booksthatburn's Reviews (1.46k)

Kaikeyi is a strong-willed protagonist, pushing the boundaries of her life to ease the way for women around her and those she'll never know. In the process of trying to eke out a place for herself as the youngest of three wives to her husband, she changes the way women are seen in her new home. She has access to the binding plane, where she can see and often influence the bonds between people. Through a mix of mundane influence, occasional manipulation, and courage in an early battle, she becomes one of her husband's most trusted advisers. At every turn she's driven to make things better for women, aware of how much their fates depend on the whims of the men in their lives.

She was concerned about getting married and it takes someone pointing out how she's isolated herself before she begins trying to build a life and connections in her new home rather than just mourning the unsupervised freedom she had as a child. Once she gets to know them, Kaikeyi loves her husband and his other two wives. Her identity as a mother is central to the second half of her story, and she loves all her sons (though she only bore one of them). The worldbuilding includes detail about Kaikeyi's clothes and surroundings every so often, such as when she chooses a particular sari for significant moments. I prefer stories which don't rely heavily on detailed descriptions of the characters' surroundings, and this was a good level for me.

Kaikeyi's narration includes periodic comments about how she didn't know certain things would make everything turn out so badly. The turn, when it happens, is so close to the end that I was starting to think her warnings would be for nothing. Most of the story is spent showing how she conducted her life and gained influence with the help of the binding plane, and the way she did her best to recover from some early mistakes when she was first learning how this power worked. 

I'm not already familiar with the Indian epic this is reimagining, and I didn't need any familiarity in order for this to be a moving story with memorable characters. I enjoyed reading it, and will probably try to read the Ramayana if I can, since it's piqued my interest.

Tried but couldn’t get into it.

I think if I’d found this when I was younger I’d like it more. Something about the balance of how much it portrays the darker side of Faerie (or not) just isn’t working for me. Also she’s pretty quickly interested in Ash when they’ve barely met, and I don’t like insta-love (or very quick attraction) as a trope.

Anna and Charles are newly mated, though getting more used to each other every day. Weeks after the witch's attack in the mountains, Charles travels in Bran's stead to a summit with the European wolves to discuss the Marrok's plans to go public. 

Anna expands her horizons, spending time with people other than Charles while the summit is happening. This gets somewhat disrupted by violence, kidnapping, and murder, but she has a lot of emotional growth even through all of that. Charles and Brother Wolf are adjusting to being mated to Anna and her wolf (who finally makes a more obvious appearance this time). I like many of the secondary characters, and this book has a lot of well-written antagonists (both obvious and subtle). 

As a sequel, this is set barely weeks after the events of both the original novella ("Alpha and Omega") and the first full book in the series (CRY WOLF). As such, it provides updates on a few things left open (such as Asil's mentorship of Anna in what it means to be an Omega. It also makes good on Bran's previously mentioned plans to bring the wolves public, as the plot takes place during meetings with the European wolves as they'll necessarily be affected by Bran's planned actions. It has a new storyline, as both the summit itself and the chaos which ensues weren't begun in the previous book. It introduces and resolves that main plot, especially since this book has a high body count among characters who hadn't appeared in the series before now. It doesn't specifically leave something for later, except for the fact that (one assumes) the wolves will go public now that the summit is over. 

Anna and Charles are still the main narrators, and this keeps the format of the first full book where some minor and secondary characters narrate for as a little as a page or sometimes most of a chapter at a time. It wouldn't make sense to start here. While the plot is pretty self-contained, the kinds of worldbuilding done here assume a lot of background knowledge about how vampires and werewolves generally work in this extended series of books, and the importance of the Marrok in particular. Since this shares a setting with the Mercedes Thompson books, it might make sense if someone had read the first of those books but nothing else in this specific series, but I wouldn't recommend that combination. The emotional core of the series is the growing connection between Charles and Anna, and that benefits from being appreciated as it changes over time. 

The plot has enough twists and turns to be a genuine mystery, though I don't know if it's one where the solution could be guessed early on. It's definitely one where things make perfect sense in retrospect and I like it a lot.

Anna was attacked and changed into a werewolf three years ago, and spent the intervening time being abused by her pack. Charles is the younger son of Bran, the Marrok, sent to deal with problems in Anna’s pack. Their wolves almost immediately bonded and the novel opens with Bran helping Anna move out of her apartment so she can move in with Charles. This is a cold open which can be jarring, but it gets going quickly. I like Charles and Anna’s relationship, and this book as a whole has a strong focus on connection and healthy boundaries in relationships, along with a villain whose arc is the antithesis of those concepts. It makes for a strong story and an emotionally coherent narrative arc. 

The worldbuilding style is odd, as this book is kind of a sequel twice over, while still potentially being the first book a particular reader might find in this set of stories. It’s the direct sequel to the novella “Alpha and Omega” which is itself kind of a “meanwhile, elsewhere” story which is set during the events of MOON CALLED, the first book in the Mercedes Thompson series. It’s assumed that the reader at minimum knows what happened in the novella, though someone who had read MOON CALLED but not “Alpha and Omega” might be able to keep up enough to enjoy it. It shows a different side of Bran and Charles than the Mercy Thompson books do, while introducing Anna, a recently abused Omega werewolf who is now Charles’s mate, despite having known him for barely a day when their wolves bonded. CRY WOLF is about what happens immediately after Anna’s abusers were dealt with, starting with her accompanying Charles to his home in Montana. There they try to figure out their brand new relationship, navigating love (and maybe sex) in the wake of horrific abuse which Anna can scarcely believe is over. The main plot intertwines their relationship with a hunt for a werewolf in the mountains after a hiker and a parker ranger are attacked in separate incidents. There’s a strong focus on Anna learning to feel safe with Charles, and how coping mechanisms she used to get through the abuse might make things more complicated now.

When thought of as a sequel, it wraps up a bunch of things left hanging from A&O while giving a status update in the aftermath of MC. It has a new storyline (the mountain journey) which is distinct from both of them. It introduces and resolves Asil’s present issues as well as Walter’s storyline, neither of which were previewed elsewhere. It establishes a new status quo for the characters but doesn’t specifically leave something dangling for later (other than Anna and Charles’s continued relationship). Anna and Charles are returning narrators from A&O, and their voices are consistent with their previous appearances. Asil is a new narrator, along with brief sections from Walter. Despite being the first book of a series, this is best read after MOON CALLED and “Alpha and Omega” (in the interest of both chronology and clarity).

Mercy is half Native American, and a walker, she transforms into a coyote and was partly raised by a werewolf pack. This puts her in an odd position relative to the werewolves, as she’s somewhat entangled in their hierarchy but isn’t trying to be part of it. 

As the first book in the series, MOON CALLED establishes the presence of various supernatural factions such as werewolves, vampires, witches, fey, and Native American people like Mercy. It focuses on the current precarious position in which the werewolves find themselves; many of the lesser fae came out in a controlled manner several years ago, but the werewolves are an open secret in military circles. This sets up those groups and some of the relationships between them, including between Adam’s pack and the Marrok’s pack in the mountains. It also establishes Mercy’s history with Sam and her current position relative to Adam (living nearby and taking joy in simple pleasures, like annoying him with the car in her yard). 

The plot revolves around a strange werewolf who shows up in town and then is attacked in Mercy’s presence, setting off a string of conflicts which involve kidnappings and an elaborate plan. It has some twists and turns but is pretty easy to follow. The meeting with the vampires has always felt a bit out of place in this story, but it’s serving to set up some things that’ll come into play later on. It’s a solid story with a lot of ground to cover, and it does it well. MOON CALLED is a great start to the series.

MAGIC STARS is a novella starring Derek and Julie, set shortly before the events of MAGIC BINDS.

Derek is a pretty different narrator than Kate. He’s much more focused on what’s immediately happening. This is partly because, as a novella which fits in a specific place on the timeline without directly involving what Kate and Curran are doing, this is unlikely to appeal to anyone who hasn’t read the first seven Kare Daniels books. For anyone who has, however, it’s a welcome glimpse into a couple of prominent characters in a way that isn’t filtered through Kate. 

The plot revolves around Derek tracking down the shapeshifters who murdered a family. He’s very quickly joined by Julie and they team up to find who put them up to it. I enjoyed the story and it’s a good complement to the main series.

*I received a free review copy as part of 2022 Hugo awards voting.

A DESOLATION CALLED PEACE is a collision of cultures bleeding into war, trying to find the bounds of personhood in more than flesh and bone.

The plot follows several parallel threads, centering on various characters. I love Twenty Cicada’s storyline. He’s one of my favorite characters, followed closely by Eight Antidote. Mahit and Three Seagrass are working together again, this time to find a way to communicate with the aliens whose proximity Mahit had used as leverage in the previous book. The worldbuilding focuses on intra-empire politics as much as it focuses on the empire’s communications with Mahit and with the aliens. It balances stress and war with levity and intimacy, exploring connections and communication as characters with conflicting methods and competing aims collide. 

This answers a few things left hanging from the first book, showing the next steps without closing much off. There’s a new storyline involving aliens which is almost entirely new (the existence of those aliens was pivotal in Mahit’s big move at the end of A MEMORY CALLED EMPIRE). A few major things involving those aliens are both introduced and resolved. It specifically leaves aspects of Mahit’s relationships to other characters to be resolved later, but with substantial changes from how they were at the start of the book. Some of narrators are the same, with the addition of a new perspective between sections. I don’t think Eight Antidote was a narrator last time, if he was it was brief, but he, Mahit, and Three Seagrass are all narrators this time. 

This story likely wouldn’t make sense to anyone who hadn’t read the first book. Because Mahit was on her first journey as an ambassador last time, A MEMORY CALLED EMPIRE had a lot of exposition which could fit naturally into that story. A DESOLATION CALLED PEACE is therefore (assuming one read the first book) free to focus on building up descriptions of the fleet, the Shards, and the aliens, leaving the Empire and its basic details to be shown but more rarely explained.

The ending utterly devastated me, wrapping up the main story and leaving me sated, but promising more in the vast future now made possible by the resolution. 

This is a collection about relationships and brokenness, the pieces which linger and the parts which are lost forever. Sometimes obsolesce is planned, other times it’s unexpected and strange. The stories each explore duration, impermanence, and loss in different ways.

My favorite story is “Husband Wife Lover”, a story told in notes from three people after their relationship as a trio ended. It has such subtle worldbuilding. I also love “Where You Came from”, which has a longing similar style in just one perspective, and a very different setting.

“The Mammoth” is a gender plague story, focusing on just a couple of survivors, and one which has the smart storytelling decision of having the plague target people with y-chromosomes, but to not have killed literally everyone who has one. There are little details which make it clear that society has adapted to many fewer cis men, but didn’t lose them completely.

I like the collection overall, but my enjoyment of the stories individually was very uneven. The titular story, “Where You Linger”, is about someone using a therapeutic technology to relive past relationships in order to adjust something in their own perceptions of them. All of the stories have a surreal edge to them, this more-so than most.