Holly Black’s writing was my first introduction to fae fiction; as a kid, I was obsessed with all sorts of fae mythology, but typically was limited to nonfiction until the first time I saw Tithe on the “new” shelf at my library. I must have checked this book out and reread it four or five times within the first couple of years, but this was my first reread since I was a preteen, and I had no idea what to expect!

If curiosity killed the cat, it was satisfaction that brought it back.

I had forgotten so much of the plot in this book, and the first thing that surprised me upon rereading it was actually how problematic some of the writing is! If you’re a newer fan of Holly’s and haven’t read her old work, here’s your warning: this book involves racist remarks, homophobic slurs, attempted sexual assault, and some potentially sleazy romance dynamics, most of this going entirely unchallenged as the story unfolds. After one character tries to assault the protagonist, there are even one or two instances in which she talks about feeling flattered by his refusal to take “no” for an answer.

“And if I said nothing at all?”
“Then I would point out that sometimes, if you look at something out of the corner of your eye, you can see right through glamour.”

On a more positive note, I had also forgotten how totally addicting the storyline is, how fun and gothic the aesthetic feels, and how lovable Roiben is. While I stand by the fact that the blossoming romance has potential to be problematic, it genuinely doesn’t feel as though Kaye is taking advantage of him with her power over his name. Everything comes across as fully consensual, albeit quite a bit rushed and insta-lovey.

“I am your servant,” the King of the Unseelie Court said, his lips a moment from her own. “Consider it done.”

More than anything, though, I just love the way Holly crafts her fae worlds. Unlike most of today’s popular fae writers, she stays true to the old folklore in many prominent fashions, and my favorite aspect of that is the way she weaves in different types of feyfolk (like sprites, pixies, kelpies, etc.). I have always said that I think Holly is almost singlehandedly responsible for the world of fae YA fiction that so many of us now know and love, and after reading Tithe, despite its imperfections, I adamantly stand by that belief.