Quickly realized the setting is contemporary.

From the first page, THE FERRYMAN felt like mint chocolate cotton candy: a novel flavor combination which initially is a heady experience but eventually feels bland in its sameness. It’s startling at first, because it’s a flavor which does not normally belong in cotton candy and seems at first like a cool idea, but ultimately contributes little to the conversation of what makes a tasty dessert. I do not, generally speaking, want the book equivalent of cotton candy, but the writing is gripping and the world was interesting at first. 

Ultimately I stopped reading when the bland misogyny became too frustrating. In a world where every marriage is a contract with a time limit (the parties can renew), it makes no sense for the main character to have a level of jealousy and possessiveness that in the real world is cultivated through an assumption of monogamy as a default. I read an ARC and so will refrain from using quotes in case the final version changes substantially, but this was a setup I've read before executed in a way that was frustrating to read.

I dislike the narrator and the tone.

I realized I don't care about this series anymore.

I was initially drawn in by the premise, a group of magicians brought to the Library of Alexandria have a year to decide which one of them will be eliminated and which five get to stay for another year. The cast of characters is pretty diverse (though a bit of that initial feeling of diversity was dampened when I realized all of them seemed to have English as their first language, which instantly shrunk the practical candidate pool. Part of the story questions the validity and methods of the entire enterprise, so that leaves some wiggle room for explaining why the candidates aren't actually very diverse (only six total, and two are from the same school in the USA?). Additionally, this could have been the library of Atlantis or Boston and it would have had just as much relevance to the plot. The latest incarnation of the "Library of Alexandria" is physically located in London, in the UK. It became clear pretty quickly that "Alexandria" is just a name, and an indication of thousands of years of whatever this thing is (or at least a claim to that long legacy). There are vague descriptions of the category of study and experiments which the candidates are pursuing, but most of the story is actually a very intense and complicated web of power plays and personal dynamics between the six candidates and the two Alexandrians who oversee them (mostly one of them). There's a pretty intense sex scene about halfway through which I actually didn't mind, but it felt like a sudden shift in tone from the rest of the book. 

The characters seemed initially pretty interesting, but there's very little description of how their powers actually work. There are discussions of magical theory which I enjoyed, but they were usually couched in ways where the magic is actually secondary, which made them feel unmoored from the world being built. 

It's six (sometimes eight) people in a house, talking to each other and slowly changing how they feel about one another, which is not what I was expecting in a book about "magicians living in the Library of Alexandria".

Ultimately I stopped because it became clearly stated that the whole thing is a slow burn trolley problem, and I don't like trolley problem situations.

I remember liking this in high school but I think my tastes have changed significantly since then. There's a lot of ableism (internal and external) as Fitz navigates the new state of his body after the events of last book. I don't like how his early epiphany about how his body still can do things amounts to "at least I'm disabled, not elderly", which is extremely frustrating.

I liked this when I was a teenager, but some stuff hasn't aged well and I'm not interested anymore.

I don’t like the pacing, nor the main characters. There’s a dizzying amount of detail about objects and surroundings but almost nothing about the magic that’s supposed to be of such importance to the story. I struggled to get through the first 18% and then stopped.

Thanks to Netgalley and the publisher for the ARC.