Me, I'm always down for a great werewolf story, especially ones that give a new, interesting interpretation of them. Such Sharp Teeth proved to be that and more, with its metaphor being less about the innate toxic aggression of mankind and more about the violence and the lack of agency regarding women's bodies. Harrison's werewolf almost feels like a trauma response to bodily assault, the transformation itself being a moment of tremendous fear and pain, with the end result being an intense anger and need to somehow pass that violence onward. It's certainly not the only way trauma can surface, but it is one out of many outcomes. Throughout the novel we see Rory try to process and control her trauma, even when piled on top of an assault she already experienced as a child, and while on the surface it's a distinctly paranormal situation, it's a depiction that still feels all too real.

The parallel between Rory becoming a werewolf and her sister's pregnancy was also a neat facet to consider. Both changes are transformative in nature, ones that can hardly be controlled and bring about intense emotions of discomfort, pain, and fear. The descriptions of Rory's shifting fall right under the disturbing body horror category, and, really, what isn't also a little bit terrifying than a whole other person growing inside of you? 

I think the book managing to have these undertones while also balancing a banter-filled sense of humor and a more conversational, stream of consciousness writing style is what really made me admire it. It didn't take itself so seriously, but also delivered its messages and theming in an accessible way. Sure, it's sort of like a dark, Hallmark-esque setup with our female lead going back to her small town from living in the city to take care of her pregnant sister, only what's keeping her there isn't a sudden snowstorm or a hunky Christmas beau, but instead turning into a literal monster. Yes, there is the childhood sweetheart that comes along, but that only lands as maybe a second or third reason to stay. He gets a pass though because he and Rory have great chemistry and he's respectful of her at every moment, so keeper material there. 

Ultimately, the family drama takes more precedence than Rory's werewolf situation, as she tries to navigate her past and present trauma while also reconnecting with her sister and mother. It's not like the paranormal aspect takes a backseat or anything, it just feels more like a secondary conflict that muddies up an already tense situation. This isn't meant to disparage the book in any way, only to say that it helps to know what the focus is going to be before developing expectations. Harrison manages both parts of the plot very well, where they felt evenly executed and developed as they feed into each other. 

Definitely give it a try if you're in the mood for something emotional and domestic with a paranormal coating.