booksthatburn's Reviews (1.46k)

As a sequel, THE SUGARED GAME handles the next stage of Will and Kim's relationship, allowing them to figure out whether they want to stay as a series of very pleasant sexual encounters alternating with lies and danger, or if one of those things is ready to give way. Kim draws Will into more danger after Will and his friend Maisie are in a nightclub run by dangerous people. The nightclub storyline is new, features some dangerous new characters and showing the developing web of friendships between Phoebe, Maisie, and Will, all near Kim but not dependent on how much he's talking to Phoebe or Will at any given time. The question of Capricorn's identity is introduced and resolved, forcing changes in several relationships by the time everything is known. This is the middle book of the trilogy, and it leaves open how Kim and Will will move forward after the many changes in the finale of THE SUGARED GAME. 

Significant parts of this book would not make sense without having read SLIPPERY CREATURES, but it would be a fun time for someone who read it at random. Ironically, the fact that Kim has left a lot unexplained until now might actually work in such a reader's favor as far as comprehension of the plot is concerned.

I especially like the ending, the way the reckoning is handled makes the weight of consequences apparent, as Kim has been keeping too much to himself for too long for him to get away without something bad happening (or several somethings).

SLIPPERY CREATURES is a dynamic story with vivid characters and intimate stakes for a former soldier come bookshop owner who keeps having his calm interrupted.

Normally I cannot stand books where one of the main characters is lying to the other, especially in the context of a relationship. I think what makes the difference is that Will figures out quickly that Kim is lying to him about some pretty important things, even if he doesn't know the precise shape of it for a while. Kim is fascinating as a character, but I would not want to hang around him in person. Will and Kim have a very nice time at their first meeting, but Kim keeps lying to him because he has priorities other than Will and it takes most of the book book to get to a point where Will might be more important to him than his prior commitments. Will for his part wants to know where he stands and wants everyone to stop messing up his life for the sake of something he originally didn’t know it was in his possession and has no desire to hold. 

I was pleasantly surprised by how much I enjoyed this, I will keep reading the series because I want to know what happens next. Future books seem likely to deal more with Zodiac and the relationship between Kim and Will.

Not getting into it, maybe I’m not in the right mood but something isn’t working for me.

I'm not a storyteller, that's not a thing my mind is set up to do. Reading hundreds of books does not place in me any desire to write my own stories. But sometimes I read a tale which is so artfully crafted that I'm in awe of how it's put together. AN UNNATURAL VICE by KJ Charles is one such book. I care about story structure, characterization by dialogue and internal thoughts, awareness of political/class forces, and intricacies of relationships. I'm interested in cults, con artists, and how twins are portrayed in stories. This has it all, the only thing it's missing to be my perfect story would be a heist or forced proximity, and it gets pretty close to that second one. I have reasons to think the third book will focus more on twins, so I'll save some deeper thoughts for that one. 

AN UNNATURAL VICE is excellently crafted, as perfect of a middle book for a trilogy, as I could possibly think of from a structural perspective. It's a gay romance of opposites attracting and Nathaniel finding new love after a long period of mourning. As the second book of a trilogy, it provides a specific answer to something left open in the previous book, specifically, the formerly unknown heir to Clem’s father’s title. It has a new storyline involving Justin as a spiritualist, and his involvement with Nathaniel (which has a bit of a rocky start). A recent re-read of the first book prompted me to notice the ways that Justin’s existence is hinted at there, with the timelines of the two books having some overlap in the early stages. There have been several murders so far in the series, and no clear answer on who is orchestrating them. This is specifically mentioned towards the end of this book, with the implication that it’ll be resolved in the next one. 

Does it make sense to start here? - As always with the middle book of a trilogy, begin with the first one, and don’t try to start here. The specific romance, plot line could make sense without the other books, but things like why the search for the heir even matters were established in the first book through the perspective of someone much closer to the issue than either Justin or Nathaniel are. As narrators, Nathaniel and Justin are very distinct from Clem and Rowley from AN UNSEEN ATTRACTION, though Nathaniel is consistent with how he appeared in the first book. Part of what reinforces this is that some scenes from the first book appear in abbreviated form here, but retold from Nathaniel's perspective. In these cases, the dialogue matches, but his internal monologue is often very different from how Rowley or Clem had perceived the same moments. 

There’s a lot of very cool worldbuilding detail related to Victorian spiritualism and séances, explaining just enough of the tricks to keep the series out of the realm of fantasy, but not giving away all of the mysteries. One of the main conflicts in this book is between Nathaniel’s position as a journalist with a distaste for fraud, but a fascination in the person that is Justin, where Justin is a spiritualist, who has no reason to trust that something could be offered without expecting anything in return. Justin‘s existence up until now has been mostly transactional, for good or for it but mostly for ill. He tells rich people that they can contact their deceased loved ones, and doesn't feel bad for taking their money. 

The way this book is handled makes me like the first one even more than I did originally, as this reveals the significance of several things which were present, but not emphasized. I’m very excited to read the next book, if it’s anything like this than this may become one of my favorite trilogies in recent years.

The TL;DR is "this stressed me out, you should read it too".

THE SPIRIT BARES ITS TEETH is about a trans boy who is institutionalized for "Veil sickness", a condition which is basically a supernatural version of hysteria, itself a historical catch-all term for "that person we think is a woman isn't doing what we think she ought to do and we want it to stop". What's unique about Veil sickness as opposed to hysteria is that it specifically applies to people with violet eyes, a mark of those who can contact departed spirits. Violet-eyed British men are channeled and constrained by a strict social hierarchy and a physical mark that they are following the socially approved path of a Speaker. Silas is not a girl, he's an autistic trans boy whose interest in anything unfeminine is a threat to the Speakers' power. THE SPIRIT BARES ITS TEETH focuses on Silas as both trans and autistic, as well as times when he meets people who are one or the other but not both. These experiences help him parse the ways that these two facets of himself are so intertwined for him but are not necessarily linked for other people. He deals with an intersection of transphobia, misogyny, and ableism, as the times when he is dismissed for not following the social path of a woman can be inseparable from dismissal of him as an autistic person or not understanding the overwhelmingly allistic social hierarchy and assumptions. Trapped at the institution with few connections to the outside, Silas must try to figure out what's happening to the girls who disappear, and who he can trust to get answers.

As a nonbinary trans person, this was a hard book to read due to some overlaps with my personal experiences (thankfully not at the level of an actual horror novel such as this). I read it in large sections, taking a few days in between each to process and prepare myself for the next part. I'm very glad I read it and I definitely recommend it to anyone who enjoys horror, especially medical horror (which features heavily). If you would prefer something more apocalyptic and less medical but are otherwise interested in themes of body horror and transphobia, I suggest reading Andrew's debut novel, HELL FOLLOWED WITH US.

I am familiar with framing devices in short story collections, but the second time "Absolution" appeared I was surprised because I thought it had been a one-off story of a person navigating a relationship and the possibility that it wasn’t quite what he wanted. Then, a couple of stories later, "Absolution" appeared again with the next chapter of his life. It formed a refrain, a transformational core, running through the heart of this collection, allowing for a slow unfolding and twisting of story in a single character. I let each of the various segments of what eventually is her life get to stand alone, having room to breathe, allowing for a transformation across decades in a way that would normally be harder to get across in a short story. There are many ways of being trans, and of being a trans woman. Most of these stories focus on trans women navigating relationships and interpersonal interactions in a way that’s very focused on their underlying thoughts and feelings to whatever degree they’re able to process or express them. Some stories take place over years or even decades, and others occur in just a few days. 

Some of the stories convey the shifting weirdness of existing in a body that changes in ways which other people aren’t expecting, and the range of reactions to that reality. People living lives that are shaped by this thing that they have in common, told in a manner that allows for meandering meandering and blurriness around the edges. This is an absorbing and fascinating collection, and I highly recommend it.

*I received a free review copy in exchange for an honest review of this book. 

The short version is that if you've loved Murderbot for the first six books then this continues the best things from the earlier stories while giving a chance to get acquainted with ART's crew in slightly less dire circumstances (at least for them). I was completely immersed in all the best ways, don't miss SYSTEM COLLAPSE!

As a sequel, this covers the next steps of Murderbot and ART's crew dealing with the colonists whom they met in NETWORK EFFECT. It doesn’t precisely wrap up anything left hanging, but that’s mostly because there wasn't a distinct sense that more follow-up was needed on that planet. The main thing teased was the idea that Murderbot would continue to travel with ART, but in this book they aren't quite ready to begin other journeys. Instead the opening chapters form full link between that story and this one. Because they change locations on the planet, this gets to be a mostly new storyline, despite having ties to a prior entry. Once they knew they had to change locations, it becomes much more about what’s happening now, rather than the group they left behind.

This introduces and resolves the fate of the second colony on the planet. It’s not the last book and it specifically establishes the next thing that Murderbot wants to do in a way that most of the other books really couldn’t. This is a pretty direct follow-up to events in NETWORK EFFECT, and would be much less satisfying for anyone who tried to start here without having read the previous books. Because its direct predecessor, FUGITIVE TELEMENTARY, takes place out of sequence with NETWORK EFFECT and SYSTEM COLLAPSE, technically, I guess you could skip that book, but the rest are essential in terms of plot. All of them are very important for character development. The heart of the story is Murderbot's internal journey of figuring out autonomy and personhood, including how attached it feels to either of those ideas with relation to itself. This means that character establishment is pretty quick in each of the books. Murderbot's whole deal is very understandable from just a few snippets . Its character development happens much more slowly, as figuring out what it wants distinct from, but not necessarily separate from other beings is a long process that has had room to breathe over the volumes. As to the specific story, there was a lot to clean up on the planet after NETWORK EFFECT. Early in this book, ART's crew is made aware of a complication that requires their attention. This complication is significant enough that dealing with it is the focus of the rest of the book.

SYSTEM COLLAPSE has a lot of very cool worldbuilding related to the other colony, but done in a way that reflects those differences through the things that Murderbot cares about, specifically, communication and media. One of my favorite bits is that we actually get some background for one member of ART's crew because there are some ways in which his former training is closer to Murderbot than to his fellow researchers. Those few similarities end up reinforcing the gap between what Murderbot can do and what even the best-trained human is capable of as far as combat and tactics.