booksthatburn's Reviews (1.46k)

SQUIRE is the third book of Kel's quartet, covering her time as a squire (as the title implies). It wraps up storylines related to Joren's bullying when Kel was a page and Lalasa's kidnapping. We also finally get an answer as to her mysterious benefactor's identity. Her practice at tilting continues with more practice and some tournaments. There is a completely new storyline related to Kel's time with the King's Own as Lord Raoul's squire, as well as her care of a griffin (which is both introduced and resolved). The end sets up some things to be addressed in the next book, including but not confined to war with Scanra. 

The worldbuilding leans into a details of the tournaments and the role of the King's Own, folding in Kel's lessons on tactics and strategy from her knight-master. There are references to things learned in previous books and other series set within Tortall, which help give a feeling of depth for those who have read those earlier stories. It's a character-focused story, with references to what Kel is learning and how she's thinking about the information, punctuated by action scenes when she's in training or combat.

I like Raoul as her knight-master, their rapport feels easy and her admiration for him shines through. She sees much less of her friends as they continue their training at the Palace or have knight-masters of their own to follow around Tortall. The plot focuses on the inglorious and brutal work of defending peasants, killing bandits, and dealing with the increasing forays of Scanran raiders. Kel also starts to solidify her own ideas of justice and the ways that the current laws and customs fail those they're meant to protect. She's also figuring out what she wants from love and relationships, finding herself in a romance filled with long separations.

Kel sounds a bit older than she did in PAGE, with her narration on the page finally tracking her age better than it did in FIRST TEST. The story could make sense if someone started here without having read the first two books. There's a more robust storyline here during her time as a squire, and while the resolutions to past bullying and harassment won't be quite as satisfying without knowledge from earlier, there are sufficient and succinct explanations which let the events make sense anyway. Such a reader would miss out on the sense of how much she's grown up, but as she learns and matures even within this volume they might not miss too badly the early parts of that journey. I do still recommend reading the quartet from the beginning, since at times it feels like one single long book that just happens to be broken into parts. There's a lot of overlap of timelines, since the books are divided based on Kel's status on her journey to knighthood, and the events around her refuse to be so neatly confined.

PAGE continues with Kel's second year as a page, now that her probation is over. It covers three years, concluding with public tests for pages ready to become squires. It continues Kel's resistance to Joren's bullying, bringing younger pages into her and her friends' protection as they try to stop the hazing. In addition to new and old friends among Kel's peers, she gains a maid and a dog. Lalasa has been subject to unspecified harassment and physical assault, and her uncle, Gower, hopes that being Kel's maid will offer Lalasa some protection. There's a mostly new storyline related to Kel's efforts to teach Lalasa self defense and help her have a life outside her duties. It intersects with the continued harassment of Kel and her fear of heights in a very dramatic finale which I hesitate to spoil. It doesn't really try to wrap up many plot threads, other than specific incidents (which resolve soon after they begin) and the finale. It's building up to challenges she'll presumably face as a squire, meaning that most things are assumed to continue later in some form (or are so minor as to not require a resolution at this time). 

Kel's voice is consistent with the first book. She sounded a bit older than ten there and now she actually is, so it's a benefit to this story even if it didn't quite fit the first one. The story could mostly make sense to someone who hasn't read FIRST TEST, since the harassment and bullying begun there continue here in a form which is easy to understand even if its origins were shown elsewhere. Happily, the friends she made before continue here as well, with the welcome addition of Owen to their group. It also focuses on Kel's perception of her training and the differences in her body as becomes a teenager. This gets the room to be a fuller story and slightly less of an anti-bullying PSA, while still having enough of that for continuity. The slight reduction there is made up for in discussions of sexual harassment and self-protection, as Kel teaches Lalasa to defend herself from unwanted advances. It's a bit coy about exactly what Lalasa fears, and my one worry would be that it's only helpful to a reader who doesn't need things explained in the first place. 

Overall it feels like this book is doing more work for the quartet as a whole than it is for itself as a volume within it. The plot that's mostly unique to this volume has to do with Lalasa, but even that story is of Kel trying to prepare her to defend herself and then it not being enough without Kel's help. Having read later books before, I know that even this incident is part of a broader conflict spanning most of the series, which means that the main conflict is a continuation of things begun earlier and finished elsewhere. That's fine for the second book in a quartet, it's common for book two of a series to have this feeling, I just wish this book had more that was its own.

As the sixteenth book in a long-running series, BE THE SERPENT represents a new status quo. The change from Simon as a villain to someone in the process of healing was teased in NIGHT AND SILENCE, established in A KILLING FROST, doubled down upon in various short stories, and confirmed in WHEN SORROWS COME during Toby's wedding. This span also is responsible for Rayseline Torquill's current condition and the request which kicks off BE THE SERPENT. Her elf-shot slumber and former misdeeds need to be addressed in a way that leaves her room to get better now that her blood is no longer fighting within her. Once that's addressed, there's a new storyline which, while some aspects of it were teased in the previous several books, has its inciting incident within these pages. The main storyline features several things which are introduced and resolved, plus a very stressful cliffhanger and final pages which promise a very interesting start to the next book. This is definitely not the end of the series, and it explicitly leaves several things (beyond the cliffhanger) which future books will need to address.

Toby is still the narrator and (except for moments related to the ending) her narrative voice is consistent with how she's been recently. It could make some sense to start here, but I think a more satisfying sequence for anyone planning a partial re-read of the series would be to start either with NIGHT AND SILENCE or A KILLING FROST as a lead-up for Rayseline's current condition and recent changes in the Brown household. Perhaps once more of the series is available, BE THE SERPENT will be a new landing spot for reading forward from this book's main attack and its aftermath, but it keeps enough of a focus on healing from previous plot arcs that I'm reading it more in that light for now. For a completely new reader I recommend starting the series from the beginning with ROSEMARY AND RUE, but I recognize that this may be a bit daunting and I'd direct you as far back as NIGHT AND SILENCE at minimum. That will include certain relationships as they were previously understood to be, and let a particular combination of revelations and personal growth be satisfying by the time such a reader reaches BE THE SERPENT.

The worldbuilding leans on what's been long-since established, explaining things which are new, extremely relevant, or turn out to be other than what was assumed. There are asides to explain things when necessary, especially as they relate to Toby's understanding of a situation and what she thinks is important. 

The plot begins with the hearing for Rayseline Torquill, and Toby's promise to claim offense against her and have her stay with Toby rather than her parents for a year. That's barely handled when something terrible happens at Stacy Brown's house, and Toby must try to save the rest of her family. The ensuing conflict is gripping and well-paced, with just the right amount of tension. The central premise is a massive spoiler which is excellently handled, but nonetheless makes any further discussion of the plot a bit tricky. This focuses on Toby's and Tybalt's handling of the crisis, letting many in their extended family be in other rooms fighting other parts of the battle for long sections mid-book. I like the focus on the two of them as this is the first book set after their wedding, seeing how they navigate Toby's heroism together. It creates a feeling of everyone being near and relevant, but not constantly in every scene.

I'm glad it's finally dealing with the mess Oberon left, and in a way that tries to call him to account for his decisions. That seems like it'll be a long process and I'm looking forward to how the series unfolds from here.

Alexia Tarabotti is a spinster in her mid-twenties, mostly content to spend her time at home, in libraries, or with her friend Ivy who has unfortunate taste in hats. She’s also soulless, a preternatural whose touch can temporarily revert any supernatural persons to their formerly mortal state.

Alexia and the London werewolf Alpha, Conall, have chemistry built on mutual annoyance. He enjoys someone who will surprise and stand up to him (a limited commodity when one is the Alpha of a pack of werewolves), and she seems surprised when annoying him for fun turns into something more. Professor Lyall is his Beta, a competent and unassuming older werewolf who is a quiet, steady presence. Ivy, Alexia’s hat-obsessed friend, is one of my favorite characters but this isn’t yet the book where she shines. Lord Akeldama is a flamboyant and well-informed vampire who is utterly delightful.

The worldbuilding is cohesive and worked naturally into the story. Alexia and Conall both have to think in order to stay in step with social expectations (or notice whenever they flout them), which provides opportunities for many details about the setting without distracting from the story. I read this series so many times in high school that I’m having trouble distilling my thoughts about the series generally into what just applies to this book. It sets up the cephalopod-obsessed organization which will continue to have a presence in the series, as well as establishing (at least by mention) many of the characters who will matter as the series continues. 

I love this series and it’s so nice to dive into it again.

Kel is the first girl to train as a page in living memory who is known as a girl during her training. Alanna’s previous example is wielded against her, as it’s assumed by unhappy sexists that Alanna only made it through with help. This provides narrative opportunities for challenges that Alanna didn’t face, or at least new angles on familiar topics (such as bullying). Kel feels older than ten, not enough to be jarring, but enough that I had to keep remembering how young she is. She's handling a lot of stress very well, partly because of coping mechanisms she learned while living in an unfamiliar country with her parents.

Nealan is Kel's sponsor and quickly becomes her friend. Gradually she gets more of a social circle, but it's difficult to be the only girl surrounded by boys when many of the adults in charge are also treating her gender as somewhere between an annoyance and an issue. The plot focuses on Kel's first year as a page, specifically the fact of her probation and the bullying amongst the pages. She also has a fear of heights, something which one of her instructors makes her work to mitigate.

This is technically not a sequel, but it’s set in Tortall one year after the conclusion of the Immortals Quartet. It's notable for sneaking in a bit of Daine and Numair while Daine is barely under eighteen and Numair is thirty or so. Jonathan is king and the land is filled with the immortals who remain, of which Spidrens are a constant danger for even wary travelers. Raoul leads the King's Own, and Alanna has been ordered to stay away from Kel, lest her involvement taint the public perception of Kel's success or failure.

The worldbuilding is continued from the previous quartets, rarely pausing to explain things which were given more thorough treatment earlier. This has the effect of subtly updating continuing readers on what previously-met characters are up to now, while keeping the main focus on Keladry’s current problems. The one place this was a bit jarring is there are a lot of  changes from Alanna’s time as a page, and the characters often not-so-subtly comment on them. Kel obviously doesn’t have Alanna’s experiences in her head, but she knows what her brothers said of their time in the palace and (conveniently) most of the notable changes stem from sometime after their tenure.

Prior Tortall books have mentioned the Yamani Islands, but this is main introduction to any specifics about them. Kel’s parents were the Tortallan ambassadors to the Yamanis, and when FIRST TEST begins, Kel had spent more of her life there than in Tortall. Most of the details about the Islands seem meant to invoke real-world Western ideas of East Asia (specifically but not only Japan). This shows up in bowing styles, lucky/waving cats, clothing, and (most notably) outward impassiveness and control of emotions. 

I've read this many times before as a teenager, but it's been a while, and I was surprised by how much of the plot is Kel dealing with bullying in various ways. 

The White Rat books definitely have a trend towards featuring broody men who are good at stabbing things and carry around an enormous amount of (understandable but often overwrought) guilt. Stephen is no exception to this. He is a paladin whose god died suddenly three years ago, which left people disturbed and confused that a god could die, and triggered berserker rages in many of the paladins. The survivors are now in one of the White Rat’s temples, offering their services as protectors, guards, and whatever else the temple needs where muscled and frequently brooding swordsmen are of use. Grace is a perfumer who has an excellent sense of smell and finds herself rather suddenly in trouble. 

Grace is so genuinely trusting that she needs someone more cynical and observant around to keep things from turning out badly when people take advantage of her. She can, and has, reset her life after betrayal, but it's so nice to see a part of her life where people help her rather than leaving her to sink or swim in the wake of abuse and betrayal. Stephen and his fellow paladins are living each day without their god, trying to be helpful rather than letting the black tide swallow them. It's nice to read a story where the main characters have lives separate from each other, but it's obvious how their lives are enriched by each other's company and possible affection. Zale is a fantastic wit and an even better lawyer, it's great to see them again.

While technically not a sequel, this is set in the world of the White Rat, mentions places featured elsewhere, and includes at least one character from SWORDHEART. The story itself is entirely new. The worldbuilding focuses on just a couple of locations, but describes places in a way that provides relevant information for this story while giving details which complement what that other White Rat books established. I recommend reading at least SWORDHEART before this, but the main thing that will affect is whether Zale is a new or familiar character.