booksthatburn's Reviews (1.46k)

I stopped when the carbon copy of Lafayette from True Blood showed up. I already wasn’t enjoying the “transcript of a youtube video” style.

Clement (Clem) and Cristina (Cris) are twins, Gen(erational) magic users living in New Orleans. Cris has recently pulled away from her magic because she thinks a spell she performed is responsible for their father's death. It's a secret so terrible that she hasn't shared it with anyone, leaving Clem adrift and frustrated, not understanding why his sister refuses to do this thing she's so good at and used to love. Their family has been displaced from their previous position in the Gen Magic Council, of which their grandmother was the queen before she was killed and blamed for someone else's death. BLOOD DEBTS deals with trauma from racism, cultural appropriation, and self-interested cruelty, and how connection and family ties can help the Trudeau family withstand everything hurled against them.

Clem and Cris are the two main narrators, but occasional sections follow other perspectives, such as the girl who used to be Cris's best friend. Echoing what played out between their grandmothers decades ago, she turned cruel and seems to have made it her mission to wreck Cris's life. Clem has his own problems, frustrated with how his sister has pulled away since their father died, he's trying to feel connected with her seemingly revolving cast of brief links. He doesn't understand Cris dating a white boy and she doesn't understand him dating so many boys. I love the way their dynamic is written, because it really feels like teenage siblings who want to connect to each other but don't have the experience to understand the way that their mutual teasing is alternately a barrier as much as it's a connection. They're also stressed out by their mother's illness, but almost as soon as the story begins they discover it was unnaturally caused and the only way to protect their family is to get all of their aunts to come home and help cast a protection. There's a wonderful mix of showing and specifically processing the way the ways that the discord and difficulty communicating between their mother and her sisters has then made it harder for Clem and Cris to navigate their relationship with each other.

Digging into the past unearths old wrongs and tangled threads, highlighting misery in the present. The twins are following their own paths of restitution, reconciliation, and resolution as they work, not quite at cross-purposes, but on parallel tracks of investigation as they each try to find out who was hurting their mother, and whether anyone is still trying to hurt them. Cris is navigating her relationship with her with her boyfriend, and Cris meets a new boy who sweeps him away.  

I love the ending, things are wrapped up in a way that feels immensely satisfying for 95% of the story, and then rather dramatically unresolved for a plot point so tantalizing that I'm eager for the planned sequel. The dangling threads make it feel real and alive, but the way in which it's unresolved sets it firmly back in the realm of drama and fantasy in a way that I find very pleasing. 

The short version is that I loved this book and found it to be one of the more satisfying sci-fi books I've read in a while. Fantasy is my preferred genre, and I like my sci-fi squishy, conversation- or thought-driven, and not worried overly much about making sure I know how the FTL functions. This ticked all those boxes in addition to being a thoughtful exploration of various structures of power and how they are used to justify and perpetuate exploitation in the name of some other good. 

THE FIRST SISTER is relationship-driven in the sense that their decisions have implications for other people and they're very aware of this as they proceed. Lito, in particular, has been ordered to hunt down his former partner. While he does want to find Hiro, he hasn't totally made up his mind about what he will do when that confrontation comes. First Sister has been ordered to spy on Captain Ren, also finding herself drawn to her. She's both terrified and intrigued by the captain's condition that restores some parity between them, but also places First Sister in even more danger. 

I love the way the world is built here. There's a history of colonization and and an ongoing conflict, with main characters from different sides of the war. This means there's several places where he get to know what each side's propaganda is about the basic events, which shows what they actually do, what they say about themselves, and what their enemies think of them.  I understand why this book gets compared to THE HANDMAID'S TALE, and while I do think some of that comparison is appropriate, it also made me nervous before I started reading, and gave me a distorted anticipation of how traumatic this book might be. While it does deal with systematic sexual exploitation (mostly of women but implicitly some men as well), it focuses much more on the systems and structures that are controlling and perpetuating this exploitation and lack of agency -- as well as the way that the sister within this exploitative system are encouraged to work against each other in order to support the group as a whole and eke out some measure of comfort and privilege at the expense of those around them. There are many moments when First Sister is terrified of what might happen to her, but much of my trepidation was soothed when it became clear that I was not going to have to read a graphic assault scene just to have the book hammer home how frightening a loss of bodily autonomy can be. Instead, THE FIRST SISTER takes a multifaceted approach to exploring different kinds of exploitation and loss of autonomy, from classism and financial precarity making people vulnerable to medical experimentation, loss of individual freedom and mental autonomy in military settings, to commodification of emotional labor and sexual exploitation in the Sisterhood. 

I like the soft sci-fi approach; things work because they work, they have particular ways that they function, but the story never grinds to a halt to make sure I understand exactly how a mercurial blade can do what it does. The things that it does take the time to specifically explain are much squishier things, like the various ways that people synced by an implant can or can't access each other's minds. Even those come up in the moment as they're needed, when a character is trying to do something and it either succeed or fails. 

There's a pair of revelations towards the end which completely reframed my understanding of some dynamics which had been been in play for most of the book. The reveal is a very cool moment and I absolutely do not want to spoil it, but one of them sits in that sweet spot of being a twist in a deeply personal sense related to one of the main characters without quite changing what the rest of the story means. It's followed up with a different discovery in the same incident, in a delightful moment of revelation and confusion as three seemingly disparate plot threads cohere and the main characters actually meet.

 I like the trio audiobook narrators, in particular I appreciate Emily Woo Zeller's performance, as always. She's narrated several other audiobooks that I've enjoyed and this was no exception.

As the first book in a trilogy, THE FIRST SISTER resolves several major plot points in a way that gets the three main characters to each have a new status quo and an idea of their plan for what's next. Because of the way the story is structured, it makes sense that all three of them would have new situations and goals as the result of what transpired, especially with the upheaval towards the end of the book. I'm excited for the rest of the trilogy, especially for how the structure of the Sisterhood is affected by what transpires next.

*A quick note that this follows a Western anglophone trend of naming the only significant Japanese character “Hiro”. No one instance is automatically a problem, but over time it starts to seem like the main Japanese name fiction authors reach for. Part of what bothers me particularly in this instance is that the name “Hiro” is a traditionally male name in Japanese, and while nonbinary people are not limited to ambiguously-gendered names, I get the sense that this name was chosen for the “Hiro”/“Hero” pun (which is made explicitly at one point. 

In A HOUSE WITH GOOD BONES, Sam is visiting her mother in the home they once shared with her now-deceased grandmother. However, most of the ways Sam's mother had decorated to make the place her own have been undone, and she doesn’t seem to understand or acknowledge why this would be disturbing. Little things start to add up, eventually going beyond what’s merely bizarre - transforming into something downright creepy. 

Because as a reader this is my introduction to Sam’s mother, it’s harder to immediately know how she ought to be acting, but Sam’s thoughts provide that context in a way that feels natural. It feels like Sam working through it in her own mind, and not just for the benefit of me as a spectator. This is one of those cases where the things that I like best about the book are the ways that my understanding of of what's going on suddenly shifted as new information became available. It's short enough that to discuss most of what I loved in the latter half of the book would spoil many of the best parts of the experience. In general, I like the way that this played with my expectations of what a horror novel could or should be. There were several layers of revelations that didn't really feel like plot twists, as much as they involved realizing the meaning of information that had been said previously, but was transformed by new events. 

I love the ending, that ramps up the pace and the stakes to be suddenly exciting just as everything looked like it was going to wrap up more calmly.