WYRD SISTERS became enjoyable about halfway through, which was either when the Shakespeare references really got going or is just when I realized they were happening at all. I got enough of them for it to be funny, but it also means that a lot of the humor is referential, depending on the reader to be familiar with a bunch of other stuff (or in this case, with several specific plays) in order to get the jokes. Discworld humor tends to he referential but this felt like a particularly egregious version since so much of it has one source rather than generally pulling from many disparate inspirations. 

There was a disconcerting amount of humor which revolved around men being in dresses in a theatrical setting. It was particularly frustrating when someone of it was from a Dwarf, who (at least later on in the series) have an approach to gender which I’ve been promised I’ll like, but clearly had some issues to work out in this one. The “joke” began and ended with “that man is in a dress”, which is 1) not actually a joke and 2) potentially transphobic. 

The Fool is my favorite character, his backstory is very moving and his romance is genuinely sweet. Overall this one is fine but not amazing.

The setting is an alternate-history version of the 1950’s and 1960’s after a meteorite strikes and wipes out most of the USA’s East Coast. While it’s undoubtedly science fiction, it’s not my preferred kind. It has really nuanced portrayals of issues like sexism and anxiety, but ultimately those are too real for me right now, mostly because of the historical setting.

Not my thing but seems well done, try this if you want an alternate history portrayal of women fighting sexist inertia to be in flight after a catastrophe turns the world’s attention to escaping off-planet. 

NOTHING BUT BLACKENED TEETH is a chilling story with a classic setup: a very old mansion which the protagonists aren’t really supposed to have entered, and a variety of interpersonal tensions and allegiances which normally wouldn’t matter much to their daily existence but suddenly drive life-and-death stakes when the spooky stuff begins. The prose is exquisite, articulating the numb feeling of finding oneself the genre-savvy protagonist of a horror story but unable to change things. I love how it uses the hero’s trope-awareness to ramp up the terror and resignation as events play out to their viscera-laden conclusion. 

Short and spooky with an excellent ending, make sure this is on your horror shelf.

MALICE is a well-crafted Sleeping Beauty retelling which features a protagonist struggling against monstrosity until it feels like her only path for survival. Alyce is fantastically self-centered in a way that is at once completely understandable and the makings of an excellent villain-protagonist. She's trapped in a brutal system which pretends to be a gilded cage for most but has always been pointedly cruel to her. The rivalry between her and Rose was well-developed, with a sense of history and several meaningful shifts when Rose drifts from being the main antagonist to merely an annoyance as Alyce's problems become so much bigger than what's happening in Lavender House. 

The romance is fine, I guess, not my favorite but not terrible. It's not the core of the story and I don't think it's trying to be. As a retelling, this doesn't require any knowledge of the source material. While it's more than referential, it remixes and reframes the pieces until it's a new story which can stand on its own. I actually think it reads much better if you're not trying to see where it compares to the older story. I like how it dives into the Fae side of the story without moving the setting away from the kingdom, their lives are affected by the big deeds and magical pacts of hundreds of years prior but they just have to get through today, and the next day. 

I was troubled by the way it uses references to the Pleasure Graces without actually clarifying what their role is. It felt like it was heavily implied that they're sex slaves (where slavery feels like too strong of a term for the other Graces even though they're just as trapped, but feels extremely appropriate if the Pleasure Graces have involuntary sex work as part of their Crown-mandated position). If all that's happening is their gift is used in potions that help other people have better sex then I wish the novel had taken the time to clarify that point. Instead, it uses a scene with someone pretending to be a Pleasure Grace, intimating that she's there to provide the kind of service to a new bride that has historically been associated with concubines and sex workers, and doesn't provide clarification. If the Pleasure Graces are sex slaves then that should have been the rallying cry, not the much weaker claims about wishing for the system to be "better" somehow. Basically there's just enough detail to be very uncomfortable and not enough for me to be sure that I'm incorrect about my guess. Ultimately it's a small part of the story and I'll keep an eye on how that aspect is handled (if at all) in the sequel.

Overall this is a solid retelling and a good novel which depicts the slow slide of a trapped young woman into the monster everyone already thought she was.

THE DEATH OF JANE LAWRENCE is slow burn horror of the best kind, built on bridging the gaps between wishes, nightmares, and reality with fevered applications of blood and viscera. 

The setting is technically-not-England, which frees it from being beholden to any exact combination of surgical sensibilities with historical accuracy while still conveying a particular feeling by the sum of its details. A surgeon might know the term “ectopic” while still practicing bloodletting and looking down on anyone so backward as to subscribe to miasma theory. Jane is an excellent narrator, highly reliable in how she conveys her thoughts and observations to the reader, but repeatedly stymied as she is less and less able to trust what she learns from other people. I didn’t much like Augustine as a person but he fits his role in the plot very well and is a great character. I love the plot, the pacing is excellent, a great book all around.

Its ending is immensely satisfying, fitting for the characters and in keeping with the horrors which transpire before. If you like surgical horror with magic and madness, don’t miss this one.

I wasn’t connecting with the story and then it started getting very graphic and I decided to stop reading. The twins were cool at first but their characters felt kind of gimmicky and mysterious in a way I don’t like.

The world building was confusing and there were too many settings that seemed to have very different rules but the scenes jumped between them too quickly for me to get a handle on any one setting and I felt lost.

This is a YA novel with an aspec protagonist (my best guess is she'd say demi if that language were available) who ends up in a relationship with someone who meets her on her terms rather than demanding she meet his. It's nice to see an aspec character whose aro/ace nature isn't overwritten or ignored in order to give her a relationship, how she is is part of how they are together.

It's about loneliness, abuse, and healing, including abuse to children and animals, so please be aware that those are major themes in the book. 

The world building is solid, with enough detail to make later revelations feel important. The explanations feel natural, occurring as something happens or Katsa thinks of some detail. This makes it feel like the world is slowly being revealed even though early on it's not new to the protagonist. I like Po, he had a difficult set of things to balance and overall I like how he is with Katsa. His situation towards the end skirts some potentially problematic ableist tropes but manages to not make it seem like his late-acquired disability is what gives him greater control of his powers. YMMV on whether this works, I think it does because of the precise order of events.

Overall I like this a lot and I'm looking forward to reading the rest of the series.

I liked the first couple of stories and then got to one that just didn't click with me and I spent two months trying to get through it before giving up. It's super queer in a lot of great ways. I don't have anything to warn about, it just wasn't a great time for me to try and read an anthology. Hopefully I'll try again later I just don't know when that would be.