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DNF @ 30%. This hit some character and plot beats that I personally cannot stand, so I'm putting it down. A true application of my It's Not You, It's Me shelf.
Really wanted to have fun with this, but the modern oh-so-quirky voice was too much for me to handle.
adventurous
challenging
emotional
mysterious
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
This was a great Black Widow story from top to bottom. Good story hook, great execution, wonderful character work, and incredible art.
DNF @ 27% on audio. I'm sorry Richard Armitage, but not even you could save this for me.
The thrills of this entire thing rest on the author doing her best to write in a way that deliberately keeps information from the reader in a very awkward, infuriating way. Everything is "but not since the last time" or "ever since it happened", that drives me NUTS. It's one thing to do so sparingly to up the tension at certain moments, but this happens from the beginning and it's about everything. EVERYTHING.
I had to stop when I realized I spent 15 minutes of my commute in this manner about Anna visiting her MOTHER. 3-4 chapters of Him and Her back and forth for the same events from each perspective, but it starts with "she hadn't seen <i>her</i> in months" or "he knew what [Anna] would find behind that door". Spoiler alert: Anna's mother has dementia and her childhood home was a rundown mess because of it. Which you knew if you took two seconds to think about it but it's treated like some secretive, <i>thrilling</i> reveal!
On top of that, it's OBVIOUS that both Jack and Anna (Him and Her of the title) have big secrets relating to the murder victim and maybe the murder itself, but the way things are dropped is just so infuriating. It's like the characters KNOW that they're being written from a first person perspective and thus won't think about any details to obfuscate the narrative on purpose.
The thrills of this entire thing rest on the author doing her best to write in a way that deliberately keeps information from the reader in a very awkward, infuriating way. Everything is "but not since the last time" or "ever since it happened", that drives me NUTS. It's one thing to do so sparingly to up the tension at certain moments, but this happens from the beginning and it's about everything. EVERYTHING.
I had to stop when I realized I spent 15 minutes of my commute in this manner about Anna visiting her MOTHER. 3-4 chapters of Him and Her back and forth for the same events from each perspective, but it starts with "she hadn't seen <i>her</i> in months" or "he knew what [Anna] would find behind that door". Spoiler alert: Anna's mother has dementia and her childhood home was a rundown mess because of it. Which you knew if you took two seconds to think about it but it's treated like some secretive, <i>thrilling</i> reveal!
On top of that, it's OBVIOUS that both Jack and Anna (Him and Her of the title) have big secrets relating to the murder victim and maybe the murder itself, but the way things are dropped is just so infuriating. It's like the characters KNOW that they're being written from a first person perspective and thus won't think about any details to obfuscate the narrative on purpose.
Graphic: Alcoholism, Murder
Moderate: Infidelity, Sexual content
emotional
funny
reflective
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
THEY COMMUNICATED
Graphic: Sexual content
Moderate: Infidelity
dark
mysterious
reflective
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Graphic: Bullying, Death, Misogyny, Self harm, Sexism, Toxic relationship, Blood, Abortion, Murder, Toxic friendship, Alcohol, Dysphoria
Moderate: Child death, Drug use, Infidelity, Suicide, Vomit, Grief
adventurous
funny
mysterious
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Trying not to cry in the car over bots on my morning commute...thanks again for that, Martha Wells.
challenging
dark
mysterious
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
I do not know how else to shelve this or how to review this. Knowing that this book is weird and off-putting and keeps you off-kilter and keeps you guessing doesn't take away from the whole of it; at least, it didn't when listening to the audio.
The entirety of my book updates for this are just variations of "WTF is going on??" and that's really all I can say about it.
The entirety of my book updates for this are just variations of "WTF is going on??" and that's really all I can say about it.
adventurous
emotional
funny
mysterious
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
emotional
hopeful
inspiring
lighthearted
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated