Since his father lost his job, Eniola spends his days making ends meet. His school fees are coming up, and he has no idea how to pay for it. Meanwhile, golden girl Wuraola is in her first year of medical practice but is already burnt out. She's unsure about her future both for her career and impending marriage. When a local politician decides to take matters into his own hands with an upcoming election, Eniola and Wuraola's lives become intertwined.

One of the most thought-provoking themes explored in GOOD THINGS revolves around agency and fate. The novel contemplates whether individuals truly have the freedom to choose and shape their destinies or whether external circumstances wield greater control. This existential reflection resonates throughout the story, making it an emotionally complex and challenging read. The limited choices Eniola & Wuraola have and lack underscore the theme of fate's inexorable influence on their lives.

The title aptly captures the essence of the novel, where "SPELL" reflects the fleeting moments of happiness and hope that emerge amid the characters' struggles. Set against the backdrop of modern Nigeria, the narrative delves into class disparities. The underlying thread that girls and women bear the consequences of men's decisions adds a layer of social commentary to the story.

Nonetheless, the pacing of GOOD THINGS could be a challenge to readers. The slow-burn nature of the plot doesn't truly find its stride until the 70% mark, and the lack of a clear connection between the two POVs until then creates an air of ambiguity. Between the two narratives, I was drawn to Eniola's story, while Wuraola's lacks the same allure initially.

GOOD THINGS is not a light-hearted or easy read. It delves into complex themes of agency, fate, social struggle, and gender dynamics. The slow pacing may test the patience of some readers, but for those willing to invest in the characters, the emotional payoff is worth it.