“There’s a proverb, a maxim, that runs, ‘The dead man is dead; let’s give a hand to the living.’ Now, you say that to a man from the North, and he visualizes the scene of an accident with one dead and one injured man; it’s reasonable to let the dead man be and to set about saving the injured man. But a Sicilian visualizes a murdered man and his murderer, and the living man who’s to be helped is the murderer. What a dead man means to a Sicilian... A dead man is a ridiculous spirit in purgatory, a little worm with human features writhing on a hot brick” (70).