Cockroaches are one of those bugs that most people hate and of which even more have a phobia, with good reason. They hide in the walls proliferating unseen, scattering when exposed to the light, invading our spaces. The Cockroach King not only plays with our innate revulsion of these scuttling six-legged pests, it quickly escalates it. At only 65 pages, this is one novella that excels at tending a feeling of dread and coaxing it into an inferno of unease.

Cassie is a single mother, intent on raising her little boy Sam and creating a life. Told from the first-person view, we quickly feel for her. She's just poured everything she has into their very first home after the death of her mother. She's so well written. She's relatable and her grief is familiar. There's a strength to her that you find yourself quickly cheering for. You want her to succeed and something is standing in the way of her hopes and dreams as Cassie soon finds that their house isn't quite the home-sweet-home that she'd hoped it would be.

From the very first line—“We’d been in the house two weeks when Tommy pulled the first bones from the garden.”—Cull sets the scene for something foreboding and insidious. This is such a creepy little read. The characters are intimate and the pacing is excellent. The writing is deliberate and invokes such great visceral reactions while reading. The tension builds as the reader is given more questions than answers until it all comes down in a culmination of exposed horrific secrets.

Interestingly enough, while I was writing this review, my husband came in from outside with an odd discovery: a tiny skull in his hand that he found lying next to the driveway. We've had numerous pet rats throughout the years and they are all buried in the flower garden. I went outside expecting to find the rock pile set on top disturbed and the burial hole open; It was not. I don't know how the skull got where it was but I find any roaches in my house, you can bet I will bug-bomb this sucker to kingdom come.


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The House of Little Bones follows two main characters: best-selling author David and Luca, the 19-year-old son of his childhood friend and publisher. They've had a covert age-gap romantic relationship that has now exploded in the tabloids. At the behest of his agent, David takes a writing sabbatical far away from London. David intends on hiding out in a recently built rental house in the sparsely populated moors to let things die down and refocus on his writing. Strange things start happening to David at the house, which as a skeptic, he dismisses as a prank. Luca is in the background as well, researching the moor that David is living on and trying to keep him safe from harm.

Lee does an amazing job at writing a character driven narrative. David and Luca's relationship is at the center of this mess and Luca's heartbreak is evident while David's self-centeredness is its own form of misery. It's the ideal backdrop to the folklore-based haunting that is transpiring right under David's nose. The fog and rain-drenched moor setting is perfectly ominous and when the tension crescendos into the most perfect juncture of grief and retaliation, it's exquisite. Horrifying and devastating, this eerie novella sucked me in and left its mark.


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After having read Ash Kickers, I couldn't wait to get back into this dragon-filled world. I was surprised though after the cliffhanger ending of Ash Kickers, that we start all over with a brand new character but it didn't take long to get back into the flow. The world has progressed through finding out how to deal with the dragons to more of a post-apocalyptic wasteland. The smoke eaters who were idolized years before have been banned. The New United States Army (NUSA) is not the organization that Guillermo Contreras believed it was. They aren't entrusted with keeping the world safe and are in fact, mercenaries who are bullying the civilians into providing resources for them. Contreras steals a tank intending to return home, but things don't always turn out as expected.

Guilly is a well-crafted character that you can't help but root for from the start. He's listening to his conscience and attempts to flee the NUSA by stealing one of their tanks all while wearing nothing but a bathrobe. You'd think this would be a fantastic idea and that he could escape easily, but the tanks actually only go so fast, making this more of a humorous would-be sluggish getaway. Upon finding out that he is actually a smoke-eater and part of a now underground group that he completely fanboyed over, it only gets better from there.

Once again, Grigsby has continued his portrayal of this unique, but entertaining world. While the setting is much more dystopian than the previous book, it hasn't lost any of its high stakes. There's plenty of action, fire-spewing, and dragon fighting. Plenty of battles to be fought and danger to run towards. There's even the delightful appearance of some of his previous book's characters, tying all the books together. Flame Riders surprised me. Given the time jump and the incongruous new POV, I expected to not enjoy it as much as Ash Kickers but I devoured it in just a few hours.


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There is always a dark side to fairytales and Pelayo gives us a new ominous twist to the Pied Piper, melding fairytale roots, dark urban horror, and police procedural. Chicago's dark and mean streets are laid bare, but there's also beauty there and Pelayo's love of the city shines through. We're given a completely unlikeable female main character, but this is not without planning, as it's also a statement about police and their abusive power without repercussions—a highly controversial topic in today's media. There's a lot of information delivered throughout which at times made the story feel very laden. There's no denying the horror elements of the story, but it almost felt as it was trying to be too many things at once.


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