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onceuponanisabel 's review for:
Cinderella Is Dead
by Kalynn Bayron
Y'all this book is the feminist dystopia I've wanted for ages.
There's a hole in my heart, a [b:The Grace Year|43263520|The Grace Year|Kim Liggett|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1548518877l/43263520._SY75_.jpg|53547141] shaped hole, that stems from wanting a YA dystopian novel about a girl who dismantles a deeply misogynist society with heroics and swordfighting, and failing so abysmally to find it thus far. People of the internet, that hole has been filled.
Cinderella is Dead follows Sophia, a girl born into a post-Cinderella nightmare, in which Prince Charming transformed the country into a misogynist's fantasy. She is forced to attend the annual ball, where a man may claim her as his bride. If a girl is not engaged after three years, her life is forfeit. Rather than allow herself to be claimed by an abusive bully, Sophia flees the ball and encounters Constance, a descendent of one of Cinderella's step-sisters, and the last remaining guardian of the true Cinderella story. Together, the two seek out the truth about Cinderella and their country, and fight for the freedom of all who live there.
It is admittedly true that the book industry is slowly diversifying, but that doesn't mean that this story of a black lesbian saving the world from an entitled white man isn't 100% necessary and 100% appreciated by this reviewer.
I'm a sucker for retellings, so I loved that Bayron managed to write a truly unique retelling that provides commentary on modern issues while still retaining the magic of the original story. Yes, Sophia gets a magical gown that disappears at midnight, and yes, she kicks ass in it. The action was exciting, and Sophia was such a fun, strong, lovable heroine.
I really only have one complaint about this book, and that is the romance. Sophia and Constance spend very little time getting to know each other, and while they are both really fun characters, I honestly didn't feel like there was much development for their relationship. That would have been fine -- there were about a million other things going on -- but it was very instalovey and honestly I kind of wished Bayron had focused on the main plot, and left the romance at its beginning, as a step towards a hopeful future.
Nonetheless, I could not recommend this book more. And was Bayron teasing us with the hint of other stories in the same world? Because I feel like I caught a whiff of a Snow White retelling coming next, but who knows.
ARC provided by the publisher via NetGalley in exchange for an honest review.
There's a hole in my heart, a [b:The Grace Year|43263520|The Grace Year|Kim Liggett|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1548518877l/43263520._SY75_.jpg|53547141] shaped hole, that stems from wanting a YA dystopian novel about a girl who dismantles a deeply misogynist society with heroics and swordfighting, and failing so abysmally to find it thus far. People of the internet, that hole has been filled.
Cinderella is Dead follows Sophia, a girl born into a post-Cinderella nightmare, in which Prince Charming transformed the country into a misogynist's fantasy. She is forced to attend the annual ball, where a man may claim her as his bride. If a girl is not engaged after three years, her life is forfeit. Rather than allow herself to be claimed by an abusive bully, Sophia flees the ball and encounters Constance, a descendent of one of Cinderella's step-sisters, and the last remaining guardian of the true Cinderella story. Together, the two seek out the truth about Cinderella and their country, and fight for the freedom of all who live there.
It is admittedly true that the book industry is slowly diversifying, but that doesn't mean that this story of a black lesbian saving the world from an entitled white man isn't 100% necessary and 100% appreciated by this reviewer.
I'm a sucker for retellings, so I loved that Bayron managed to write a truly unique retelling that provides commentary on modern issues while still retaining the magic of the original story. Yes, Sophia gets a magical gown that disappears at midnight, and yes, she kicks ass in it. The action was exciting, and Sophia was such a fun, strong, lovable heroine.
I really only have one complaint about this book, and that is the romance. Sophia and Constance spend very little time getting to know each other, and while they are both really fun characters, I honestly didn't feel like there was much development for their relationship. That would have been fine -- there were about a million other things going on -- but it was very instalovey and honestly I kind of wished Bayron had focused on the main plot, and left the romance at its beginning, as a step towards a hopeful future.
Nonetheless, I could not recommend this book more. And was Bayron teasing us with the hint of other stories in the same world? Because I feel like I caught a whiff of a Snow White retelling coming next, but who knows.
ARC provided by the publisher via NetGalley in exchange for an honest review.