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calarco 's review for:
Persepolis 2: The Story of a Return
by Marjane Satrapi
Given the great impact of Marjane Satrapi's first graphic memoir, Persepolis 2: The Story of a Return proved to be a brilliant continuation.
With both written narrative and illustration, Satrapi does a brilliant job of authentically demonstrating the inner unrest and depression of someone caught between two profoundly different cultures. This struggle is further compounded as these events take place right as Marji is coming of age and trying to discover who she is as an individual.
A common theme that is executed quite well is the contrast of expectations of fantasy generated in trying times, juxtaposed with lackluster and disappointing realities. Whether its Marji's personal journey to healing after Austria, or Iran's reconstruction as a country following the Islamic Revolution, idealized dreams of warmer futures are often dashed by colder realities. Furthermore, the visual way these elements are presented clearly convey Marji's own inner emptiness as she grapples with a number of issues.
As with the first Persepolis, the second is impressive in that despite trying conditions, the narrative inspires hope. Marji pushes through despite overwhelming circumstances, with the help of her supportive family, and desire to learn guiding her through different periods of turmoil. Her love of family and learning both serve to reinforce each other, and push her forward as a person.
Overall, I would recommend both graphic memoirs. They are pretty great.
With both written narrative and illustration, Satrapi does a brilliant job of authentically demonstrating the inner unrest and depression of someone caught between two profoundly different cultures. This struggle is further compounded as these events take place right as Marji is coming of age and trying to discover who she is as an individual.
A common theme that is executed quite well is the contrast of expectations of fantasy generated in trying times, juxtaposed with lackluster and disappointing realities. Whether its Marji's personal journey to healing after Austria, or Iran's reconstruction as a country following the Islamic Revolution, idealized dreams of warmer futures are often dashed by colder realities. Furthermore, the visual way these elements are presented clearly convey Marji's own inner emptiness as she grapples with a number of issues.
As with the first Persepolis, the second is impressive in that despite trying conditions, the narrative inspires hope. Marji pushes through despite overwhelming circumstances, with the help of her supportive family, and desire to learn guiding her through different periods of turmoil. Her love of family and learning both serve to reinforce each other, and push her forward as a person.
Overall, I would recommend both graphic memoirs. They are pretty great.