted mysterious medium-paced
Strong character development: N/A
Loveable characters: N/A
Diverse cast of characters: Complicated
Flaws of characters a main focus: N/A
slow-paced
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: N/A

Impressively, literally nothing of interest happens in this book. It is entirely predictable throughout, and the main character has almost no independent thought and just spends the book doing whatever she is told to, usually at the behest of some boy she has only just met. Classic Stine.
medium-paced
Strong character development: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes
emotional slow-paced
Diverse cast of characters: No


Some beautiful writing in parts, but overall this didn’t add much to the ‘parent dealing with bereavement’ genre. A lot of elements seemed to be pretty standard, almost over-used. Especially Agnes the village wise-woman, who is just innately connected to nature and was apparently born wiser and more intelligent than everyone else. Plus I’m not a fan of the ‘no bond is stronger than that of mother and child’ trope. I’m guessing most of the members of the 2020 Women’s Prize judging panel are parents.